Each year Screen Slate invites our dozens of contributors—along with filmmakers, critics, performers, programmers, cinema workers, and other friends and mutual admirers—to submit their lists of favorite "First Viewings and Discoveries."
As usual this includes many filmmakers who made our Best Of 2025 list: Bi Gan (Resurrection), Ira Sachs (Peter Hujar's Day), Carson Lund (Eephus), Frederick Wiseman (voice actor, Eephus), Robert Kaplow (screenwriter, Blue Moon), Jafar Panahi (It Was Just An Accident), Alain Guiraudie (Misericordia), Darius Khondji (Cinematographer, Marty Supreme, Eddington) and Christopher Blauvelt (cinematographer, The Mastermind).
Plus many, many more very special guests. Some may surprise you!
For the aggregated Best of 2025 list tabulated from these responses, visit here.
Our annual end-of-year poll is guest edited by Nicolas Rapold supported by Jon Dieringer and Nicolas Pedrero-Setzer. Art: Steak Mtn.
Support Screen Slate by becoming a member on Patreon and celebrate with us at our member and contributor party Saturday!
First Viewings
- Things to Come (William Cameron Menzies, 1936)
- Enamorada (Emilio Fernandez, 1946)
- Europa ‘51 (Roberto Rossellini, 1952)
- Pedro Paramo (Carlos Velo, 1967)
- Scattered Clouds (Mikio Naruse, 1967)
- A Man on his Knees (Damiano Damiani, 1979)
- Golden Eighties (Chantal Akerman, 1986)
- Franz Schubert’s Last Three Piano Sonatas (Chantal Akerman, 1989)
- Crimson Gold (Jafar Panahi, 2003)
- Aferim! (Radu Jude, 2015)
- Notfilm (Ross Lipman, 2015)
- What Means Something (Ben Rivers, 2015)The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, 2015)
- I Do Not Care if We Go Down in History as Barbarians (Radu Jude, 2018)
Best New Releases
1- Sirat
2- Bugonia
3- Zodiac Killer Project
4- Misericordia
5- Filhos Do Meio
6- If I had Legs I Would Kick You
7- Twinless
8- Duas Vezes João Liberada
9- Final Destination: Blood Lines
10- Boys Go To Jupiter
Favorite First Viewings
Love & Pop
Anatomy of Hell
Jamon Jamon
Huevos de Oro
Inflatable Sex Dolls Of The Wasteland
The Little girl who Lives Down the Street
The Seventh Continent
Exotica
Miracle Mile
Laurel canyon
Favorite first viewings, limited to only those films I saw in theaters and listed in the order I saw them
- La Commune (Paris, 1871) (Peter Watkins, 2000, Anthology)
- Nightshift (Robina Rose, 1981, Anthology)
- The Damned (Luchino Visconti, 1969, BAM)
- Passing Through (Larry Clark, 1977, Film at Lincoln Center)
- Drive a Crooked Road (Richard Quine, 1954, MoMA)
- Shanghai Blues (Tsui Hark, 1984, Metrograph)
- Christiane F. (Uli Edel, 1981, Film at Lincoln Center)
- In the Spirit (Sandra Seacat, 1990, Roxy Cinema)
- La mujer de todos (Julio Bracho, 1946, MoMA)
- Amok (Antonio Momplet, 1944, MoMA)
- Fade In (Alan Smithee, 1968, Anthology)
- Viridiana (Luis Buñuel, 1961, Film Forum)
My favorite new releases (unranked)
- Peter Hujar’s Day (Ira Sachs)
- Misericordia (Alain Guiraudie)
- Sinners (Ryan Coogler)
- Caught by the Tides (Jia Zhangke)
- Magellan (Lav Diaz)
- Sentimental Value (Joachim Trier)
- The Secret Agent (Kleber Mendonça Filho)
- The Mastermind (Kelly Reichardt)
- My Mom Jayne (Mariska Hargitay)
- Water Sports (Whammy Alcazaren)
My favorite first viewings
- Independencia (Raya Martin)
- Objects Do Not Randomly Fall From the Sky (Maria Estela Paiso)
- Yearning (Mikio Naruse)
- Two in the Shadow (Mikio Naruse)
- The Birdcage (Mike Nichols)
- Tea and Sympathy (Vincente Minnelli)
- Shall We Dance? (Masayuki Suo)
- Looking for Langston (Isaac Julien)
- Ikiru (Akira Kurosawa)
- The Palm Beach Story (Preston Sturges)
- The Hours and Times (Christopher Münch)
New Releases
- Sorry, Baby
- One Battle After Another
- Die My Love
- Weapons
- Black Bag
- 28 Years Later
- Final Destination: Bloodlines
- Friendship
- After the Hunt
- Train Dreams
Favorite First Viewings and Discoveries
- Vibrations - Lives up to its’ premise. A musician gets both of hands cut off and has to resort to DJing. Ew.
- Tiptoes - Matthew Bright with about half the effort of Freeway or Freeway 2.
- Sliver - I can’t believe I hadn’t seen this. Ira Levin files another HOA complaint, this time against video voyeurism.
- Two Moon Junction - This film should get its respect for the profound impact it had on Twin Peaks and just David Lynch in general. Zalman King is a master.
- The Blackout - Not the best Ferrara film by far but somewhere in there Hopper delivers a feisty manifesto on video art. Loses the plot after that but it wasn’t much of one any way.
- Jumpin Jack Flash - Someone needs to check Whoopi’s WPM in this movie. It feels record breaking.
- Contraband - Shout out to Spencer for turning me on to this. Fulci showing his range and the lead character’s name is Luca.
New Releases
- Sinners Ryan Coogler
- We Were Here - the Untold History of Black Africans in Renaissance Europe Fred Kudjo Kuwornu
- BLKNWS: Terms & Conditions by Kahlil Joseph
- Next Life Tenzin Phuntsog
- "Brick by Brick" (Tijolo por Tijolo) by Victória Álvares and Quentin Delaroche
- Weapons Zach Cregger
- Once Upon a Time Time In Harlem Davis Greaves
- Celetine (Florida Storm) Allison Janae Hamilton
Faves/First Time Viewing
- Henry Fonda for President Alexander Horwath
- On Becoming A Guinea Fowl Rungano Nyoni
- Battle Royale Kinji Fukasaku
- Pressure Horace Ové
- Compensation Zeinbu irene Davis (not really but the preservation felt like the first time!)
- Symptoms (1974 ) José Ramón Larraz
- Ben Gazzara Arthur Jafa (Overwhelming installation. I'm good-Don't need to see this again for a while tho')
First Viewing
- Blue Gardenia (Fritz Lang)
2025 Theatrical Releases (alphabetical)
- Afternoons of Solitude (Albert Serra)
- Alpha (Julia Ducournau)
- Caught By the Tides (Jia Zhangke)
- Cloud (Kiyoshi Kurosawa)
- Eephus (Carson Lund)
- Friendship (Andrew DeYoung)
- If I Had Legs I’d Kick You (Mary Bronstein)
- The Mastermind (Kelly Reichardt)
- The Shrouds (David Cronenberg)
- WTO/99 (Ian Bell)
2025 First Watches (chronological)
- The Outlaw and His Wife (Victor Sjöström, 1918)
- Tea and Sympathy (Vincente Minnelli, 1956)
- The Stranger Within a Woman (Mikio Naruse, 1966)
- Secrets of Sex (Anthony Balch, 1970)
- The Man on the Roof (Bo Widerberg, 1976)
- Big Wednesday (John Milius, 1978)
- Blue Mountains, or Unbelievable Story (Eldar Shengelaia, 1983)
- Polly Perverse Strikes Again! (Dan Sallitt, 1986)
- The Apostate (Valeri Rubinchik, 1987)
- The Comedy of Work (Luc Moullet, 1987)
- American Hunter (Arizal, 1988)
- Central Park (Frederick Wiseman, 1990)
- White Homeland Commando (Elizabeth LeCompte, 1993)
- Double Team (Tsui Hark, 1997)
- Ride with the Devil (Ang Lee, 1999)
- La Commune (Paris, 1871) (Peter Watkins, 2000)
- 25 Watts (Pablo Stoll and Juan Pablo Rebella, 2001)
- The Best of Me (Heather Landsman, 2024)
- Felt (Blake Williams, 2025)
- Game 7, 2025 World Series
Here are my lists for the year, new and old. Now, last year when I submitted my lists, they were ranked and for some reason on the site they were not. Both of these lists are ranked!
Best New Gems
1. Playboi Carti @ Barclays Center, 11.6.25 // Charlie XCX @ The Grammy Awards, 2.2.25
2. The Shrouds (David Cronenberg) // The Empire (Bruno Dumont)
3. Thunderbolt Fantasy: The Final Chapter (Chris Huang/Jia-Shiang Wang/Pao-Pin Cheng) // Mononoke the Movie Chapter II: The Ashes of Rage (Kenji Nakamura/Kiyotaka Suzuki)
4. In Whose Name? (Nico Ballesteros) // aka Charlie Sheen (Andrew Renzi) // The Fastest Boxer In The World (Griffin Conner) // X-Ray Eros (Bradley Eros)
5. Graph Theory in State-Space aka I Solved Klotski (2swap) // Henry Fonda for President (Alexander Horwath)
6. Kirk-ified AI Slop Timeline (ChatGPT/Gemini/Claude) // Baby Invasion (Harmony Korine) // “I Hate Antichrist,” John Maus (Andrew Norman Wilson)
7. The Stage (Chen Pei-Si) // The Lychee Road (Dong Chengpeng) // Nobody (Shui Yu) // Tom and Jerry: Forbidden Compass (Zhang Gang) // Operation Hadal (Dante Lam Chiu-Yin)
8. Toward a Fundamental Theory of Physics (Victor Van Rossem) // A laser pointer at 2 billion fps makes the speed of light look… kinda weird (Brian Haidet)
9. King of the Hill S14 (Mike Judge) // Tulsa (Scott Stark)
10. “Surrounded: Jordan Peterson vs 20 Atheists,” Jubilee // “Tucker Carlson Confronts Ted Cruz on His Support for Regime Change in Iran,” The Tucker Carlson Show
Best Old Gems
1. Upper Blue Lake (1996; James Otis)
2. Humanité (1999; Bruno Dumont)
3. Horizons (1973; Larry Gottheim)
4. Children of Paradise (1945; Marcel Carné)
5. Angel Beach (2001; Scott Stark)
6. Metamedia: A Film Journal of Intermedia and the Avant-Garde 1966-1970 (1972; Jud Yalkut)
7. Mountaineer Spinning (2004; Ken Jacobs)
8. Camino Real (1972; Martha Edelheit)
9. Belfast, Maine (1999; Frederick Wiseman)
10. Gawrsh, I Didn’t Know You Was a Lady (1982; Sandy Moore)
11. Lineage (1979; George Griffin)
12. Scooter - Live In Hamburg (2010; Frank Dittmann)
13. Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1975; Chantal Akerman)
14. The Princess and the Pea (2002; Mark Swan)
15. Destiny… The Universal Fantasy (1974; Jon Voorhees)
16. The Third Generation (1979; Rainer Werner Fassbinder)
17. The Paradine Case (1947; Alfred Hitchcock)
18. Better than Ever (2015; Ernie Gehr)
19. The Chair (1997; Zhang Tielin)
20. In Prison Awaiting Trial (1971; Nanni Loy)
Discovery of the year:
Secret Chronicle: She Beast Market aka The Oldest Profession (1974)
Dir: Noboru Tanaka
Other great discoveries:
Save the Tiger (1973)
The Cat (1992)
Ebola Syndrome (1996)
Red to Kill (1994)
The Great Chase (1975)
Beyond the Infinite Two Minutes (2020)
Marketa Lazarová (1967)
Love Hotel (1985)
White Whore: Flower Core (1974)
The Pick-Up (1968)
The Olive Trees of Justice (1962)
Unranked list for best new releases
- Sirat
- The Shrouds
- Caught by the Tides
- Afternoons of Solitude
- The Ice Tower
- The Secret Agent
- Through a Mirror Darkly
- Bombay Tilts Down
- Little Boy
- Bogancloch
Fav first viewings
- The Memory of Justice
- Flamingo Road
- Winter Kept Us Warm
- Hanno cambiato faccia
- Cafe Flesh
- Brève traversée
- The Merry Monarch (on nitrate)
- Hell is a City
- Doomed Love
- Mitchell’s Death
New Releases
- One Battle After Another (Paul Thomas Anderson)
- Castration Movie 1 and 2 (Louise Weard)
- Sleep #2 (Radu Jude)
- Blue Moon (Richard Linklater)
- The Naked Gun (Akiva Schaffer)
- The Piano Accident (Quentin Dupeiux)
- Sinners (Ryan Coogler)
- Drunken Noodles (Lucio Castro)
- Bel Ami (Jun Geng)
- Pee-Wee As Himself (Matt Wolf)
- On Becoming a Guinea Fowl (Rungano Nypni)
Short Films
- Breakfast Time (Peter Cage)
- The Handyman (Fabio Leal)
- Meat (Marian Thompson-McLain)
- Homemade Gatorade (Carter Amelia Davis)
- This Unremarkable Life (Jake Brush)
- Les Fantômes du hard 1 and 2 (Lazare Lazarus)
- The Fault Line (Brydie O'Connor)
First viewings
- First Time Viewings and Discoveries
- Highway Hypnosis (Ken Camp)
- Mouse Klub Konfidential & The Brady Bunch (James Robert Baker)
- L’Amour, Spike of Bensonhurst, Madame Wang’s and Forty Deuce (Paul Morrissey, RIP)
- Fellini’s Casanova
- Modern Times (Charlie Chaplin)
- Pilgrim Farewell (Michael Roemer)
- The films of Julius Amédée-Laou (on Criterion)
- A.I.D.S.C.R.E.A.M. (Jerry Tartaglia)
- Hookers on Davie (Holly Dale and Janis Cole)
- Heaven (Diane Keaton, RIP)
- Epiphany (Cerith Wyn Evans)
New Releases
- The Secret Agent (Kleber Mendonça Filho)
- The Mastermind (Kelly Reichardt)
- Cloud (Kiyoshi Kurosawa)
- Misericordia (Alain Guiraudie)
- The Ice Tower (Lucile Hadzihalilovic)
- One Battle After Another (Paul Thomas Anderson)
- The Shrouds (David Cronenberg)
- Caught By the Tides (Jia Zhang-ke)
- My Mom Jayne (Mariska Hargitay)
- Sirat (Oliver Laxe)
- (NYFF Faves: Late Fame, Pillion & Mirrors No. 3)
New and Recently Watched Killer “B”’s:
- Final Destination: Bloodlines (Zach Lipovsky & Adam B. Stein)
- Dogman (Luc Besson)
- Den of Thieves: Pantera (Christian Gudegast)
- Dead of Winter (Brian Kirk)
- Red Sonja (MJ Bassett)
- In the Lost Lands (Paul W.S. Anderson)
- Emmanuelle (Audrey Diwan)
- Pretty Thing (Justin Kelly)
- Trouble Man (Michael Jai White)
- Sisu: Road to Revenge (Jalmari Helander)
- haunted house (1921, d. cline and keaton) (light industry) for the scene with the money and the glue
- the encampments (4/21/25, lenfest center for the arts, columbia university) a lot of people tried to stop this from happening. a small victory. police would shut down the screening at ucla 9 days later.
