Monday, the Odyssey Film Institute presents Dr Strangelove (on 16mm) at the Balboa, Charlie's Angels (2000), Twin Peaks: Fire Walk with Me, Wild at Heart (repeats through Wednesday), and a mystery movie are at the Alamo Drafthouse New Mission, Italian dramedy There's Still Tomorrow is at the Smith Rafael, Democracy Noir (repeats Saturday) and Mulholland Dr. (on 35mm, DCP repeats Saturday) are at the Roxie, Synecdoche, New York is at the New Parkway, and Belgian drama Amal (repeats Tuesday and Thursday) is at the Lark.
Tuesday, Doris Wishman's A Night to Dismember is at the Drafthouse, The Conformist is at the Balboa, and Swept Away and Eraserhead (on 35mm) are at the Roxie, along with our feature this week and this month's Staff Pick, Jerzy Skolimowski's Deep End.
Wednesday, Screaming Queens: The Riot at Compton’s Cafeteria (2005) with Susan Stryker and Victor Silverman in person and There is Another Way with director Stephen Apkon in person are at the Roxie, Crackers (on 35mm) is at the Drafthouse, Cannes-award winning Moroccan doc hybrid The Mother of All Lies continues BAMPFA's Documentary Voices series, the Smith Rafael has a Hans Zimmer concert doc, Tommy Boy is at the Balboa, A Hard Day's Night (repeats Thursday) is at the Vogue, and The Basement presents American Movie on VHS.
Thursday, Todd Haynes’s Early Works screen at BAMPFA, including new restorations of early student film Assassins and definitely, absolutely, positively not the director's legally challenged stop-motion biopic breakout which shall not be named, the Smith Rafael screens Stripped for Parts with filmmaker Rick Goldsmith in person, Jean-Luc Godard's A Woman Is a Woman (repeats Saturday and Sunday), Wild at Heart (repeats Friday), and The Drifting Souls of the City: Shorts by Hossein Hejrati are at the Roxie, TMNT2: The Secret of the Ooze (on 16mm) and Sin City are at the Balboa, and the Stanford's first pairing of the week is a Dietrich/von Sternberg double of Dishonored and Blonde Venus (both on 35mm, repeats Friday).
Friday, Walter Murch is in person to present his new doc, Her Name was Moviola, at the Smith Rafael, where Carson Lund's Eephus and Gary Snyder doc O Mother Gaia also open, Oleksandr Dovzhenko's silent classic Earth (on 35mm), with live piano accompaniment from Judith Rosenberg, begins Ukrainian Cinema: Poetry and Resistance, a new decade-spanning series at BAMPFA, Lou Ye's An Unfinished Film and queer Belgian coming-of-age drama Young Hearts open at the Roxie, Hard Eight is at the Balboa, Any Other Way: The Jackie Shane Story is at the 4 Star, Cinequest presents the original Nosferatu (on 35mm) with live Wurlitzer accompaniment from Dennis James at the California Theater, and Trixie Carr presents The Fifth Element at Opera Plaza.
Saturday, Bigas Luna's My Name is Juani / Yo Soy la Juani screens for one night only at the Roxie, Other Cinema presents films by Lynne Sachs, Sylvia Schedelbauer, and Kamila Kuc with Sachs in person at Artists' Television Access, Mai Zetterling's Doktor Glas and Todd Haynes's based-on-a-true-story teflon conspiracy thriller Dark Waters are at BAMPFA, Singin' in the Rain is at the Balboa, The Spongebob Squarepants Movie (repeats Sunday) is at the 4 Star, Fritz Lang's A Woman in the Moon (on 16mm) is at the Niles Essanay Silent Film Museum, and the Stanford screens von Sternberg's silent classic The Docks of New York (on 35mm, Saturday only) with live organ accompaniment from Dennis James and Morocco (on 35mm, repeating Sunday).
Sunday, the Stanford screens Ernst Lubitsch's Lady Windermere's Fan (on 35mm) with live organ accompaniment from Dennis James, BAMPFA continue their Zetterling series with Iris and the Lieutenant and offer another chance to catch Payal Kapadia's All We Imagine as Light, Blue Velvet and a reprise of Mission Love Presents: Visions of Mission Mediarts are at the Roxie, Jason and the Argonauts is at the Balboa, Monty Python's Life of Brian at the 4 Star, Cats at the New Parkway, and The 400 Blows at the Lark.