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"Tracey Moffatt may be best known in the art world as a photographer. But even her photographs have the precise staging, lighting, and narrative nuance of film stills, ambiguously illuminating troubled episodes of history and identity. When actually working in film, the effect is amplified further. Action unfolds in the isolated, artificial space of the photographic frame, where every element is perfected and fixed in place. Even when conveyed through the finely orchestrated swoop and pan of a sequence shot. Yet from these constructed scenes spring indelibly human subjects.
"Daughter of an Aboriginal mother and white father, Moffatt grew up “between black relations and white relations” just as Aboriginal Australia was becoming politicized in the fight to reclaim its land rights. But disinterested in either the idealized or patronizing portrayals found in typical ethnographic cinema made about her community (and inevitably by outsiders), she sought more experimental approaches that could cut to the heart of the tales she told." -Spectacle