- dodsworth (wyler, 1936)
- days and nights in the forest + hero (ray, 1970 + 1966)
- caught by the tides (jia, 2024)
- freud home movies (narrated by hannah zeavin) (light industry)
- napoleon (gance, 1927) (film forum)
- perfect film (jacobs, 1986) (momi)
- gods of times square (sandler, 1999) (anthology)
- the brig (mekas, 1964) (anthology)
- travolta et moi (mazuy, 1993)
- les coueurs verts (luntz, 1966)
- unknown number: the high school catfish (netflix, 2025) not a good film, but i think a lot about the mom
- mamdani-trump press conference (PBS)
2025 Top 10
1) Paul Thomas Anderson - One Battle After Another
2) Oliver Laxe - Sirat
3) Myrid Carten - A Want in Her
4) Bob LaSalle - Poser Purge Phase 1: Confinement & Interrogation and Phase 2: Extermination & Disposal [Dr
nochugger V]
5) Kaouther Ben Hania - The Voice of Hind Rajab
6) Geeta Gandbhir - Perfect Neighbor
7) Nellie Kluz - The Dells
8) Reid Davenport - Life After
9) Caron Lund - Eephus
10) Trey Jones - Post Time
2025 Favorites (Unranked)
- As I Said at Microscope Gallery (Copper Frances Giloth, solo exhibition)
- Eraserhead Xiu Xiu at Elsewhere
- Heaven and Earth Magic (Harry Smith) with a live score by JG Thirlwell at Brain Dead Studios
- Peter Hujar’s Day (Ira Sachs)
- Weapons (Zach Cregger)
Favorite First Viewings (Unranked)
- Criminal Woman: Killing Melody (Atsushi Mihori, 1973)
- Atman (Toshio Matsumoto, 1975)
- Violent Panic: The Big Crash (Kinji Fukasaku, 1976)
- Sukeban Deka (Tarou Sakamoto, Hideo Tanaka, Michio Konishi, 1985)
- White of the Eye (Donald Cammell, 1987)
- Lady Reporter (Mang Hoi, 1989)
- Motorama (Barry Shils, 1991)
- Trava: Fist Planet (Katsuhito Ishii, Takeshi Koike, 2002)
- Self-Referential Traverse (Kim Gok, Kim Sun, 2008)
- Hiroshima (Pablo Stoll, 2009)
First Viewings & Discoveries
- My Name Is Julia Ross (Joseph H. Lewis, US 1945)
- Gunman's Walk (Phil Karlson, US 1958)
- Evening Primrose (Paul Bogart, US 1966)
- Mi aporte (Sara Gómez, Cuba 1969)
- Greaser's Palace (Robert Downey, US 1972)
- The Cannibal Man (Eloy de la Iglesia, Spain 1972)
- Hard Labour (Mike Leigh, UK 1973)
- The Plaint of Steve Kreines as Recorded by His Younger Brother Jeff (Jeff Kreines, US 1974)
- The Little Girl of Hanoi (Hải Ninh, Vietnam 1974)
- Girls at 12 (Joyce Chopra, US 1975)
- Sholay (Ramesh Sippy, India 1975)
- The Best Way to Walk (Claude Miller, France 1976)
- Louder, Faster, Shorter (Mindaugis Bagdon, US 1978)
- Kummatty (G. Aravindan, India 1979)
- A Different Image (Alile Sharon Larkin, US 1982)
- Streetwalkin' (Joan Freeman, US 1985)
- An Autumn's Tale (Mabel Cheung, Hong Kong 1987)
- Samba Traoré (Idrissa Ouedraogo, Burkina Faso 1992)
- Kokoa (Moustapha Alassane, Niger 2001)
- Being Frank: The Chris Sievey Story (Steve Sullivan, UK 2018)
LBX: Stertorious
No ranking, no order.
New
Harvest (Athina Rachel Tsangari, 2024)
Gorgeously shot, puzzlingly wrought.
The American Revolution (Ken Burns, Sarah Botstein, David Schmidt, 2025)
“Forget it, Your Majesty - it’s Chinatown.”
Revelations Of Divine Love (Caroline Golum, 2025)
She’s leaving home.
Pee-wee As Himself (Matt Wolf, 2025)
Crossfire (Tessa Hoffe, 2022)
Die Hard in a crap marriage.
John Waters’ Criterion Channel Adventures In Moviegoing intros (??, 2024)
Sybil Danning’s LinkedIn feed
Old
Legend Of the Lost (Henry Hathaway, 1957)
Hathaway’s L’Avventura
Set Me Free! (Raymond Lee, 1988)
The Ghost Of Kasane Swamp/The Masseur's Curse (Kimiyoshi Yasuda, 1970)
Period Japanese town of Jim Thompson-grade predatory provincial lowlifes. Life sucks, then you die, then it sucks even more.
The Invisible Dr. Mabuse (Harald Reinl, 1962)
Theater of cruelty and absurdity.
Blonde Venus (Josef von Sternberg, 1932)
35mm at Pre-Code Parade, Nighthawk Prospect Park
Lili (Charles Walters, 1953)
“Something I think’s worthwhile, if the puppet makes you smile.” IB Tech 35mm at CFS Technicolor Weekend
Floating Clouds (Mikio Naruse, 1955)
Indochina, Mon Amour. 35mm at both Japan Society & Metrograph.
Tea and Sympathy (Vincente Minnelli, 1956)
Appropriately lush 35mm print intro’d by Mike Koresky at MoMI.
The Pizza Triangle (Ettore Scola, 1970)
35mm at FSLC. Commie dell'arte
Sudden Rain (Mikio Naruse, 1956)
35mm at Metrograph
Seven Days From Now/Seven Waves Away/Abandon Ship (Richard Sale, 1957)
End stage Ty Power and Mai Zetterling making out with they-hooked-up-offscreen intensity in period underwear while bobbing within a life ring circled by studio tank shark fins and that’s in the first five minutes. Grand Hotel meets Lifeboat meets Lord Of The Flies.
The Bounty Hunter (André De Toth, 1954)
Sincerity (Mikio Naruse, 1939)
35mm at Japan Society
Demons Of The Mind (Peter Sykes, 1972)
A Certain Killer (Kazuo Mori, 1972)
Girl On Fire (Sang Lung, 1994)
Supervixens (Russ Meyer, 1975)
Dr. Who: The Robots Of Death (Michael E. Briant, 1977)
Hokuriku Proxy War (Kinji Fukasaku, 1977)
This Day And Age (Cecil B. DeMille, 1933)
35mm at Pre-Code Parade, Nighthawk Prospect Park
My ten favorite theatrical moments of 2025 below. A huge THANK YOU to the curators, venues, projectionists, musicians, moderators, and special guests who made all of these so memorable.
Programmer's note: It goes without saying that my proudest experience this year was co-presenting 'Paul Reubens Selects' - a collection of the singular pop star's favorite films - with documentarian Matt Wolf at BAM Cinema. BONUS: Matt won three Emmys in the midst of our series!! Congratulations, Matt... Paul is looking down at you, smirking.
1) Highway Hypnosis (1982), Ken Camp. Co-presented by Narrow Rooms and Liz Purchell at Anthology Film Archives, 8/15/25. To quote John Waters: "If you don’t like this film, I hate you."
2) Dying (1976) and Pilgrim, Farewell (1982), Michael Roemer. New restorations by The Film Desk. With the late Michael Roemer in attendance at Film Forum, 1/25/25. The two finest films about the end of life that I've ever seen.
3) Vampyr (1932), Carl Theodor Dreyer. With live musical accompaniment by Elissa Nahkleh (piano), Zein Nahkleh (violin), and Parker Bert (percussion). Presented by Le Cinéclub de Montréal at Église Anglicane St-Georges, 10/18/25. Afterwards, I was devastated to learn that their performance was entirely improvised, after only one rehearsal. They moved me so profoundly, I was angry to discover that they hadn't spent 18 months writing the score.
4) AKA Martha's Vineyard (2025) and Radioactive City (2011), Richard Sandler. Part of 'Eyes of the City: Richard Sandler' presented by The Film Desk. With Sandler and me in conversation at Anthology Film Archives, 6/8/25. Sandler is a genius and the new Blu-ray of The Gods of Times Square plus shorts is a must-own.
5) The Black Room (1982), Norman Thaddeus Vane. Presented by The Deuce (Jeff and me!) at Nitehawk Williamsburg, 10/9/25. A perfect horror movie - funny in all the right places, deeply harrowing when it needed to be.
6) Love Me Deadly (1972), Jacques Lacerte. Presented by Liz Purchell for Weird Wednesday at Alamo Drafthouse Brooklyn, 2/12/25. Sick and beautiful.
7) Ma mère (2004), Christophe Honoré. IFC Center, 1/30/25. Sick and beautiful.
8) The Mack (1973), Michael Campus. Presented by Alfreda's Cinema at BAM Cinema, 3/26/25. Another perfect movie, not a single frame out of place. 35mm expertly projected by Dylan Soltis, despite being slightly warped - a feat of great technique and care.
9) Funny Pages (2022), Owen Kline. With Owen and guests in attendance at Film Forum, 8/12/25. Owen made an American comedy classic, which I missed in its original release. Silly and cringy and weird and touching.
10) The Fireworks Woman (1975), "Abe Snake" (aka Wes Craven). Presented by Liz Purchell for 'Skin Deep' at Nitehawk Williamsburg, 10/7/25. Brilliant use of superimpositions, dissolves, music in the public domain, and pubic hair.
First Viewings
- Spellbound (Alfred Hitchcock 1945)
- Koroshi no rakuin (Seijun Suzuki 1967)
- What Have I Done to Deserve This? (Pedro Almodóvar 1984)
- Faust: Eine deutsche Volkssage (F.W. Murnau 1926)
- Das Testament des Dr. Mabuse (Fritz Lang 1933)
- Krtek (Zdeněk Miler 1957)
First Viewings
AMERICA Land of the FreeKS (Ulli Lommel, 2018)
Is effective social satire achievable in a culture that's already absurd to the core? Of course, but only if you're a septuagenarian former Fassbinder and Warhol collaborator with a museum-grade bedazzled cowboy hat collection and 64 director credits to your name. For everyone else: good luck.
The Rhythm of Jess (Naxo Fiol, 2013)
This observational on-set doc follows a wheelchair riding Jess Franco as he directs his swan song, Al Pereira vs. the Alligator Ladies. It’s endlessly fascinating to watch the 82 year old outré elder stunt on his haters for the 184th time.
The Entire Star Wars IP (George Lucas & Co., 1977-Present)
My bad: I overdosed on Star Wars films, spinoffs, and episodic content this year. Catapulting through the sprawling intergalactic all-ages dork opera in chronological order from The Acolyte to The Rise of Skywalker was a perverse, gruelling and occasionally enlightening odyssey.
New Releases
• The Dells (Nellie Kluz)
• Israel Palestine on Swedish TV 1958-1989 (Göran Hugo Olsson)
• Maddie's Secret (John Early)
• Materialists (Celine Song)
• Revelations of Divine Love (Caroline Golum)
• SK13: Kubrick's Endgame (Tony Zierra)
• The Shrouds (David Cronenberg)
• The Smashing Machine (Benny Safdie)
First Viewings
• Blue Crush (John Stockwell, 2002)
• Crossing Delancey (Joan Micklin Silver, 1988)
• Filmworker (Tony Zierra, 2017)
• The Great Muppet Caper (Jim Henson, 1981)
• Killer of Sheep (Charles Burnett, 1978)
• Kissing Jessica Stein (Charles Herman-Wurmfeld, 2001)
• Laurence Anyways (Xavier Dolan, 2012)
• Mind Game (Masaaki Yuasa, 2004)
• Moneyball (Bennett Miller, 2011)
• Muriel's Wedding (P. J. Hogan, 1994)
• No Reservations (Scott Hicks, 2007)
• Ricochet (Russell Mulcahy, 1991)
• Under the Tuscan Sun (Audrey Wells, 2003)
This year I had very memorable and enjoyable experiences watching new films, which is so rare for me and made me feel hopeful. These are the things I watched in 2025 that I liked best, in the order I saw them:
Narrative
- Hard Truths, Mike Leigh
- The Shrouds, David Cronenberg
- Weapons, Zach Cregger
- One Battle After Another, Paul Thomas Anderson
- Pillion, Harry Lighton
- If I Had Legs I’d Kick You, Mary Bronstein
- Sentimental Value, Joachim Trier
- Resurrection, Bi Gan
Documentary
- The Alabama Solution, Andrew Jarecki & Charlotte Kaufman
- Cover-Up, Laura Poitras & Mark Oberhaus
Favorite First Viewings, by Year
Making this list really showed me that one of the reasons my cup feels extra full this year is because I got to see these twenty truly wonderful, magical films.
- In a Lonely Place, Nicholas Ray, 1950
- The Swimmer, Frank Perry, 1968
- The Cremator, Juraj Herz, 1969
- Taking Off, Miloš Forman, 1971
- Bye Bye Love, Isao Fujiwara, 1974
- Lessons of Darkness, Werner Herzog, 1992
- The Player, Robert Altman, 1992
- Naked, Mike Leigh, 1993
- Belly, Hype Williams, 1998
- Dick, Andrew Fleming, 1999
- Together, Lukas Moodysson, 2000
- May, Lucky McKee, 2002
- Ma Mère, Christophe Honoré, 2004
- Ellie Parker, Scott Coffey, 2005
- Grizzly Man, Werner Herzog, 2005
- Inland Empire, David Lynch, 2006
- Thirst, Park Chan-wook, 2009
- The Oath, Laura Poitras, 2010
- Maps to the Stars, David Cronenberg, 2014
- Benedetta, Paul Verhoeven, 2021
Best New Releases
- Last One for the Road
- Peter Hujar's Day
- The Secret Agent
- The Mastermind
- The Love that Remains
- One Battle After Another
- Carol & Joy
- Bugonia
- Cloud
- 28 Years Later
Favorite First Viewings and Discoveries
- Le cirque de Calder (Carlos Vilardebó, 1961) @ Whitney Museum
- Distant Voices, Still Lives (Terence Davies, 1988) @ MoMI
- Central Park (Frederick Wiseman, 1990) @ Walter Reade
- The Clock (Christian Marclay, 2010) @ MoMA
- Model (Frederick Wiseman, 1980) @ Walter Reade
- Sorcerer (William Friedkin, 1977)
- Deja Vu (Tony Scott, 2006) x1 at home x4 in segments of The Clock
- Slums of Beverly Hills (Tamara Jenkins, 1998)
- Rap World (Conner O'Malley, Danny Scharar, 2024)
- Girls at 12 (Joyce Chopra, 1975)
First Viewings
All Is Forgiven (Mia Hansen-Løve, 2007)
Tomboy (Céline Sciamma, 2011)
Water Lillies (Céline Sciamma, 2007)
Toni Erdmann (Maren Ade, 2016)
Christiane F. (Uli Edel, 1981)
Die My Love (Lynne Ramsay, 2025)
Sister Midnight (Karan Kandhari, 2024)
Nouvelle Vague (Richard Linklater, 2025)
Sound of Falling (Mascha Schilinski, 2025)
On Body and Soul (Ildikó Enyedi, 2017)
Best New Releases (loosely ranked):
1. Dry Leaf (Alexandre Koberidze)
2. Blue Moon (Richard Linklater)
3. The Mastermind (Kelly Reichardt)
4. You Burn Me (Matías Piñeiro)
5. Cloud (Kiyoshi Kurosawa)
6. Henry Fonda For President (Alexander Horwath)
7. Gettysburg (Joshua Bogatin)
8. Eddington (Ari Aster)
9. Magellan (Lav Diaz)
10. No Other Choice (Park Chan-wook)
Favorite Discoveries:
Dream of Light (Victor Erice, 1992)
Dilwale Dulhania Le Jayenge (Aditya Chopra, 1995)
Maskerade (Willi Forst, 1934)
Voltati Eugenio (Luigi Comencini, 1980)
American Hunter (Arizal, 1988)
Shipwrecked on Route D17 (Lu Moullet, 2002)
The Journey to Tilsit (Veit Harlan, 1939)
Man With a Movie Camera (Dziga Vertov, 1929)
The Journey (Peter Watkins, 1987)
The Quiet Man (John Ford, 1952)
I Don't Want to Sleep Alone (Tsai Ming-liang, 2006)
Meat (Frederick Wiseman, 1976)
I'm Going Home (Manoel De Oliveira, 2001)
The Spousals of God (João César Monteiro, 1999)
The Doctor's Dream (Ken Jacobs, 1978)
Don't Go Breaking My Heart (Johnnie To, 2011)
Rap World (Connor O'Malley & Danny Scharar, 2024)
New York Subway (Billy Bitzer, 1905)
Million Dollar Baby (Clint Eastwood, 2004)
My Son (Yevgeni Chervyakov, 1928)
La Ronde (Max Ophüls, 1950)
Three Idiots (Rajkumar Hirani, 2009)
Best New Releases (10 films)
- “Sinners”
- “The Mastermind”
- “The Secret Agent”
- “The Phoenician Scheme”
- “Hedda”
- “Afternoons of Solitude”
- “Highest 2 Lowest”
- “Misericordia”
- “One Battle After Another”
- “Marty Supreme”
Favorite First Viewings and Discoveries
[unranked, alphabetical]
- “Born to Win” (1971, Ivan Passer)
- “Dying” (1976, Michael Roemer)
- “Love Letters” (1983, Amy Holden Jones)
- “Ombres de Soie” (1978, Mary Stephen)
- “Once Upon a Time in Harlem” (1972, William Greaves)
- “The Pocketbook” (1980, Billy Woodberry)
- “The Shining Hour” (1938, Frank Borzage)
- “A Wanderer’s Notebook” (1962, Mikio Naruse)
- “Too Wise Wives” (1921, Lois Weber)
- “Woo Who? May Wilson” (1969, Amalie R. Rothschild)
Best New Releases
- By the Stream (Hong Sang-soo, 2024)
- Baby Assassins: Nice Days (Sakamoto Yugo, 2024)
- You Burn Me (Matías Piñeiro, 2024)
- Cloud (Kurosawa Kiyoshi, 2024)
- Misericordia (Alain Guiraudie, 2024)
- The Shrouds (David Cronenberg, 2024)
- The Voice of Hind Rajab (Kaouther Ben Hania, 2025)
- Ghost Killer (Sonomura Kensuke, 2024)
- If I Had Legs I’d Kick You (Mary Bronstein, 2025)
- Invention (Courtney Stephens, 2024)
Favorite First Viewings and Discoveries (one per director, unranked)
- Three Sisters with Maiden Hearts (Naruse Mikio, 1935)
- Image of a Mother (Shimizu Hiroshi, 1959)
- Porgy and Bess (Otto Preminger, 1959)
- Skin Deep (Blake Edwards, 1989)
- Grim (Ito Takashi, 1985)
- The Satin Slipper (Manoel de Oliveira, 1985)
- Drylongso (Cauleen Smith, 1998)
- Document of Collision: The Whiplashed Ones (Ko Hiroh, 1969)
- Invitation of Lust (Kumashiro Tatsumi, 1975)
- O Rio do Ouro (Paulo Rocha, 1998)
- Traffic Jam (Luigi Comencini, 1979)
- Traviata ‘53 (Vittorio Cottafavi, 1953)
- Woman’s Trail: Wet Path (Takeda Kazunari, 1980)
- Seisaku’s Wife (Masumura Yasuzo, 1965)
- It’s My Turn (Claudia Weill, 1980)
- Psychic Rose (Sato Hisayasu, 1980)
- Bone (Larry Cohen, 1972)
- Nightshift (Robina Rose, 1981)
- Sofia and Sexual Education (Eduardo Geada, 1973)
- Solo Sunny (Wolfgang Kohlhaase & Konrad Wolf, 1980)
New
1. Sorry Baby. Eva Victor
2. One Battle After Another, Paul Thomas Anderson
3. Weapons, Zach Cregger
4. If I Had Legs I'd Kick You, Mary Bronstein
5. Cloud, Kiyoshi Kurosawa
6. Misericordia, Alain Guiraudie
7. Two Times João Liberada, Paula Tomás Marques
8. Just Kids, Gianna Toboni
9. After the Hunt, Luca Guadagnino
10. The Perfect Neighbor, Geeta Gandbhir
Sorry to the many films I did not get to see and the many films I hated.
