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On the occasion of the much-anticipated release of their I Saw the TV Glow, Schoenbrun’s follow-up to their 2021 lo-fi microbudget breakout We’re All Going to the World’s Fair, Metrograph has invited the director to screen two of the key inspirations for their latest—American horror classics Messiah of Evil and The Return of the Living Dead—alongside a Member’s Only Preview of the Sundance standout thriller itself, a canny, creepy meditation on the pleasures and perils of pop culture obsession. A celebration of the cult classics canon, curated by a director whose work is destined to join it.