Old
Bob & Carol & Ted & Alice,
Dogma, Kevin Smith, 1999
To Die For, Gus Van Sant, 1995
Coffy, Jack Hill, 1973
The Seats of Alcazar, Luc Moullet, 1989
The Comedy of Work, Luc Moullet, 1988
Ash is Purest White, Jia Zhangke, 2018
Cat on a Hot Tin Roof, Richard Brooks, 1958
Waiting for Guffman, Christopher Guest, 1996
The Janes, Emma Pildes and Tia Lessin, 2022
2025 Films I Watched (Not Ranked)
- April
- Blue Sun Palace
- Caught By The Tides
- Cloud
- Final Destination Bloodlines
- It Was Just an Accident
- Jetty
- One Battle After Another
- Universal Language
- Your Touch Makes Others Invisible
First Viewings (Not Ranked)
- All We Imagine As Light
- A New Love in Tokyo
- The Assassin
- Batch ’81
- Dead Mountaineer’s Hotel
- Giants and Toys
- Jackass 3D (Museum of Moving Image)
- Kisapmata
- Leila and the Wolves
- Nothing But a Man
- Palestine Vainer (Palestine Will Win)
- Passing Through
- Red Spectacles
- Talking to Trees
- When A Woman Ascends The Stairs
- Wolf’s Hole
- A Zed and Two Noughts
Best new releases (unranked)
- If I Had Legs I’d Kick You
- It Was Just an Accident
- Final Destination: Bloodlines
- Sinners
- The Naked Gun
- One of Them Days
- Familiar Touch
- Pee-Wee As Himself
- Roofman
- No Other Choice
Top First Watches
In Theaters
- Spike of Bensonhurst (1988) (Paul Morrissey @ Metrograph)
- Leila and the Wolves (1984) (BAM)
- Lightning (1952) (Japan Society Naruse series)
- Albert Pyun’s Cut of Captain America (Asian American International Film Festival)
- Into the Fire (1989) (Sundays on Fire @ Nitehawk)
At Home
- Other Men’s Women (1930)
- Bitter Victory (1957)
- Nightmare in Badham County (1976)
- Scarred (1984)
- A Knight’s Tale (2001)
New Releases (unranked)
- BLKNWS: Terms and Conditions
- Sorry, Baby
- One Battle After Another
- Blue Moon
- The Mastermind
- On Becoming a Guinea Fowl
- Hold Me Close (dirs. Aurora Brachman and LaTajh Simmons-Weaver)
- Black Bag
- The Shrouds
first viewing (often first public viewing but...)...
- KILLER OF SHEEP sold-out restoration premiere at THE AERO
- WHEN THE WORLD BROKE OPEN: KATRINA AND ITS AFTERLIVES at MoMA (Selfishly including the program I co-curated with K. Austin Collins)
- THE LAKE HOUSE at Vidiots with Amanda Salazar and friends
- The 0:46 video of the “birthday party gone wrong” and the woman who calmly saves the day after the cake flambe and table catches on fire.
- Compensation re-juvenation L.A. release at Vidiots
- Zola at the Academy Museum with friends and a packed crowd.
- Black Girl restoration at NYFF with an intro from J.E. Franklin
NEW FILMS:
ONE BATTLE AFTER ANOTHER
I love hearing my friends talk about how this flick is a leftist conspiracy to sweep the Oscars, or how this film isn’t actually good because it bears no controversy for something that's supposed to polarize. Then I think of what PTA would probably say at a Q&A in response to all that…“Wow. That’s good. I like that.” Shine a light.
BARRIO TRISTE
Going entirely BLIND into something as grand as this is like falling asleep not knowing you’ve just hit a fever and tossing and turning with the most assaulting nightmares where nothing really actually happens…it’s all about that TERROR you just can’t shake. Filmed close to home in Medellin Colombia.
IN WHOSE NAME?
Terrence Malick jr. breathing through each frame as we bear witness to a culture giant gone tumbling down a hill like one of those cartoon snowballs that collects debris and gets bigger and bigger and bigger until…
ROSE OF NEVADA
Plunging into Mark Jenkin’s world of hand-processed super-8 fitted for a 200 foot screen felt MASSIVE. It’s equal parts Twilight Zone as it is Kitchen Sink drama. But there’s a microscopic quality to the image, like watching amoebas eating at the flesh of the last men on earth…STUNNING.
SOFTSHELL
Keyhole-into-the future type filmmaking from Jinho Myung, who pairs us with a brother and sister, both Thai-Americans living in NYC…The film opens with a quote about how if you are not from a place, you will never TRULY be seen as yourself or understood, and that HIT like an anvil straight from the ACME warehouse…An existential torment anyone who is first-generation knows too well. But the beautiful thing here is, at least they have each other.
THE FASTEST BOXER IN THE WORLD
Chronicle of the speediest swiftest foolhardy hustler in all of Brooklyn. Ten uplifting minutes of Matthew Morales - A true stick of dynamite who has created his own brand of shadowboxing that is either the most poetic l thing I’ve ever seen, or pure stupidity. Belief is a powerful thing.
IF I HAD LEGS I’D KICK YOU
Being awash in someone else’s skin to the extent that you feel like you have to go home and take a shower is a rare treat when going to the movies. I was in the chokehold of motherhood and what it means to be ANGRY and uptight and all things out-of-control in this first-person fight to the death. Her “Cheap Thrills” T-Shirt puts her cynicism in full perspective.
MARTY SUPREME
Was never sold on the whole Timmy-phenom but seeing him here weaponized like a heat-seeking missile soaked in Khondji-light had me smiling from ear to ear. Also there’s no denying I was an arrogant little prick at Marty’s age too, shaking anyone down to get what I wanted so’s to make my dreams into reality. True to life, it's almost scary.
EDDINGTON
Seen in literal 4-D on opening day at 2pm in a theater full of baby-boomers scrolling on their phones with their ‘ping’ notifications on at full volume. Facebook was so thick in the air you could slice it with a machete.
THE AI FILMS OF DAMON PACKARD
These are important historical documents that will undoubtedly be buried in the media vortex we live in today, but still, in what other world can a decrepit unhinged manchild bring his blockbuster fantasies to life with the painstaking push of a button?? Damon Packard 4EVER.
HORNY-ABLE MENTIONS: BUGONIA, ROOFMAN
NEW DISCOVERIES:
SPIKE OF BENSONHURST (METROGRAPH) - Morrissey is the undisputed KING of turning real locations into spiritual epicenters of great art. Every corner and sign post and abandoned building in this loudmouth movie lives and breathes. Ridgewood friends will recognize that the incredible block party dance sequence was filmed on Myrtle Ave off Madison & Wykoff where the El Dorado restaurant currently stands. Fuckin A fuckin B fuckin C!!
- FINDERS KEEPERS LOVERS WEEPERS (AT HOME, 2 AM) - I like this Russ Meyer flick a lot cause it lands right in the middle of his filmography when he was transitioning from black n white desert movies to his Eastman-color softcore shenanigans. This one’s photographed like an episode of DRAGNET and there’s an incredible sex scene filmed underwater in a pool.
- THE STRAIGHT STORY (AT HOME, 2 AM) - I’d seen this on The Disney Channel as a little boy. Which makes me wonder how I reacted THEN to Alvin’s incredible monologue about gunning down enemy soldiers in World War 2. The soundtrack is very good for waking up in the morning and forgetting everything that’s bad in this world.
- THE SHORT FILMS OF MICHAEL SMITH - If you’ve been to MoMA you’ve surely walked through Mike Smith’s fallout shelter installation at least once. Discovering his treasure trove of home-movie style films was the highlight of my year. DOWN IN THE REC ROOM, IT STARTS AT HOME, MIKE BUILDS A SHELTER, and SECRET HORROR are each little echo chambers of hanging out and killing time. Though his masterpiece might be his collaboration with William Wegman, WORLD OF PHOTOGRAPHY, featuring an emotional song about if pursuing a passion is really where it’s at…
- SMORGASBORD (ROXY CINEMA) - Anyone whose been to the Roxy when Owen Kline and Bob Furmanek are putting on a show, knows they’re in for a funhouse of unsupervised absurdity, wars n all, a whose-who of who cares - a 60 year old man doing Lou Costello impressions in one ear, Bob Greenberg's loony toon laughter in the other. This is the kind of contagion that Jerry Lewis will bring to any basement abyss in NYC...a full on PLAGUE of funnymen obsessives.
- BAKED BABY JESUS/AFFLICTION (GRIFF’S PLACE) - When a package arrives in the mail labeled “free gift” it’s usually a bible or a pamphlet on reincarnation. Instead I got a DVD from comix legend Mike Diana of full-on smut! GG Allen’s projectile diarrhea, exploding dicks, nipple torture, a visit to a baby cemetary, and somehow, my buddy and I were able to stomach the whole thing while slurping down several plates of spaghetti!!
- THE LITTLE GIRL WHO LIVES DOWN THE LANE (WITH MY GIRLFRIEND) - There’s a scene in this movie, where a crippled kid magician defends himself from a neighborhood bully played by Martin Sheen. The kid magician holds Sheen at knife-point, and it’s so difficult for him to do that there’s tears streaming down his face. This was a gut-punch depiction of standing up to bullying. I had to pause the movie because I too, started crying.
- THE CELTS BBC DOCUMENTARY (ON THE TRAIN FROM LONDON TO EDINBURGH) - Enya’s early music serves as the score to this ghostly documentary about the mythic formation of what is now Ireland, Scotland, and Wales. There’s something heroic too about listening to a Cambridge professor sitting on a log talking about Pagan water gods while droning synths hum in the distance…
- DEVIL DOG: THE HOUND OF HELL (YOUTUBE) - As if torn from the pages of a lost Daniel Clowes comic, the darkness within a newly adopted German Shepard begins to eat at the hearts of an unassuming suburban family, turning their souls black. What a watch.
- FUN WITHOUT LIMITS/ANIMAL LOVE (AT HOME, 2 AM) - Just when you think you love something more than anyone else…there’s some sicko half way across the globe whose got you beat. These “Fun Park” fanatics make Disney Adults look like amateurs. And the lonely loners in “Animal Love” might have a bond with their pets beyond anything any of us could ever humanly stomach…
- HOLIDAY WEEKEND (ARCHIVE.ORG) - I’ve long been a champion of Giuseppe Andrews and his bottomless pit of trailer park dramas, all shot on video in his home turf of Ventura California. His crass dirty-dog troupe of off-kilter actors could hold court against Cassavete’s or Fassbinder’s bunch any day. And to know that there will always be a treasure trove of his films to be discovered, despite his disappearance from the craft, is a reason to keep on living. Thanks for lighting the torch for us Giuseppe. Big love.
NEW RELEASES
In no order:
1. The Shrouds (David Cronenberg)
2. Bugonia (Yorgos Lanthimos)
3. No! You're Wrong or Spooky Action at a Distance (Crispin Glover)
4. Bring Her Back (Danny & Michael Philippou)
5. The Ice Tower (Lucile Hadžihalilović)
6. The Uninvited (Nadia Conners)
7. Father Mother Sister Brother (Jim Jarmusch)
8. Companion (Drew Hancock)
9. Videoheaven (Alex Ross Perry)
10. Schneewittchen (Stanley Schtinter)
Short Film: The Occupant of the Room (Kier-La Janisse)
FIRST VIEWINGS
1. Inauguration of the Pleasure Dome (Kenneth Anger, circa 1953 - previously unreleased workprint with alt score) for the Cameron exhibit at Nicole Klagsbrun Gallery
2. Archical Interviews with Robert Monroe at the Monroe Institute, Faber, Virginia (circa 1980s)
3. Salvation! (Beth B, 1987)
4. Secret Beyond the Door (Fritz Lang, 1947)
5. Martha Graham: The Dancer Revealed (Catherine Tatge, 1994)
6. Spirits of the Dead (Federico Fellini, Roger Vadim & Louis Malle, 1968)
7. L'Etoile de Mer (Man Ray, 1928) as part of the exhibit When Objects Dream at the Met
8. Archival Footage of LSD Experiments (various, 1960s), as part of the exhibit Higher Love: The Psychedelic Roots of Modern Sexuality at the Museum of Sex
9. Night of the Eagle (Sidney Hayers, 1962)
10. When Pigs Fly at MoMA (Sara Driver, 1993)
Favorite first viewings
in the order I saw them
- Beau-père (Bertrand Blier, 1981)
- The Moustache (Emmanuel Carrère, 2005)
- Inherent Vice (Paul Thomas Anderson, 2014)
- Jamón, Jamón (Bigas Luna, 1992)
- Swoon (Tom Kalin, 1992)
- Late Chrysanthemums (Mikio Naruse, 1954)
- Sexy Beast (Jonathan Glazer, 2000)
- Where Is the Friend’s House? (Abbas Kiarostami, 1987)
- AGHDRA (Arthur Jafa, 2021)
- Motel Destino (Karim Aïnouz, 2024)
- I’m Hungry, I’m Cold (Chantal Akerman, 1984)
- The Long Goodbye (Robert Altman, 1973)
- In Paris Parks (Wendy Clarke, 1954)
- Cold Water (Olivier Assayas, 1994)
- Betty Blue (Jean-Jacques Beineix, 1986)
New Releases
- April (Dea Kulumbegashvili)
- Blue Moon (Richard Linklater)
- F1: The Movie (Joseph Kosinski)
- Happyend (Neo Sora)
- The Mastermind (Kelly Reichardt)
- One Battle After Another (Paul Thomas Anderson)
- The Perfect Neighbor (Geeta Gandbhir)
- Resurrection (Bi Gan)
- Sirāt (Oliver Laxe)
- Who By Fire (Philippe Lesage)
First Viewings
- All That Jazz (Bob Fosse, 1979)
- Angel’s Egg (Mamoru Oshii, 1985)
- Another Woman (Woody Allen, 1988)
- Baby Blue Benzo (Sara Cwynar, 2021)
- Kisapmata (Mike de Leon, 1981)
- Model (Frederick Wiseman, 1980)
- Once a Thief (John Woo, 1991)
- The Store (Frederick Wiseman, 1983)
- Vengeance Is Mine (Michael Roemer, 1984)
- RESURRECTION, Bi Gan
- MERLUSSE, Marcel Pagnol
- MEKTOUB MY LOVE CANTO DUE, Abdellatif Kechiche
- NUESTRA TIERRA, Lucrecia Martel
- SILENT FRIEND, Ildiko Enyedi
FIRST VIEWS (Unranked)
- Female Perversions, dir. Susan Streitfeld (1996)
- Lost Book Found, dir. Jem Cohen (1996)
- Drylongso, dir. Cauleen Smith (1998)
- Prêt-à-Porter, dir. Robert Altman (1994)
- Slow Machine, dir. Paul Felton & Joe DeNardo (2020)
- Flores, dir. Jorge Jácome (2017)
- Ombres de Soie, dir. Mary Stephen (1978)
- D.E.B.S, dir. Angela Robertson (2005)
- The Secret Agent, dir. Kleber Mendonça Filho (2025)
- The Beguiled, dir. Don Siegel (1971)
Top ten (ranked):
- One Battle After Another
- Caught by the Tides
- Blue Moon
- It Was Just an Accident
- Below the Clouds
- My Undesirable Friends - Pt. 1
- Nouvelle Vague
- Afternoons of Solitude
- Desert of Namibia
- No Other Choice
Favorite First Viewings and Discoveries
- Headhunters of Borneo (Friedrich Dalsheim, Nazi Germany, 1936) - DCP, Il Cinema Ritrovato
- Girl with Hyacinths (Hasse Ekman, Sweden, 1950) - 35mm, Il Cinema Ritrovato
- Mother Joan of the Angels (Jerzy Kawalerowicz, Poland, 1961) - 35mm, Nitrate Picture Show
- Nothing But a Man (Michael Roemer, US, 1964) - 35mm, Anthology
- White, White Storks (Ali Khamraev, Soviet Uzbekistan, 1966) - 35mm, Asia Society
- Scattered Clouds (Mikio Naruse, Japan, 1967) - 35mm, Metrograph*
- Political Portraits (Gregory J. Markopoulos, 1969) - 16mm
- Journey (Bahram Beyzaie, Iran, 1972) + Bashu the Little Stranger (Bahram Beyzaie, Iran, 1989) - DCPs, Il Cinema Ritrovato + TIFF
- Horizons (Larry Gottheim, US, 1973) - 16mm, MoMA
- The Little Girl of Hanoi (Hai Ninh, North Vietnam, 1974) - DCP, Metrograph
- Primate (Frederick Wiseman, US, 1974) - DCP, FLC
- The Shootist (Don Siegel, US, 1976) - 35mm, Metrograph
- Close Encounters of the Third Kind (Steven Spielberg, US, 1977) - 70mm, Il Cinema Ritrovato
- Perfumed Nightmare (Kidlat Tahimik, Philippines, 1977) - 16mm, Anthology
- Silvestre (João Cesar Monteiro, Portugal, 1981) - 35mm, MoMA
- Mortu Nega (Flora Gomes, Guinea-Bissau, 1988) - DCP, Il Cinema Ritrovato
- The Asthenic Syndrome (Kira Muratova, USSR, 1989) - 35mm, FLC
- Khayal Gatha (Kumar Shahani, India, 1989) - 35mm, Anthology
- Swan Lake. The Zone (Yuri Illienko, Soviet Ukraine, 1989) - 35mm, Metrograph
- My Favorite Season (André Téchiné, France, 1993) - 35mm, L’Alliance
*this one was not technically a first viewing, as I had watched the film during research for the series, but seeing it on the Japan Foundation's 35mm print was as if seeing it for the first time.
First Viewings
- Attenberg (2010), Athina Rachel Tsangari
- The Apartment (1960, Billy Wilder)
- Trenque Lauquen, 2022, Laura Citarella
- Eega, S.S Rajamouli, 2012
- The Arch (1968) dir. Cecilia Tang Shu Shuen
- Himala, 1982, Ishmael Bernal
- Distance (2001), Kore-Eda
Best of 2025 (unranked)
- The Shrouds (David Cronenberg)
- Blue Moon (Richard Linklater)
- Megadoc (Mike Figgis)
- Caught by the Tides (Jia Zhang-Ke)
- Peter Hujar's Day (Ira Sachs)
First viewings
- Tea and Sympathy (Vincente Minnelli, 1956)
- The Quiet Man (John Ford, 1952)
- Eye of God (Tim Blake Nelson, 1997)
- The World (Jia Zhang-Ke, 2004)
- Love Letters (Amy Holden Jones, 1983)
- Wedding in White (William Fruet, 1972)
- The Swimmer (Frank Perry, 1968)
- Out of the Blue (Dennis Hopper, 1980)
- Lake Mungo (Joel Anderson, 2008)
- Dogfight (Nancy Savoca, 1991)
Gangsterism (Isiah Medina)
Felt (Blake Williams)
Full Out (Sarah Ballard)
Landscape #256 (Douglas Dixon-Barker)
Lover Lovers Loving Love (Jodie Mack)
Morgenkreis (Basma al-Sharif)
One Battle After Another (Paul Thomas Anderson)
Pictures of the Warm South (Vanessa Rossetto)
Site Watch (Simon Liu)
With Hasan in Gaza (Kamal Aljafari)
First Viewings
Yearning (Mikio Naruse, 1964)
The Sheepman and the Sheared (Mike Leggett, 1970)
The Seventh Bullet (Ali Khamraev, 1973)
Untitled (Ernie Gehr, 1977)
Salve (Sharon Couzin, 1981)
The Asthenic Syndrome (Kira Muratova, 1989)
The Khayal Saga (Kumar Shahani, 1989)
Platform (Jia Zhangke, 2000)
Hotel Diaries (John Smith, 2001-07)
Bombay Tilts Down (CAMP, 2022)
2025 Releases (unranked)
- 7 Walks with Mark Brown (Pierre Creton & Vincent Barré)
- By the Stream (Hong Sang-soo)
- Cloud (Kiyoshi Kurosawa)
- Fuck the Polis (Rita Azevedo Gomes)
- Redwood Souvenirs (John Winn)
- Dry Leaf (Alexandre Koberidze)
- Bonjour la langue (Paul Vecchiali)
First Viewings
- Terror in a Texas Town (Joseph H. Lewis, 1958)
- Van Gogh (Maurice Pialat, 1991)\
- The Carpathian Mushroom (Jean-Claude Biette, 1990)
- Ruby Gentry (King Vidor, 1952)
- The Enclosed Valley (Jean-Claude Rousseau, 1995)
- Stars in my Crown (Jacques Tourneur, 1950)
- Floating Clouds (Mikio Naruse, 1955)
- Mountain Pass (Jean-François Stévenin, 1978)
- Hatari! (Howard Hawks, 1962)
- Jacques Rivette, the Watchman (Claire Denis, 1990)
- The Long Gray Line (John Ford, 1955)
- Where the Sidewalk Ends (Otto Preminger, 1950)
- The Journey (Peter Watkins, 1987)
- Up, Down, Fragile (Jacques Rivette, 1995)
- The Gunfighter (Henry King, 1950)
- Voyage to the Beginning of the World (Manoel de Oliveira, 1997)
Best New Releases
1. Sirāt (Oliver Laxe)
2. The Shrouds (David Cronenberg)
3. One Battle After Another (Paul Thomas Anderson)
4. Caught by the Tides (Jia Zhang-ke)
5. Henry Fonda for President (Alexander Horwath)
6. Misericordia (Alain Guiraudie)
7. By the Stream (Hong Sangsoo)
8. Grand Tour (Miguel Gomes)
9. The Mastermind (Kelly Reichardt)
10. Father Mother Sister Brother (Jim Jarmusch)
Favorite First Viewings and Discoveries
1. Vengeance Is Mine (Michael Roemer, 1984)*
2. Simon and Laura (Muriel Box, 1955)
3. Cockfighter (Monte Hellman, 1974)
4. Tausend Augen (Hans-Christoph Blumenberg, 1984)
5. The Beatles Anthology (Geoff Wonfor and Bob Smeaton, 1995)
6 .Va, Toto! (Pierre Creton, 2017)
7. False Expectations, 3 x 16mm projection w/ live score by Shrine Maiden (Erica Sheu, 2023)
8. Drifting States (Denis Côté, 2005)
9. Wall (Takashi Ito, 1987)
10. Gabriel Over the White House (Gregory La Cava, 1933)
*Along with every other Michael Roemer film I saw at Play-Doc 2025
2025 New Releases
- Afternoons of Solitude, Albert Serra
- Cloud, Kiyoshi Kurosawa
- City Wide Fever, Josh Heaps
- Eddington, Ari Aster
- The Ice Tower, Lucile Hadzihalilovic
- One Battle After Another, Paul Thomas Anderson
- Misericordia, Alain Guiraudie
- Reflection in a Dead Diamond, Hélène Cattet and Bruno Forzani
- Resurrection, Bi Gan
- The Shrouds, David Cronenberg
Discoveries
- Floating Clouds, Mikio Naruse
- Jade: Director’s Cut, William Friedkin
- One False Move, Carl Franklin
- The Red Pony, Lewis Milestone
- The Return of Godzilla, Koji Hashimoto
Best new releases (unranked)
- Escape (Masao Adachi)
- 7 Walks With Mark Brown (Pierre Creton and Vincent Barré)
- With Hasan in Gaza (Kamal Aljafari)
- Misericordia (Alain Giraudie)
- Afternoons of Solitude (Albert Serra)
- Caught by the Tides (Jia Zhangke)
- You Burn Me (Matías Piñeiro)
- Final Destination Bloodlines (Zach Lipovsky and Adam Stein)
- The Fence (Claire Denis)
- Lover, Lovers, Loving, Love (Jodie Mack)
First viewings and discoveries
- LA COMMUNE (PARIS, 1871) - FULL VERSION, 1999 - an ecstatic collective viewing at Anthology on January 4. Vive la commune, farewell Peter Watkins!
- The Razor’s Edge, 1985 (Jocelyne Saab)
- Floating Clouds (Mikio Naruse)
- Living on the River Agano, 1992 (Makoto Satô)
- Clichy pour l’example, 2006 (Alice Diop)
- The Asthenic Syndrome, 1989 (Kira Muratova)
- Va Savoir, 2001 (Jacques Rivette)
- The whole Creton and Barré program at BAM, programmed by my friend Graham Carter. They are wonderful artists and people, and great lovers of plants and animals. I have a photograph of Pierre with my late cat.
2025 New Releases
- The Secret Agent (Kleber Mendonça Filho)
- The Mastermind (Kelly Reichardt)
- Blue Moon (Richard Linklater)
- 28 Years Later (Danny Boyle)
- Caught by the Tides (Jia Zhangke)
- The Shrouds (David Cronenberg)
- It Was Just an Accident (Jafar Panahi)
- Misericordia (Alain Guiraudie)
- Sinners (Ryan Coogler)
- Bridget Jones 4 (Michael Morris)
2025 Best First Watches
- Matt and Mara (Kazik Radwanski, 2024)
- Tabu (Miguel Gomes, 2012)
- Wuthering Heights (William Wyler, 1939)
- The Thin Red Line (Terrence Malick, 1998)
- Tender Mercies (Bruce Beresford, 1983)
- Late Spring (Yasujirō Ozu, 1949)
- Addams Family Values (Barry Sonnenfeld, 1993)
- BlackBerry (Matt Johnson, 2023)
- Pictures of Ghosts (Kleber Mendonça Filho, 2023)
- I Hate Myself :) (Joanna Arnow, 2013)
First Viewings
- Margaret (Kenneth Lonergan, 2011)
A phantom landmark in American Cinema. - Remember My Name (Alan Rudolph, 1978)
Geraldine Chaplin’s performance ranks with Gena Rowlands in Woman Under the Influence and Ingrid Bergman in Gaslight. Astonishing! - Domestic Violence 2 (Frederick Wiseman, 2002)
- Ash Is Purest White (Jia Zhang-ke, 2018)
- People’s Park (Libbie Dina Cohn & J.P. Sniadecki, 2012)
An inexhaustible template for nonfiction filmmaking. Take this approach into every public space worldwide - War and Peace (Sergey Bondarchuk, 1965)
An unassailable argument against green/blue/whatever screens. - Four Nights of a Dreamer (Robert Bresson, 1971)
I can’t think of another film that convincingly ennobles the inherent narcissism of loving someone. - Breathless (Jim McBride, 1983)
https://www.screenslate.com/articles/breathless - Vagabond (Agnès Varda, 1985)
- The Pigeon Tunnel (Errol Morris, 2023)
Made me wonder for the first time in almost two decades if EM had anything left in the tank.
First Viewings
- Three Days (Šarūnas Bartas, 1991)
- Pink Narcissus (James Bidgood, 1971)
- Touki Bouki (Djibril Diop Mambéty, 1973)
- White Hunter, Black Heart (Clint Eastwood, 1990)
- The Landlord (Hal Ashby, 1970)
- Cracking Up (Jerry Lewis, 1983)
- Yeleen (Souleymane Cissé, 1987)
- The Circle (Jafar Panahi, 2000)
- The Dead (John Huston, 1987)
- Forever a Woman (Kinuyo Tanaka, 1955)
First Viewings
- “The Hunchback of Notre Dame” (1923)
- “The Man Who Knew Too Much” (1934)
- “The Life of Emile Zola” (1937)
- “Hangmen Also Die” (1943)
- “Black Angel” (1946)
- “Repeat Performance” (1947)
- “Trapped” (1949)
- “Too Late for Tears” (1949)
- “The Man Who Cheated Himself” (1950)
- “Woman on the Run” (1950)
- "Another Man’s Poison" (1951)
- “Kansas City Confidential” (1952)
- “Sudden Fear (1952)
- “Suddenly” (1954)
- “High and Low” (1963)
- "Twelve Chairs" (1970)
- “Predator” (1987) I WATCHED ALL THE PREDATOR MOVIES BUT I'LL JUST LIST THIS, LOL
- "Spaceballs" (1987)
- “De Palma” (2015)
- “The Clearing” (2004)
10 best new films of 2025 (seen so far, anyway; alphabetical by English title)
Charlie Chaplin, the Genius of Liberty (Yves Jeuland)
Die My Love (Lynne Ramsay)
Israel-Palestine on Swedish TV 1958-1989 (Göran Olsson)
The Mastermind (Kelly Reichart)
Misericordia (Alain Guiraudie)
Outerlands (Elena Oxman)
Powwow People (Sky Hopinka)
Sinners (Ryan Coogler)
Walk With Me (Heidi Levitt)
With Hasan in Gaza (Kamal Aljafari)
20 best first Views of older films (in order viewed)
Ladies in Retirement (Charles Vidor, 1941)
Crazy Horse (Frederick Wiseman, 2011)
If I Should Die Before I Wake (Carlos Hugo Christensen, 1952)
Barn Rushes (Larry Gottheim, 1971)
The Arboretum Cycle (Nathaniel Dorsky, 2018)
Heat (Michael Mann, 1995)
Days and Nights in the Forest (Satyajit Ray, 1970)
Manhattan One Two Three Four (Tomonari Nishikawa, 2014)
Pleasures of War (Ruth Lingford, 1998)
The Narrow Margin (Richard Fleischer, 1952)
To Be Free (Adepero Oduye, 2017)
L’Amour Fou (Jacques Rivette, 1969)
Shimásání (Blackhorse Lowe, 2009)
Our Body (Claire Simon, 2023)
Nalujuk Night (Jennie Williams, 2021)
The Mafu Cage (Karen Arthur, 1978)
Avalanche (Mikio Naruse, 1937)
India Cabaret (Mira Nair, 1985)
Fog Pumas (Gunvor Nelson & Dorothy Wiley, 1967)
Meditation (Jordan Belson, 1971)
New Releases
- Surviving Earth (Thea Gajić, 2025)
- Dreamers (Joy Gharoro-Akpojotor, 2025)
- Lollipop (Daisy-May Hudson, 2024)
- Amoeba (Siyou Tan, 2025)
- Skin of Youth (Ash Mayfair, 2025)
- The Heart Is a Muscle (Imran Hamdulay, 2025)
- East of Wall (Kate Beecroft, 2025)
- The President's Cake (Hasan Hadi, 2025)
- Ish (Imran Perretta, 2025)
- Leaving Ikorodu In 1999 (Rashida Seriki, 2024)
First Viewings
- TCB - Toni Cade Bambara School of Organizing (Louis Massiah & Monica Henriquez, 2024)
- Third Act (Tad Nakamura, 2024)
- Do the Impossible: Sun Ra (Christine Turner, 2024)
- Drip Like Coffee (Anaïs Cisco, 2023)
- Garvey’s Ghost (Frances-Anne Solomon, 2024)
- On Becoming a Guinea Fowl (Rungano Nyoni, 2024)
- The Fisherman (Zoey Martinson, 2024)
- Before the Moon Falls (Kimberlee Bassford, 2024)
- The Wedding Banquet (Andrew Ahn, 2025)
- The Road to Sydney (Benito Bautista, 2011)
- Marlee Matlin: Not Alone Anymore (Shoshannah Stern, 2024)
- Rosemead (Eric Lin, 2024)
- Sands Street (Claro de los Reyes, 2024)
Favorite 2025 Releases (unranked)
- Bionico’s Bachata (Yoel Morales)
- Blue Moon (Richard Linklater)
- Caught by the Tides (Jia Zhangke)
- Cover-Up (Laura Poitras)
- Desert of Namibia (Yoko Yamanaka)
- Diciannove (Giovanni Tortorici)
- Emergent City (Jay Arthur Sterrenberg and Kelly Anderson)
- No Other Choice (Park Chan-wook)
- Pavements (Alex Ross Perry)
- Toward a Fundamental Understanding of Physics (Victor Van Rossem)
Favorite First Viewings (in order watched)
- Woodcutters of the Deep South (1973, Lionel Rogosin)
- Out of the Blue (1980, Dennis Hopper)
- Sea Countrymen (1955, Vittorio De Seta)
- 9-1-75 (1975, James Benning, at The Film-makers’ Cooperative)
- Weegee’s New York and Coney Island (1948, Weegee, at Anthology Film Archives)
- Stromboli (1950, Roberto Rossellini)
- Boxing Gym (2010, Frederick Wiseman, at Film at Lincoln Center
- [William Banks] Jail Saga (Peter McIndoe, released on Instagram and Twitter between November 2024 and March 2025)
- Festival (1978, Murray Lerner)
- Jazz on a Summer’s Day (1959, Bert Stern)
- Untitled (1977, Ernie Gehr, at Anthology Film Archives)
- Platform (2000, Jia Zhangke, at The IFC Center)
- You Only Live Once (1937, Fritz Lang, at The Nitrate Picture Show)
- When a Woman Ascends the Stairs (1960, Mikio Naruse, at Metrograph)
- Christo’s Valley Curtain (1974, Albert Maysles, David Maysles, and Ellen Giffard)
- The Flying Luna Clipper (1987, Ikko Ohno, at Spectacle Theater)
- Hypnosis Display (2014, Paul Clipson, at Rockaway Film Festival)
- Morvern Callar (2002, Lynne Ramsey)
- Miami Blues (1990, George Armitage)
- Ten Mornings Ten Evenings and One Horizon (2016, Tomonari Nishikawa, at Anthology Film Archives)
2025
- Sinners (Ryan Coogler)
- One Battle After Another (Paul Thomas Anderson)
- It Was Just an Accident (Jafar Panahi)
- Weapons (Zach Cregger)
- No Other Choice (Park Chan-wook)
- Bugonia (Yorgos Lanthimos)
- Eephus (Carson Lund)
- Eddington (Ari Aster)
- The Ugly Stepsister (Emilie Kristine Blichfeldt)
- The Shrouds (David Cronenberg)
First Viewings and Discoveries
- Two-Minute Warning (1976) - Larry Peerce
- Unstoppable (2010) - Tony Scott
- Mute Witness (1995) - Anthony Waller
- One from the Heart (1982) - Francis Ford Coppola
- Bound (1996) - The Wachowskis
- Looking for Mr. Goodbar (1977) - Richard Brooks
- Stoker (2013) - Park Chan-wook
- Red Sun (1971) - Terence Young
- Night Moves (1975) - Arthur Penn
- Predators (2010) - Nimród Antal
- Miracle Mile (1988) - Steve De Jarnatt
- The Thomas Crown Affair (1968) - Norman Jewison
- Loro (2018) - Paolo Sorrentino
- Pulse (2001) - Kiyoshi Kurosawa
- Instinct (2019) - Halina Reijn
- A Simple Plan (1998) - Sam Raimi
- Before the Devil Knows You're Dead (2007) - Sidney Lumet
- A Bigger Splash (2015) - Luca Guadagnino
- Crossing Delancey (1988) - Joan Micklin Silver
- Frostbiter: Wrath of the Wendigo (1995) - Tom Chaney
Best New Releases, Unranked
- Little Trouble Girls (Urska Djukic)
- Peter Hujar's Day (Ira Sachs)
- Mare's Nest (Ben Rivers)
- Sirāt (Oliver Laxe)
- Evidence (Lee Anne Schmitt)
- No Other Land (Basel Adra, Yuval Abraham, Hamdan Ballal, Rachel Szor)
- The Mastermind (Kelly Reichardt)
- Pipe rock theory (Conner O'Malley)
Favorite First Viewings and Discoveries
- La Commune (Paris, 1871) (Peter Watkins)
- Direct Action (Guillaume Cailleau, Ben Russell)
- Zebulon Footage and Hypnosis Display (Paul Clipson) -- thank you Rockaway Film Festival
- The Clock and Doors (Christian Marclay)
- Everybody in the Place (Jeremy Deller)
- The Juche Idea (Jim Finn)
- Peeping Tom (Michael Powell)
- Mikaël (Carl Theodor Dreyer)
Barely scraping past ten new releases watched in 2025, narrowing down my list was easy. Wallace & Gromit Vengeance Most Fowl was robbed at the Academy Awards this year. I demand a recount. I bet that Feathers McGraw was behind this injustice. Rats! was offensively funny and over the top in all the best ways, but of course what do you expect from the son of the guy who produced Blood Beach! Comic Book Movies, the every-man's taste. 2025 treated us to two great film adaptations of cult indie comics in Sook-Yin Lee's take on Chester Browns' Paying For It a story about a guy who decides he's better off havig sex with prostitues and Todd Rohal's version of Johnny Ryan's Fuck My Son! a story about a mother who forces a woman to have sex with her mutant son. Rats! Fuck My Son! Boy do I like movies with exclamation points in their titles. Jurassic Park Rebirth is a most welcome jolt of life into the franchise and almost felt like a classic Roger Corman flick. Final Destination Bloodlines might be the best of the series since the original but when are they going to set one of these on one of the 9/11 flights already. Gloria Estefan as a grandma was not on my 2025 movie bingo card or I would have totally scored with Gabby's Dollhouse: The Movie a sprinkle filled good time that my daughter loved and made me very aware of my age. SOV visionary Mark "The Shark" Polonia strikes again with Jurassic Shark 4 Metal Machine Mako and splatter king Todd Sheets blasts into outer space... with werewolves, in his latest Wolf Moon Rising. Both produced by Wild Eye Releasing doing the lord's work keeping these underground genre legends active. The Toxic Avenger remake was a movie I'm glad I supported by seeing in a theater, but like the kids say... 6-7?
For my first watch list of 2025 I am ranking all the Minions movies, which was a series I think I enjoyed watching more than my daughter. From best to worst here we go...
Despicable Me
Minions
Despicable Me 2
Minions The Rise of Gru
Despicable Me 3
Despicable Me 4
I don't think I actually really like the Minions themselves but I like Gru... I hate his brother Dru.
Among the films that I saw in 2025, only one I felt had profoundly elucidated a truthful understanding of culture and the human condition. That film is All We Imagine as Light by Payal Kapadia. I saw it 40,000 feet above ground inside a Cathay Pacific on my way to New York City; by the time the film ended, I was weeping, not for its earnest melodrama, but for its sublime vision—that humanity shall survive. The film gave me back my faith in life.
New Releases
- Afternoons of Solitude (Albert Serra)
- Cloud (Kiyoshi Kurosawa)
- The Shrouds (David Cronenberg)
- Caught by the Tides (Jia Zhangke)
- Resurrection (Bi Gan)
- The Secret Agent (Kleber Mendonça Filho)
- Escape (Masao Adachi)
- One Battle After Another (Paul Thomas Anderson)
- The Mastermind (Kelly Reichardt)
- Legend of the Condor Heroes: The Gallants (Tsui Hark)
First Time Viewings
- Enchanted Island (Allan Dwan)
- The Pleasure (Joe D’Amato)
- Blue Lagoon: A Summer Experience (Toshiharu Ikeda)
- East End Hustle (Frank Vitale)
- Castle of the Banned Lovers (Riccardo Freda)
- Crime Hunter: Bullets of Rage (Toshimichi Ohkawa)
- Skinheads (Claudio Fragasso)
- Female Leopard (Koyu Oharu)
- Holy Weapon (Wong Jing)
- Love Thy Neighbor (Mark Sandrich)
First Viewings
- Bearslayer (Aleksandrs Rusteiķis, 1930) [1]
- This Day and Age (Cecil B. DeMille, 1933)
- Supernatural (Victor Halperin, 1933)
- The Devil Is a Woman (Josef von Sternberg, 1935)
- Wife! Be Like a Rose! (Mikio Naruse, 1935)
- Dark is the Night (Cleveland Street and Highway Lighting Safety Bureau, c. 1950) [2]
- Black Tight Killers (Yasuharu Hasebe, 1966)
- O Fovos (Kostas Manoussakis, 1966) [3]
- A Touch of Zen (King Hu, 1971)
- The Pinchcliffe Grand Prix (Ivo Caprino, 1975) [4]
- Image of the Beast (Donald W. Thompson, 1981) [5]
- The Devonsville Terror (Ulli Lommel, 1983)
- Cocaine Blues (Malcolm Barbour & John Langley, 1983)
- El Keif (Ali Abdel-Khalek, 1985)
- Dreamchild (Gavin Millar, 1985)
- Surviving Edged Weapons (Dennis Anderson, 1988) [6]
- All About Ah-Long (Johnnie To, 1989)
- Spider (Vasili Mass, 1992) [7]
- Vrooom Vroom Vrooom (Melvin van Peebles, 1995)
- The Longest Nite (Patrick Yau Tat-Chi, 1998)
- Despiser (Philip Cook, 2003) [8]
Honorable mention: Phrogging: Hider in My House, as presented in the Tubi 500
New releases
- Your movie
- The Cinephile Siege (Damon Packard)
[1] The copy of this ultra metal Latvian silent film that I viewed had no soundtrack, so I watched it with Earth's Earth 2.
[2] This was a blind eBay 16mm purchase. It was made to show to women's clubs to encourage them to lobby for more street lights. Some proto-Halloween shots of empty suburbia at night, a hilarious reporter-narrator—the absolute platonic ideal of an ephemeral film.
[3] Desolate, perverse psychosexual drama about a rural Greek family. Manoussakis is a top-notch director, and had this movie's reception not led to his abandoning filmmaking, he'd probably be recognized as one of the "greats of world cinema." Needs to be more widely seen and appreciated.
[4] '70s Norwegian stop-motion Mario Kart.
[5] After the Ormond family, Donald W. Thompson is the best in the Christian scare film biz. This was another 16mm eBay pick—the third film in the unsettling and bizarrely twee Thief in the Night series.
[6] Had never sat down and watched this notorious police training film all the way through like a real movie. Psychotronic gold.
[7] Rapturously gorgeous horror film that's sort of like Valerie and Her Week of Wonders with Screaming Mad George effects. A little gauche but worth watching.
[8] The absolute zenith of homemade CGI madness. What if the cover of a '90s CD-ROM occult FPS were an actual movie? Philip Cook is a genius.
2025 Theatrical Releases (Unranked):
-The Shrouds (David Cronenberg)
-Invention (Courtney Stephens)
-Evidence (Lee Anne Schmitt)
-Afternoons of Solitude (Albert Serra)
-If I Had Legs I'd Kick You (Mary Bronstein)
-Queerpanorama (Jun Li)
-Mad Bills to Pay (or Destiny, dile que no soy malo) (Joel Alfonso Vargas)
-Debut, or, Objects of the Field of Debris as Currently Catalogued (Julian Castronovo)
-One Battle After Another (Paul Thomas Anderson)
-The Phoenician Scheme (Wes Anderson)
Favorite First Viewings (in order by year):
-Stella Dallas (King Vidor, 1937) (Roxy Cinema)
-Seisaku's Wife (Yasuzō Masumura, 1965) (NYFF Revivals)
-Juvenile Court (Frederick Wiseman, 1973) (Film at Lincoln Center)
-Manila in the Claws of Light (Lino Brocka, 1975) (Roxy Cinema)
-Christiane F. (Uli Edel, 1981) (Film at Lincoln Center)
-The Passing (John Huckert, 1984) (Spectacle Theater)
-Smile at Last (Leida Laius, 1985) (Berlinale Classics)
-Three Bewildered People in the Night (Gregg Araki, 1987) (IFC Center)
-Naked Acts (Bridgett M. Davis, 1996) (Museum of Modern Art)
-Eureka (Shinji Aoyama, 2000) (Asia Society)
My selection reflects the films that bruised me: Be that from me gripping my thigh trying not to vomit while watching Peter Cage eat up a breakfast in dog bowl that has passed through him or feeling the weight of time, grief, and memories like a leather boot pressed into one’s chest in the films When the Phone Rang, On Becoming a Guinea Fowl, and Predator: Badlands. This list gathers the encounters that pained and unnerved me made by freaks, feminists, and perverts alike.
Main Slate
1. On Becoming a Guinea Fowl, directed by Rungano Nyoni
2. When the Phone Rang, Iva Radivojević
3. The Pleasure is Mine, directed by Sacha Amaral
4. Fucktoys, directed by Annapurna Sriram
5. Caught by the Tides, directed by Jia Zhangke
6. Atropia, directed by Hailey Gates
7. Predator: Badlands, directed by Dan Trachtenberg
8. Cidade; Campo, directed by Juliana Rojas
9. Peter Hujuar’s Day, directed by Ira Sachs
10. The Shrouds, directed by David Cronenberg
First Watches
Shorts + Music Videos
1. (be)cum(ing): on humanist edging … a crit-p0rn0 (2025), directed by Zalika U. Ibaorimi
2. Korg Funk5 (2025), directed by Nadia Cohen for Aphex Twin
3. The Center Cannot Hold (2025), directed by Ufouma Essi
4. Jacob’s House (2025), directed by Lucas Kane
5. Breakfast Time (2025), directed by Peter Cage
6. Safer Sexual Techniques in the Age of Mechanical Reproduction (1988), Michelle Handelman
7. Hearts, Chains, and Flowers (1995), directed by Silvianna Goldsmith
8. Edges (1992), directed by Ayanna U’Dongo
9. Double Labyrinthe (1976), directed by Maria Klonaris, Katerina Thomadaki
10. The Miracle (1948), directed by Roberto Rossellini
Features + Installations
11. Nightshift (1981), directed by Robina Rose
12. Vive L’amour (1994), directed by Tsai Ming-liang
13. Hard Truths (2024), directed by Mike Leigh
14. Love and Anarchy (1973), directed by Lina Wertmüller
15. Terrorizers (1986), directed by Edward Yang
16. Of Human Bondage (1934), directed by John Cromwell
17. The Ocean of One’s Pause, Rosa Barba for the Museum of Modern Art
18. I’m Still Here (2024), directed by Walter Salles
19. La Cérémonie (1994), directed by Claude Chabrol
20. Story of Women (Une Affaire des Femmes), directed by Claude Chabrol
2025 (unranked):
- Sinners (Ryan Coogler)
- Seeds (Brittany Shyne)
- Nuestra tierra (Lucrecia Martel)
First viewings:
- Three Sisters with Maiden Hearts (Mikio Naruse, 1935)
- A Woman’s Sorrows (Mikio Naruse, 1937)
- Traveling Actors (Mikio Naruse, 1940)
- The Leaden Echo and the Golden Echo (Margaret Tait, 1955)
- Barn Rushes (Larry Gottheim, 1971)
- Kummatty (G. Aravindan, 1979)
- Panelstory (Věra Chytilová, 1979)
- The Town Within Reach (Dang Nhat Minh, 1983)
- Leila and the Wolves (Heiny Srour, 1984)
- The Dead (John Huston, 1987)
- Living on the River Agano (Makoto Sato, 1992)
- Go, Toto! (Pierre Creton, 2017)
First Viewings
- Dreamchild (Gavin Millar, 1985)
- It's Alive III: Island of the Alive (Larry Cohen, 1987)
- Something Weird (Herschell Gordon Lewis, 1967)
- Shattered (Wolfgang Petersen, 1991)
- Blonde Venus (Josef von Sternberg, 1932)
- Twisted Nerve (Roy Boulting, 1969)
- Death Dream (Bob Clark, 1974)
- Angel (Robert Vincent O'Neil, 1983)
- Lady Blue (Robert Vincent O'Neil, 1985)
- Butcher, Baker, Nightmare Maker (William Asher, 1982)
2025
- Their Eyes (Nicolas Gourault)
- Go Ye Afar (Frank Sweeney)
First Viewings
- Ali in Wonderland (1975, Djouhra Abouda, Alain Bonnamy)
- The Sun (1988, Pierre Clementi)
- Duffer (1972, Joseph Despins, William Dumaresq)
- A Game of Chess (2011, Marcel Dzama)
- Time to Love (1965, Metin Erksan)
- Talking About Trees (2019, Suhaib Gasmelbari)
- Hush-a-Bye Baby (1990, Margo Harkin)
- Cyclo (1995, Tràn Anh Hùng)
- All We Imagine as Light (2024, Payal Kapadia)
- The Secret of the Grain (2007, Abdellatif Kechiche)
- The Runner (1984, Amir Naderi)
- Diamonds of the Night (1964, Jan Němec)
- Objects Do Not Randomly Fall From the Sky (2024, Maria Estela Paiso)
- Poitín (1978, Bob Quinn)
- The Wonders (2014, Alice Rohrwacher)
- Nightshift (1981, Rubina Rose)
- Leila and the Wolves (1984, Heiny Srour)
- Parsi (2019, Eduardo Williams, Mariano Blatt)
- A Hundred Camels in the Courtyard (2018, Tegen Williams)
- The World (2004, Jia Zhangke)
New Releases:
1. The Ice Tower (Lucile Hadžihalilović)
2. Hard Truths (Mike Leigh)
3. When Fall Is Coming (François Ozon)
4. Wallace & Gromit: Vengeance Most Fowl (Nick Park & Merlin Crossingham)
5. Serpent’s Path (Kiyoshi Kurosawa)
First Viewings:
- Unstrap Me (George Kuchar, 1968)
- Athanor (Philippe Garrel, 1972)
- L’Amour (Paul Morrissey & Andy Warhol, 1972)
- Number 20: Fragments of a Faith Forgotten (Harry Smith, 1980)
- Noto, Mandorli, Vulcano, Stromboli, Carnevale (Michelangelo Antonioni, 1992)
Rediscoveries:
- Rembrandt (Alexander Korda, 1936)
- It Happened Tomorrow (René Clair, 1944)
- Death Is a Caress (Edith Carlmar, 1949)
- The Bottom of the Bottle (Henry Hathaway, 1956)
- A Week’s Vacation (Bertrand Tavernier, 1980)
- Night of the Juggler (Robert Butler, 1980)
- Unguided Tour (Susan Sontag, 1984)
- Lightning Over Braddock: A Rustbowl Fantasy (Tony Buba, 1988)
- The Neon Bible (Terence Davies, 1995)
- The Apostate (Federico Veiroj, 2015)
New Releases
- Sirat (Oliver Laxe)
- One Battle After Another (Paul Thomas Anderson)
- Sotto Le Nuvole (Gianfranco Rosi)
- Sound of Falling (Mascha Schilinski)
- The Mastermind (Kelly Reichardt)
- Girl (Shu Qui)
- Sentimental Value (Joachim Trier)
- No Other Choice (Park Chan-wook)
- The Things You Kill (Alireza Khatami)
- Sorry Baby (Eva Victor)
- Arco (Ugo Bienvenu)
Top 10 2025 releases (in alphabetical order)
- CAUGHT BY THE TIDES (Jia Zhangke)
- CLOUD (Kiyoshi Kurosawa)
- THE LONG WALK (Francis Lawrence)
- THE MASTERMIND (Kelly Reichardt)
- MISERICORDIA (Alain Guiraudie)
- MY UNDESIRABLE FRIENDS: PART I (Julia Loktev)
- PREDATORS (David Osit)
- REFLECTION IN A DEAD DIAMOND (Helen Cattet & Bruno Forzani)
- THE TEMPLE WOODS GANG (Rabah Ameur-Zaimeche)
- VULCANIZADORA (Joel Potrykus)
Favorite First-Time Viewings and Discoveries
- ANGEL’S EGG (Mamoru Oshii, 1984)
- BIG WEDNESDAY (John Milius, 1978)
- CHILLY SCENES OF WINTER (Joan Micklin Silver, 1979)
- COMPENSATION (Zeinabu irene Davis, 1999)
- DYING (Michael Roemer, 1976)
- FORGETTING VIETNAM (Trinh T. Minh-ha, 2016)
- GERDY, THE WICKED WITCH (Ljubomir Simunic, 1976)
- HAJJI WASHINGTON (Ali Hatami, 1982)
- HIGHWAY HYPNOSIS (Ken Camp, 1984)
- JAIME (Antonio Reis, 1974)
- JIN-ROH: THE WOLF BRIGADE (Hiroyuki Okiara, 1999)
- LET THE CORPSES TAN (Helene Cattet & Bruno Forzani, 2017)
- LOST IN NEW YORK (Jean Rollin, 1989)
- THE MAN WITH THE SUITCASE (Chantal Akerman, 1983)
- THE NINE MUSES (John Akomfrah, 2010)
- OUR NAZI (Robert Kramer, 1984)
- THE PLEA (Tenguiz Abuladze, 1968)
- SHATTER DEAD (Scooter McCrae, 1999)
- WESTFRONT 1918 (G. W. Pabst, 1930)
- WOODS ARE WET (Tatsumi Kumashiro, 1973)
Favorite First Viewings, 2025, Ranked
- The Other Side (Roberto Minervini, 2015)
- Toute Une Nuit (Chantal Akerman, 1982)
- Bird (Andrea Arnold, 2024)
- Stranger by the Lake (Alain Guiraudie, 2013)
- Jordan Belson EC at Anthology
- Mixed Blood (Paul Morrissey, 1984)
- Pola X (Leos Carax, 1999)
- Instrument (Jem Cohen, 1999)
- Climax (Gaspar Noe, 2018)
- Peter Hujar's Day (Ira Sachs, 2025)
- The Pillow Book (Peter Greenaway, 1996)
- Eureka (Lisandro Alonso, 2023)
- Small Things Like These (Tim Mielants, 2024)
- One Battle After Another (Paul Thomas Anderson, 2025)
- Eephus (Carson Lund, 2024)
Favorite Re-Viewings, 2025, Ranked
- Apocalypse Now (Francis Ford Coppola, 1979)
- The Godfather, Part II (Francis Ford Coppola, 1974)
- Fiorucci Made Me Hardcore (Mark Leckey, 1999; I watch this every year)
- The Deer Hunter (Michael Cimino, 1978)
- Hot Pepper (Les Blank, 1973)
- Happiness (Todd Solondz, 1998)
- The Addiction (Abel Ferrara, 1995)
- Run Lola Run (Tom Tykwer, 1999)
- 1991: The Year Punk Broke (Dave Markey, 1992)
Favorite First Viewings and Discoveries
- Peking Opera Blues (Tsui Hark) - IFC Center
- Fat Choi Spirit (Johnnie To, Wai Ka-fai)
- Sullivan's Travels (Preston Sturges) - 35mm, MoMA
- The Town Within Reach (Đặng Nhật Minh) - Metrograph
- Dream of Light (Víctor Erice) - 35mm, The Theater of the Matters x Metrograph
- There's Always Tomorrow (Douglas Sirk) - 35mm, Film at Lincoln Center
- The Stranger Within a Woman (Mikio Naruse) - 35mm, Metrograph
- The White Bird Marked with Black (Yuri Illienko) - Metrograph
- John Ford and Throwing (Shiguéhiko Hasumi, Sho Miyake)
- Swept Away (Lina Wertmüller, 1974) - Film Forum
- Red Beard (Akira Kurosawa, 1965) - Film Forum
- Pride and Prejudice (Simon Langton,1995)
First Viewings
I heard more and more programmers complain about FIAF archives refusing to lend perfectly fine prints to other FIAF archives, even as those same archives screen digital facsimiles of those films which they refuse to lend. I also noticed more and more series consisting of digital facsimiles of movies that were shown on freshly struck prints within the past 10-15 years. It was a true joy to see on film:
- 9 film Alain Jessua retrospective at DFF - Deutsches Filminstitut und Filmmuseum, Frankfurt am Main
- 5 film Mark LaPore series at exf f., Frankfurt am Main
- 4 films by John Carpenter during the full retrospective at the Austrian Film Museum, Vienna
- Three Wise Girls (William Beaudine, 1932) at Zeughauskino, Berlin
- Lumière d'été (Jean Grémillon, 1943) at Cinematek, Brussels
- The Apprenticeship of Duddy Kravitz (Ted Kotcheff, 1974) at Zeughauskino, Berlin
- Der Hauptmann von Köpenick und seine Begnadigung (Karl Jaensch und Franz Mletzko, 1908) at Zeughauskino, Berlin
- Il giardino dei Finzi-Contini (Vittorio de Sica, 1970) at Bundesplatzkino, Berlin
- The Glass Wall (Maxwell Shane, 1953) at Zeughauskino, Berlin
- Candy Mountain (Robert Frank, 1987) at Zeughauskino, Berlin
Best New Releases
Afternoons of Solitude (Albert Serra)
Dracula (Radu Jude)
Peter Hujar's Day (Ira Sachs)
It Must Be Because I Decided to Leave (Zhuoyun Chen)
Queerpanorama (Jun Li)
Castration Movie Anthology ii. The Best of Both Worlds (Louise Weard)
No Other Choice (Park Chan-wook)
It Was Just an Accident (Jafar Panahi)
Mid/Evil Times (Devon Green)
The Zodiac Killer Project (Charlie Shackleton)
First viewings, kind of ranked, not really
He Never Dies: The Films of Kalil Haddad (Los Angeles Filmforum program)
Tsai Ming-liang's WALKER Series (American Cinematheque marathon)
Nightshift (Robina Rose, 1981, screening at LA Festival of Movies)
Love & Pop (Hideaki Anno, 1998)
Frameup (Jon Jost, 1993)
Deadendz (Jon Jost, 2023)
Jon Jost crashing at our house after a screening and everything that entailed
Hell of Shadows (Chris Shields's instagram, 2025)
Fruits of Passion (Shūji Terayama, 1981)
Halloween on Ice (TV Special produced by Nancy Kerrigan, 1996; 1998)
Specter's Rock (Josh Eisenstadt, 2022, with Q&A with Mr. Q&A)
A Lack of Clarity (Stefan Kruse, 2020)
Hammersmith is Out (Peter Ustinov, 1972)
Grand Prix (John Frankenheimer, 1966)
Salome's Last Dance (Ken Russell, 1988)
Castle Keep (Sydney Pollack, 1969)
The Sister of Ursula (Enzo Milioni, 1978)
Misericordia (Alain Guiraudie, 2024)
Universal Language (Matthew Rankin, 2024)
The Shrouds (David Cronenberg, 2024)
New Releases (Unranked)
- No Other Choice (Park Chan-wook)
- Rental Family (HIKARI)
- Pillion (Harry Lighton)
- Sinners (Ryan Coogler)
- One Battle After Another (Paul Thomas Anderson)
- Fucktoys (Annapurna Sriram)
- Sorry, Baby (Eva Victor)
- 28 Years Later (Danny Boyle)
- If I Had Legs I'd Kick You (Mary Bronstein)
- It Was Just An Accident (Jafar Panahi)
First Viewings
- Hiroshima, Mon Amour (Alain Resnais, 1959)
- Tea and Sympathy (Vincente Minnelli, 1956)
- Yi Yi (Edward Yang, 2000)
- Ace in the Hole (Billy Wilder, 1951)
- Seconds (John Frankenheimer, 1966)
- Lady Vengeance (Park Chan-wook, 2005)
- Caged (John Cromwell, 1950)
- O Brother, Where Art Thou? (Joel and Ethan Coen, 2000)
- Lilies (John Greyson, 1996)
- The Bitter Tears of Petra von Kant (Rainer Werner Fassbinder, 1972)
- Ms .45 (Abel Ferrara, 1981)
- Jeff Bezos Rowing Boat - Bobby Fingers
- Papota - Paco Amaroso & Ca7riel
- Dog Day Afternoon (Sidney Lumet, 1975)
- The Night of the Hunter (Charles Laughton, 1955)
- Jacquot de Nantes (Agnès Varda, 1991)
- A Woman Under The Influence (John Cassavetes, 1974)
- After Hours (Martin Scorsese, 1985)
- Out Of Sight (Steven Soderbergh, 1998)
- How To Rob A Bank (Stephen Robert Morse & Seth Porges, 2024)
New Releases
- On Becoming a Guinea Fowl (Nyoni)
- Sinners (Coogler)
- One Battle After Another (Anderson)
- Blue Moon (Linklater)
- Familiar Touch (Friendland)
- Predators (Osit)
- The Secret Agent (Mendonça Filho)
- Sorry, Baby (Victor)
- The Naked Gun (Schaffer)
- Peter Hujar’s Day (Sachs)
New to me (unranked)
- Girls Town (McKay, 1996)
- Thelma & Louise (Scott, 1991)
- Dark Angel: The Ascent (Hassani , 1994)
- Siméon (Palcy, 1992)
- The 8 Diagram Pole Fighter (Lau, 1984)
- Invisible Beauty (Hardison & Tcheng, 2023)
- Hard Boiled (Woo, 1992)
- Bugsy Malone (Parker, 1976)
- The Celluloid Closet (Epstein & Friedman, 1995)
- All the President’s Men (Pakula, 1976)
- Eat Drink Man Woman (Lee, 1994)
New Releases (Unranked)
- L'accident de Piano
- Eddington
- One Battle After Another
- The Strangers: Chapter 2
- No! You're Wrong or Spooky Action at a Distance
- Money Talks
- Fior Di Latte
- Zucchini
- Turtle Sandwich
- The Fastest Boxer in the World
- The Code
First Viewings
- Jaws
- Colossus the Forbin Project
- Portrait of Jennie
- Demonseed
- Duck You Sucker
- Eadweard Muybridge Zoopraxographer
- Come Back to the Five and Dime Jimmy Dean, Jimmy Dean
- Adam's Rib
- Road to Morocco
- Road to Utopia
- Road to Hong Kong
- Down and Dirty Duck
- Suddenly Last Summer
- Apocalypse now
- Prime Cut
- Lenny
- 52 Pick-Up
- Night of The Juggler
- Who Killed Teddy Bear
Best New Releases (unranked):
Peter Hujar's Day
The Mastermind
Harvest
Happyend
Misericordia
Castration Movie Anthology i. Traps
The Love That Remains
The Secret Agent
The End
Fucktoys
20 Favorite First Viewings and Discoveries
The year was dominated by Naruse and Wiseman thanks to the retrospectives at BAMPFA and the Roxie, so I'll sidebar those.
Unbelievable Naruse:
Two in the Shadow
A Wife's Heart
Sound of the Mountain
Lightning
Wife! Be Like a Rose
Great Naruse:
Husband and Wife
Wife
Yearning
Two Wisemans that should be talked about more:
Canal Zone
Missile
And ten others:
The Docks of New York (von Sternberg)
Lady for a Day (Capra)
My Darling Clementine (Ford)
Devil's Doorway (Mann)
Pink Narcissus (Bidgood)
Choose Me (Rudolph)
Rich and Famous (Cukor)
Summer Vacation 1999 (Kaneko()
Serial Mom (Waters)
Speed Racer (Wakowskis)
First Viewings
Vengeance is Mine (Michael Roemer, 1984), 35mm at Anthology
Remember My Name (Alan Rudolph, 1978)
Goodbye Emmanuelle (François Leterrier, 1977)
The Center of the World (Wayne Wang, 2001)
God's Own Country (Francis Lee, 2017)
The Abyss (James Cameron, 1989)
Insomnia (Erik Skoldbjærg, 1997)
Der Pass [Pagan Peak], TV series, 2019-2023
Bridget Jones: Mad About the Boy (Michael Morris, 2025)
Mirror (Andrei Tarkovsky, 1975)
New Releases
- BLUE MOON
- THE DAY THE EARTH BLEW UP
- THE DELLS
- EEPHUS
- EDDINGTON
- IF I HAD LEGS I’D KICK YOU
- ONE BATTLE AFTER ANOTHER
- SENTIMENTAL VALUE
- SPLITSVILLE
- TURTLE SANDWICH
FIRST VIEWINGS AND DISCOVERIES (alphabetical)
- THE AFFAIR OF SUSAN (1935, Capitolfest @ Capitol Theatre, Rome, NY, 35mm)
Completely unseen remake/parody of Paul Fejos’ LONESOME - astonishingly good. - BONJOUR TRISTESSE (1955, Metrograph, 35mm)
- THE BOY FRIEND (1971, Cinephobe Cinema, 16mm)
- CAMPING DU LAC (2023, Home) Somebody distribute this here!
- EADWEARD MUYBRIDGE, ZOOPRAXOGRAPHER (1975, NYPL Performing Arts Library, 16mm)
- THE GOOSE WOMAN (1925, Kevin Brownlow Festival, Film Forum, DCP, live piano accompaniment by Steve Sterner)
- IT HAPPENED TOMORROW (1944, René Clair Festival, Film Forum, 35mm)
- L’AMOUR (1973, Anthology Film Archives, 35mm) First screening in America since 1978 was truly a magical evening.
- LA RONDE (1950, Nitrate Picture Show @ Dryden Theater, Rochester, NY, Nitrate 35mm)
- L'ATLANTIDE (1932, G.W. Pabst Festival, Anthology Film Archives, DCP)
- THE LITTLE GIRL WHO LIVES DOWN THE LANE (1976, 24 hr Horrorthon @ Colonial Theatre, Phoenixville, PA, 35mm)
- MIXED BLOOD (1984, Morrissey After Warhol, Metrograph, 35mm)
- TEA AND SYMPATHY (1955, MoMI, 35mm)
- SYNCOPATION (1942, Quad Cinema, DCP)
- YOU’RE A BIG BOY NOW (1966, The Deuce @ Nitehawk Williamsburg, 35mm)
(unranked, in roughly chronological order from most recently watched):
The Threepenny Opera - G.W. Pabst
As A Tree Walks to Its Forest - Jiayi Chen
Lover, Lovers, Loving, Love - Jodie Mack
Watermen - Holly Fisher
Eniaios IV (two reels) - Gregory Markopoulos
Dream of Light - Victor Erice
Later That Same Night - Will Hindle
Frame for a Few Poses - Karpo Godina
Devotio Moderna - Shellie Fleming
The Antiquities of Rome - Jean-Claude Rousseau
Upper Blue Lake - James Otis
Temple Sleep - Nathaniel Dorsky
Shells and Rushes - Sharon Couzin
The Red Thread - Larry Gottheim
Four Shadows - Larry Gottheim
Nightshift - Robina Rose
Les Rendez-vous d’Anna - Chantal Akerman
Was Once One - Linnea Nugent
Pastoral: To Die In the Country - Shuji Terayama
First Viewings
- Flaming Star (Don Siegel, 1960)
- Yearning (Mikio Naruse, 1964)
- Catch Us If You Can aka Having a Wild Weekend (John Boorman, 1965)
- Elvis: That’s the Way It Is (Denis Sanders, 1970)
- The Last Valley (James Clavell, 1971)
- Shampoo (Hal Ashby, 1975)
- Matador (Pedro Almodóvar, 1986)
- Crimson Tide (Tony Scott, 1995)
- Rogue (Greg McLean, 2007)
- MacGruber (Jorma Taccone, 2010)
First Viewings
One Hour With You (Ernst Lubitsch, 1932)
The Scarlet Empress (Josef von Sternberg, 1934)
Allotria (Willi Forst, 1936)
Ninotchka (Ernst Lubitsch, 1939)
Rebecca (Alfred Hitchcock, 1940)
The Great Dictator (Charles Chaplin, 1940)
The Earrings of Madame De… (Max Ophuls, 1953)
Les mistons (François Truffaut, 1957)
8 1/2 (Federico Fellini, 1963)
Elsa la rose (Agnès Varda, 1966)
Belle du jour (Luis Buñuel, 1967)
Annie Hall (Woody Allen, 1977)
Christine (John Carpenter, 1983)
Love Streams (John Cassavetes, 1984)
Todo sobre mi madre (All About My Mother, Pedro Almodóvar, 1999)
Chaos (Coline Serreau, 2001)
Le repos des braves (Guillaume Brac, 2016)
Nuit Obscure - Au Revoir Ici, N'Importe Où (Obscure Night - Goodbye Here, Anywhere, Sylvain George, 2023)
The Shrouds (David Cronenberg, 2024)
Éric Rohmer, esprit d'enfance (Pascale Bouhénic Noël Herpe, 2025)
Note: Elsa la rose was my favorite; the rest is unranked.
- Occidente (Ana Vaz, 2014)
- Perfumed Nightmare (Kidlat Tahimik, 1977)
- Fish Tank (Andrea Arnold, 2009)
- The Gold Bug (Alejo Moguillansky and Fia-Stina Sandlund, 2014)
- Caught by the Tides (Jia Zhangke, 2024)
- Toxic (Saulė Bliuvaitė, 2024)
- Jams Run Free (Claire Denis, 2006)
- Vive L’amour (Tsai Ming-liang, 1994)
- The Conversation (Francis Ford Coppola, 1974)
- Denim Sky (Rosalind Nashashibi, 2022)
First Viewings (Alphabetical)
- Amarcord (Federico Fellini, 1973)
- Being John Smith (John Smith, 2024)
- La Commune (Paris, 1871) (Peter Watkins, 2000)
- Deepwater Horizon (Peter Berg, 2016)
- Hyenas (Djibril Diop Mambéty, 1992)
- I'm Going Home (Manoel de Oliveira, 2001)
- The Last Laugh (F. W. Murnau, 1924)
- Leila and the Wolves (Heiny Srour, 1984)
- The Lovers on the Bridge (Leos Carax, 1991)
- Medea (Pier Paolo Pasolini, 1969)
- Nightshift (Robina Rose, 1981)
- Palindromes (Todd Solondz, 2004)
- Rose Lowder's Bouquets films
- Red Psalm (Miklós Jancsó, 1972)
- Sleep Walkers/Zoo Mantras (Simone Forti, 1990)
- The Traveling Players (Theo Angelopoulos, 1975)
- Twister (Jan de Bont, 1996)
New Releases
- Eddington
- Misericordia
- Cloud
- Peter Hujar's Day
- It Was Just an Accident
- If I Had Legs I'd Kick You
- Caught by the Tides
- Naked Gun
- Resurrection
- The Secret Agent
first-time watches - in no particular order
- Vengeance is Mine (Michael Roemer)
- Deep Crimson (Arturo Ripstein)
- The Vanishing (George Sluizer)
- Loveless (Andrey Zvyagintsev)
- Palindromes (Todd Solondz)
- Peppermint Candy (Lee Chang-dong)
- An Unmarried Woman (Paul Mazursky)
- Paper Moon (Peter Bogdanovich)
- Oasis (Lee Chang-dong)
- The Reflecting Skin (Philip Ridley)
New release ranked
1. Castration movie 2: best of both worlds (Weard)
2. The shrouds (Cronenberg)
3. What does that nature say to you (Sang-soo)
4. Castration movie 1 : traps (Weard)
5. Cece’s interlude (Park)
6. 28 years later (Boyle)
7. Baby Invasion (Korine)
8. Cloud (Kurosawa)
9. Warfare (Garland)
10. Misericordia (Guiraudie)
Rep Ranked
1. Forty Deuce (Morrissey) @metrograph
2. Blue Movie (Warhol) @moma
3. Stars at Noon (Denis) @home
4. Junior War (Trecartin) @roxy
5. Wild Beasts (Prosperi) @kgb
6. America Land of the Freeks (Lommel) @roxy
7. The Loss of Sexual Innocence (Figgis) @roxy
8. Domestic Violence 2 (Wiseman) @lincolncenter
9. What time is it there? (Ming-Liang) @metrograph
10. Morocco (Sternberg) @paris
11. The Crystal Cradle (Garrel) @roxy
12. Love Torn in a Dream (Ruiz) @metrograph
13. Equation to an unknown (Salieri) @roxy
14. Almost Transparent Blue (Murakami) @kgb
15. Trepan (Alina Yakirevitch) @stbimbo
16. The Gates of Paris (Clair) @filmforum
17. Red Hook Summer (Lee) @home
18. Twentynine Palms (Dumont) @metrograph
19. Funny Pages (Kline) @filmforum
20. SuicideGirls must die! (Remetch) @alamo
TOP 10 BEST OF 2025 (no rank, alphabetical)
April – Dea Kulumbegashvili
Bogancloch – Ben Rivers
It Was Just An Accident – Jafar Panahi
Peter Hujar’s Day – Ira Sachs
Reflection in a Dead Diamond – Hélène Cattet & Bruno Forzani
Sanatorium Under the Sign of the Hour Glass – The Quay Bros.
The Secret Agent – Kleber Mendonça Filho
Sirāt – Oliver Laxe
Souleymane’s Story – Boris Lojkine
The Things You Kill – Alireza Khatami
BEST FIRST VIEWS OF 2025
Central Park – Frederick Wiseman
The Piano Teacher – Michael Haneke
The Swimmer – Frank Perry
Songs from the Second Floor – Roy Andersson
Toute Un Nuit – Chantal Akerman
Sampo – Aleksandr Ptushko
Come Drink With Me – King Hu
Ghost in the Shell 2: Innocence – Mamoru Oshii
Hiroshima Mon Amour – Alain Resnais
Khayal Gatha – Kumar Shahani
All About Lily Chou-Chou – Shinji Iwai
Gosford Park – Robert Altman
Night of the Juggler – Robert Butler & Sidney J. Furie
Return of an Adventurer – Moustapha Alassane
A Drop Too Much – Břetislav Pojar
Who’s Afraid of Virginia Woolf? – Mike Nichols
Florentina Hubaldo, CTE – Lav Diaz
Nothing But a Man – Michael Roemer
Keane – Lodge Kerrigan
Tokyo Godfathers – Satoshi Kon
My Brother’s Wedding – Charles Burnett
First Viewings & New Releases
[In no particular order]
- On Becoming A Guinea Fowl (Rungano Nyoni, 2024)
- Riefenstahl (Andres Veiel, 2024)
- Bouchra (Oriane Barki, Meriem Bennani, 2025)
- Zodiac Killer Project (Charlie Shackleton, 2025)
- Extreme Private Eros: Love Song (Kazuo Hara, 1974)
- Dracula (Radu Jude, 2025)
- Sherlock Jr. (Buster Keaton, 1924)
- A Wedding Suit (Abbas Kiarostami, 1976)
- Scarecrow (Jerry Schatzberg, 1973)
- Three Promises (Yousef Srouji, 2023)
- A Farewell to Arms (Frank Borzage, 1932)
- Youtube clip of Pianist Maria João Pires realizing on stage that she has prepared the wrong Mozart concerto (Frank Scheffer, 1998)
- Arguments in Favor of Love (Gabriel Abrantes, 2025)
- Punishment Park - Rewatch RIP (Peter Watkins, 1971)
New Releases
· It Was Just an Accident
· Invention
· Direct Action
· Afternoons of Solitude
· Cover-Up
· Urchin
· The Shrouds
First Viewings
· Totem (Avilés, 2023)
· The House is Black (Forugh Farrokhzad, 1963)
· Leila and the Wolves (Srour, 1987)
· Kisapmata (De Leon, 1981)
· The Spy Who Came In from the Cold (Ritt, 1965)
· The Pleasure of Love in Iran (Varda, 1976)
· Lola (Demy, 1961)
· Once a Thief (Woo, 1991)
· Distant Voices, Still Lives (Davies, 1988)
· Miami Vice (Mann, 2006)
· Portrait of a Young Girl at the End of the 1960s in Brussels (Akerman, 1994)
· Che: Part One/Part Two (Soderbergh, 2008)
· Desert Rose (Cordeiro and Reis, 1989)
· Twin Peaks; Fire Walk with Me (Lynch, 1992)
· All the Beauty and the Bloodshed (Poitras, 2022)
· Street of Shame (Mizoguchi, 1956)
Favorite First Viewings / Discoveries
- Early Works (Želimir Žilnik, 1969): Peak New Left hijinks in the Yugoslav hinterland, Woodbine.
- 9 to 5 (Collin Higgins, 1980): Presented by Cinema Workers NYC on the eve of the Alamo Workers’ strike, Woodbine.
- The Drivetime (Antero Alli', 1995): Low-budget sci-fi from Seattle that prophecized the WTO riots of 1999 and the political malaise of the 2020s, Spectacle.
- Full Metal Yakuza (Takashi Miike, 1997): Part of Miike Madness marathon, Spectacle.
- Hopital Brut (Le Dernier Cri, 1997) and Le Mauvauis Oeil (Le Dernier Cri, 1999): two lost masterpieces of mindflaying comix-film presented by Desert Island, Spectacle.
- Source Family (Jodi Wille, Maria Demopolous, 2012): a screening that inspired the cult’s last devotee to finally quit during the Q&A, Roxy.
- Tropico (Anthony Mandler, 2013): Lana Del Rey’s underappreciated manic short film/mini-album screened with the inverted-Lolita thriller The Crush (Alan Shapiro, 1993), Roxy.
- Death of a Business Jerry (Jeremy Finch, 2019): Time capsule of the 2010s death of Hipsters Bushwick, Low Cinema.
- Water Drops on Burning Rocks (François Ozon, 2000): A perfectly done posthumous Fassbinder, Spectacle.
- The Present Situation (Joel Stanley, 2024): Part sincere montage of the director’s YouTube leftist propaganda playlist, part cynical short film portraying an idiotic r/WallStreetBets cadre turned to quixotic Maoist armed struggle as a result of watching such videos, Spectacle.
First Viewings
- Zardoz (John Boorman, 1974) One of the best giant floating heads in cinema history.
- Hello my Beautiful Creatures (Joel Haver, 2024) A great DIY animated film on Youtube.
- The Family that Preys (Tyler Perry, 2008) Tyler Perry’s best movie out of dozens and dozens: a sprawling multi-generational family epic. Entire thing is a scene-chewing contest between all the actors and Kathy Bates comes out on top.
- Steel Magnolias / Erin Brokovich / Mystic Pizza / Eat Pray Love (Various) Big Julia Roberts year for me.
- Beast Games (2024) - Slurp Slurp I’ll watch any slop the algorithm puts in front of me, sorry.
- Hamlet (Lawrence Olivier, 1948) A perfect Shakespeare adaptation. Leans into the drama, the pretense, and the mopeyness of one of the greatest performative males to ever do it.
- Yellow Submarine (George Dunning, 1968) Yellow Submarine is great??!?! I’m Beatles-neutral so I never gave it a chance until this year.
- Ricochet (Russell Mulcahy, 1991) - You put Denzel in a movie? I’m interested. You put that movie on Tubi? I’m watching.
- The Sound of Music (Robert Wise, 1965) Ok wow. Another cultural blind spot for me. Hard to imagine anyone reading this hasn’t seen it. But it’s a gorgeous banger.
- El Hoyo (Galder Gaztelu-Urrutia, 2019). I didn’t know the title and had to google “movie where food is lowered down on a platform.” This is the archetypical “watch it in 200 parts on Tik Tok with bad voiceover” movie.
screen slate 25
new:
the shrouds (david cronenberg)
castration movie 2 (louise weard)
afternoons of solitude (albert serra)
after the hunt (luca guadagnino)
baby invasion (harmony korine)
cloud (kiyoshi kurosawa)
the code (eugene kotlyarenko)
henry fonda for president (alexander horwath)
no concept (vogue giambri)
shifty (adam curtis)
first watch:
forty deuce (morissey, 1982, metro)
www.rachelormont.com (vack, 2024, roxy)
castration movie 1 (weard, 2024, roxy)
bébé colère (poggi/vinel, 2020, youtube)
madame wangs (morissey, 1981, youtube)
traumazone (curtis, 2022, youtube)
the final insult (burnett, 1997, crit channel)
osaka elegy (mizoguchi, 1936, crit channel)
sisters of the gion (mizoguchi, 1936, crit channel)
apart from you (naruse, 1933, crit channel)
cutie honey (anno, 2004, youtube)
bluebeards eighth wife (lubitsch, 1938, crit channel)
thunder on the hill (sirk, 1951, crit channel)
honor among lovers (arzner, 1931, crit channel)
no time for love (leisen, 1943, crit channel)
record of a tenement gentleman (ozu, 1947, crit channel)
the winner dir. cut (cox, 1996, youtube)
the narrow margin (fleischer, 1952, anthology)
beyond therapy (altman, 1987, youtube)
confessions of a young american housewife (sarno, 1974, alamo)
1. Caterpillar (Mandelup, fest premiere 2023 and kept doing fests '24, but had DCTV awards qualifying 1-week run followed shortly thereafter by streaming release just last month)
2. Life of Ivanna (Serrano, saw this at DOC NYC 2021, never released stateside until it just went up on Kanopy last month)
3. Eephus
4. Broken Rage (Kitano, dropped on US prime in Feb 25)
5. Zodiac Killer Project
6. Castration Movie Anthology i. Traps (pretty widely available online in 2024 but caught the theatrical premiere at Frameline in June)
7. WTO/99
8. Eddington
9. Vulcanizadora (know it did fests last year but proper release was this year)
10. Flophouse America (just had a US premiere at DOC NYC, who knows what'll happen with it having been on the circuit and not picked up most of the year)
11. Suburban Fury (NYFF 24 world premiere, havent seen it do theatrical but know it has an FYC campaign going, nominated for the Best Editing IDA Award now)
12. The Best of Me (Landsman, hasnt really had a proper release as far as I can tell but screened at both Spectacle and Filmmaker's Co-op earlier this year, Landsman's one of Filmmaker mag's 25 new faces of independent film)
13. Baby Invasion
14. John Lilly and the Earth Coincidence Control Office (caught it at True/False, screened at MoMA's Doc Fortnight, think they're planning a proper release in 2026)
15. Resurrection (Hu Sanshou, another pick from True/False, 2024 release, honestly not sure if it'll ever have a proper US rollout)
16. Our Hero Balthazar (caught it at Tallgrass, premiered at Tribeca, prob doesnt count huh)
17. A Want in Her (Carten, doing UK theatrical now, who knows if it'll do a proper US release, saw at T/F)
18. Bring Her Back
19. Requiem for a Tribe (Khosravi, another T/F screening)
20. The Shrouds
21. Universal Language
2025 favorite first-time viewings - in chronological watch order:
- Mix-Up (Romand, 86)
- Dream Deceivers: The Story Behind James Vance vs. Judas Priest (Van Taylor, 92)
- Eat Your Catfish (Tüzen & Arjomand, 21)
- The Disappointment: OR, The Force of Credulity (Springer, 07)
- Where the Heart Roams (Csicsery, 87)
- Let It Ride (Pytka, 89)
- Pennies From Heaven (Ross, 81)
- Hi, Mom! (De Palma, 70)
- Bix: Ain't None of Them Play Like Him yet (Berman, 82)
- The Day of The Jackal (Zinnemann, 73)
- National Gallery (Wiseman, 2014)
- Eyes of Stone (Vachani, 90)
- Sean (Arlyck, 70)
- Drakmar: A Vassal's Journey (Cretton & Frank, 2006)
- Prisoner of Consciousness (Miller, 86)
- Secret Honor (Altman, 84)
- Triumph Over Violence aka Ordinary Fascism (Romm, 65)
- Personal Problems (Gunn, 80)
- Bug (Friedkin, 2006)
- i hate myself :) (Arnow, 2013)
New Releases
- Levers (Rhayne Vermette)
- Sirāt (Óliver Laxe)
- Toward a Fundamental Theory of Physics (Victor Van Rossem)
- The Wayfinders (Peggy Ahwesh)
- Dry Leaf (Alexandre Koberidze)
- Miroirs, No. 3 (Christian Petzold)
- Escape (Masao Adachi)
- Evidence (Lee Anne Schmitt)
- Dooni (Kevin Jerome Everson & Claudrena N. Harold)
- Fiction Contract (Carolyn Lazard)
Favorite First Viewings and Discoveries
- Afrique Sur Seine (Paulin Soumanou Vieyra & Mamadou Sarr, 1955)
- Athanor (Philippe Garrel, 1972)
- Audience (Barbara Hammer, 1982)
- The Bus (Haskell Wexler, 1965)
- Compañeros (Sergio Corbucci, 1970)
- Gabriel Over The White House (Gregory La Cava, 1933)
- Hollywood (Kevin Brownlow & David Gill, 1980)
- In Youth, Beside The Sea (?, 1925?)
- Ladies Of Leisure (Frank Capra, 1930)
- Music Land (Wilfred Jackson, 1935)
- Night Has A Thousand Eyes (John Farrow, 1948)
- Porn Theatre (Jacques Nolot, 2002)
- Portrait Of A Young Girl At The End Of The 60s In Brussels (Chantal Akerman, 1994)
- Ritmes D'un Dia (Doménec Jiménez, 1933)
- Something Self Explanatory (15x) (Harun Farocki & Hartmut Bitomsky, 1971)
- Spy Kids 3-D: Game Over (Robert Rodriguez, 2003)
- The Station (Sudanese Film Group, 1989)
- Take Your Bags (Camille Billops, 1998)
- Van Gogh (Maurice Pialat, 1991)
- Va, Toto! (Pierre Creton, 2017)
Best First Views (Unranked)
- The Clock (Dir. Christian Marclay, 2010)
- V for Vendetta (Dir. James McTeigue, 2005)
- The Narrow Margin (Dir. Richard Fleischer, 1952)
- My Friend Ivan Lapshin (Dir. Aleksei German, 1985)
- Kameradschaft (Dir. G. W. Pabst, 1931)
- It's Alive III: Island of the Alive (Dir. Larry Cohen, 1987)
- Cocktail Party (Dir. Arthur 'Weegee' Fellig, 1946)
- Racetrack (Dir. Frederick Wiseman, 1985)
- La Ronde (Dir. Max Ophüls, 1950)
- Supernatural (Dir. Victor Halperin, 1933)
Best New Films (Unranked)
- Familiar Touch (Dir. Sarah Friedland)
- Measures for a Funeral (Dir. Sofia Bohdanowicz)
- Black Bag (Dir. Stephen Soderberg)
- The Mastermind (Dir. Kelly Reichardt)
- No Other Choice (Dir. Park Chan-wook)
- Peter Hujar's Day (Dir. Ira Sachs)
- Henry Fonda for President (Dir. Alexander Horwath)
- 7 Walks with Mark Brown (Dirs. Vincent Barré and Pierre Creton)
- The Vanguard Tapes (Dir. Bill Morrison)
- Forgetting You is Like Breathing Water (Dir. Ayanna Dozier)
New releases (ranked)
- I Was, I Am, and I Will Be! (Yoshiyuki Itakura)
- It Was Just an Accident (Jafar Panahi)
- A Useful Ghost (Ratchapoom Boonbunchachoke)
- 28 Years Later (Danny Boyle)
- SPI (Sayun Simung)
- Whispers (Kivu Ruhorahoza, Christian Nyampeta)
- Gangsterism (Isiah Medina)
- Remathau: People of the Ocean (Daniel Lin)
- Left-Handed Girl (Shih-Ching Tsou)
- With Hasan in Gaza (Kamal Aljafari)
- Deaf President Now! (Nyle DiMarco, Davis Guggenheim)
First viewings and discoveries (unranked, alphabetical by title)
- El Sur (Victor Erice)
- Europe ‘51 (Roberto Rossellini)
- The Final Insult (Charles Burnett)
- Labyrinth of Dreams (Gakuryu Ishii)
- Léon G. Damas (Sarah Maldoror)
- L’homme-vertige: Tales of a City (Malaury Eloi Paisley)
- Malqueridas (Tana Gilbert)
- Ma’loul Celebrates Its Destruction (Michel Khleifi)
- Obscure Night - Wild Leaves (The Burning Ones, the Obstinate) (Sylvain George)
- Phantoms of Nabua (Apichatpong Weerasethakul)
- The Plains (David Easteal)
- Rising Up at Night (Nelson Makengo)
- Route One/USA (Robert Kramer)
- Sister Stella L. (Mike de Leon)
- That Old Dream That Moves (Alain Guiraudie)
- They Do Not Exist (Mustafa Abu Ali)
- Vaimoe (Edith Amituanai)
- Variations on the Theme of (The Ocean View Resort) (Futoshi Miyagi)
- What Did You Dream Last Night, Parajanov? (Faraz Fesharaki)
- what was or could be today (again) (Shannon Te Ao)
Current Favorite Films of 2025 loosely ranked as of 12/4/2025
1. One Battle After Another (Paul Thomas Anderson)
2. Resurrection (Bi Gan)
3. The Secret Agent (Kleber Mendonça Filho)
4. Afternoons of Solitude (Albert Serra)
5. It Was Just an Accident (Jafar Panahi)
6. Sirāt (Oliver Laxe)
7. Universal Language (Mathew Rankin)
8. Sinners (Ryan Coogler)
9. The Mastermind (Kelly Reichardt)
10. Vulcanizadora (Joel Potrykus)
Best First Viewings/Discoveries in No Particular Order
1. Many Works by Raul Ruiz, specifically The Hypothesis of the Stolen Painting (1978), Dog's Dialogue (1979), On Top of the Whale (1982), Three Crowns of the Sailor (1983), City of Pirates (1983), Time Regained (1999), and Love Torn in a Dream (2000)
2. Everything that I managed to catch at Moma's Retrospective of João César Monteiro, specifically Hovering over the Water (1985), The Last Dive (1992), God's Comedy (1995), Snow White (2000), and Vai e Vem (2003)
3. Several Seijun Suzuki Movies, in particular Gate of Flesh (1964), A Tale of Sorrow and Sadness (1977), and The Taisho Trilogy (1980-1991)
4. Abraham's Valley (1993) by Maneol de Oliveria
5. Children of Paradise (1945) by Marcel Carné
6. Edvard Munch (1974) by Peter Watkins
7. The Holy Girl (2004) by Lucrecia Martel
8. Hub City (1997) by Bill Brown
9. In a Year with 13 Moons (1978) by Rainer Werner Fassbinder
10. The Innerview (1973) by Richard Beymer
11. The Lion Has Seven Heads (1970) and The Age of the Earth (1980) by Glauber Rocha
12. Noroît (1976) by Jacques Rivett
13. On Dangerous Ground (1951) by Nicolas Ray and Ida Lupino
14. Pastoral: To Die in the Country (1974) by Shūji Terayama
15. The Psychic (1977) by Lucio Fulci
16. The Seats of the Alcazar (1989) by Luc Moullet
17. Shanghai Express (1932) by Joseph Von Sternberg
18. The Tenant (1976) by Roman Polanski
19. Typhoon Club (1985) by Shinji Sōmai
20. WR: Mysteries of the Organism (1971) by Dušan Makavejev
I didn’t see a lot of movies this year but here were my top 10 “cinematic experiences” of 2025 (unranked)
- Barb and Star Go to Vista Del Mar (presented by LAFCA at the Egyptian) - A thrill to see Annie Mumolo emotional over the crowd’s response (and standing ovation) for likely the best of the COVID cinema canon.
- Castration Movie Anthology I. Traps at Whammy! Analog Media - Thrilling moviemaking followed by a great Q&A with Louise Weard moderated by Vera Drew (who’d just watched it for the first time). So good I went back for the next night’s Q&A just to be back in the wild world of Vancouver for a few more Qs and As
- Central Park at La Cinémathèque Américaine - I went to a number of the Frederick Wiseman restorations this year. They were all terrific but I picked this one because Screen Slate is a New York publication. A highlight of every single one was a famously disgusting screenwriter/ should-be-disgraced columnist who snored through most of the movies then clapped outrageously over just the restoration credits.
- Little Murders- presented by La Cinémathèque and Larry Karaszewski at the Egyptian during Bl*ak W**k - An honor to hear Mr. Gould speak about the 2nd greatest movie ever made!
- The Livonion Cinema’s Silent Sci-Fi Spectacle at the Mt. Wilson Observatory- a lovely mountaintop 35mm lineup hand-cranked on a player from 1909 by silent cinema historian/photoplayer expert Professor Joe Rinaudo (of Hit It, Joe fame) with accompaniment by Ed Torres
- Peter Weller, Ph.D.’s presentation at the Los Angeles Breakfast Club - a gorgeously discursive romp through art history, personal and universal cinema history, jazz, lost loves, Wellerisms and musings (“Aristotle is NOT a Johnny-come-lately”) in the best place to hear folks give incredibly rich lectures at a psychotic hour. Join it!!!
- Shelf Life with Q&A at La Cinémathèque - I love Shelf Life
- Skinned Deep at Whammy! Analog Media - An absolutely incredible first-time-watch and a terrific Q&A with Gabe Bartalos and “Mr. Q&A” Chris Shields featuring stunning anecdotes such as the truck in the car chases being a car Bartalos repeatedly borrowed overnight (??) to “test drive” from a dealership in the Valley
- War 2 at one of the AMC Burbanks with the horrible recliners - I think the world will soon learn that the Yash Raj Films Spy Universe is the best thing going these days!!!
- Zeinabu irene Davis - A Powerful Thang (REDCAT) and Compensation (Vidiots) - Simply a great year for great conversations with Zeinabu irene Davis with the great Jheanelle Brown and Maya Cade, respectively
Honorable mention: Paranormal Activity (“A New Story Live On Stage”)at the Ahmanson Theatre. It wasn’t too good and it wasn’t screen-based horror but it’s fun to hear a thousand people screaming and laughing.
New Releases (alphabetical)
- Afternoons of Solitude (Albert Serra)
- BLKNWS: Terms and Conditions (Kahlil Joseph)
- Castration Movie Anthology i. Traps (Louise Weard)
- Cent mille milliards (Virgil Vernier)
- Dead Lover (Grace Glowicki)
- Debut, or, Objects of the Field of Debris as Currently Catalogued (Julian Castronovo)
- Happyend (Neo Sora)
- If I Had Legs I’d Kick You (Mary Bronstein)
- Pee Wee as Himself (Matt Wolf)
- Room Temperature (Dennis Cooper & Zac Farley)
First Viewings/Discoveries
- The Annihilation of Fish (1999, Charles Burnett) - 35mm at American Cinematheque
- Daisy Kenyon (1947, Otto Preminger) - Kino Lorber Blu-ray
- Dying (1976, Michael Roemer) - screener - The Film Desk
- Eternity’s Pillar (1988, Alice Coltrane) - Criterion Channel
- Letter to Three Wives (1949, Joseph L. Mankiewicz) - 16mm at Video Archives
- Little darlings (1980, Ronald F. Maxwell) - Cinématographe Blu-ray
- The Long Farewell (1971, Kira Muratova) - Criterion Channel
- May (2002, Lucky McKee) - Criterion Channel
- Meet…Bradley Harrison Pickleseimer (1988, Heather McAdams) - 16mm at Academy Museum
- Night of the Hunted (1980, Jean Rollin) - Indicator Blu-ray
- Onda Nova (1983, Ícaro Martins and José Antonio Garcia) - screener
- Parpaillon (1993, Luc Moullet) - screener
- Portrait of Jennie (1948, William Dieterle) - nitrate 35mm at American Cinematheque
- Reds (1980, Warren Beatty) - Kanopy
- Reflections of Evil (2002, Damon Packard) - Tubi
- Sex is Comedy (2002, Catherine Breillat) - Criterion Channel
- Squirrels to the Nuts (2014, Peter Bogdanovich) - American Cinematheque
- Tokyo Melody: A Film About Ryuichi Sakamoto (1985, Elizabeth Lennard) - screener
Best New Releases (Unranked)
- Freaky Tales (Anna Boden and Ryan Fleck)
- The Friend (Scott McGehee and David Siegel)
- Hedda (Nia DaCosta)
- A House of Dynamite (Kathryn Bigelow)
- Materialists (Celine Song)
- My Mom Jayne (Mariska Hargitay)
- The Perfect Neighbor (Geeta Gandbhir)
- Peter Hujar's Day (Ira Sachs)
- Selena y Los Dinos (Isabel Castro)
- Sinners (Ryan Coogler)
Best New Releases (Films + select mixed media in no particular order)
· Jacklean (Mariana Valencia) at Redcat Los Angeles
· Sirãt (Oliver Laxe)
· Situations (Greg Vrotsos)
· Megadoc (Mike Figgis)
· RATS! + I Killed Osama!? (Maxwell Nalevansky, Carl Fry)
· Two Cuckolds Go Swimming (Winston DeGiobbi)
· BASHKKA at The SAT Montreal - 360° Dome
· Life on Venus (Awkward Moments) at ICA London
· It Ends (Alexander Ullom)
· One Battle After Another (Paul Thomas Anderson)
Favorite First Viewings and Discoveries
· Groove (Greg Harrison, 2000)
· James (Max Train, 2004)
· The Prodigal Pup (Jack Rollens, 1929)
· Infinity Mirror at The Broad Los Angeles (Yayoi Kusama, 1965-present)
· Maria Sabina, Spirit Woman (Nicolás Echevarría, 1978)
· The Midnight Gospel (Pendleton Ward, 2020)
· The Smashing Machine (John Hyams, 2002)
· The House Bunny (Fred Wolf, 2008)
· Kneecap (Rich Peppiatt, 2024)
· Butt Boy (Tyler Cornack, 2019)
· The Settlers aka Los colonos (Felipe Gálvez, 2023)
· Blackberry (Matthew Johnson, 2023)
· About A Hero (Piotr Winiewicz, 2024)
· Steal (Gérard Pirès, 2002)
· Among the Palms the Bomb, or: Looking for reflections in the toxic field of plenty (Lukas Marxt, Vanja Smiljanić, 2024)
My Top Ten New Acts of Doing Something Real in 2025 in Rough Order
- MY UNDESIRABLE FRIENDS PART 1: LAST AIR IN MOSCOW (Loktev)
- WEST END GIRL (Album by Lily Allen)
- AFTERNOONS OF SOLITUDE (Serra)
- MISTRESS DISPELLER (Lo)
- PREDATORS (Osit)
- THE VOICE OF HIND RAJAB (Ben Hania)
- JOHN CENA HEEL TURN SCENE (WWE)
- ISRAEL PALESTINE ON SWEDISH TV 1958-1989 (Olsson)
- REEL POLITIK (Book by Nathan Gelgud)
- COVER-UP (Poitras)
New Releases
- Mickey 17 (Bong Joon Ho)
- Yes (Nadav Lapid)
- The Neon People (Jean-Baptiste Thouret)
- The Life of Chuck (Mike Flanagan)
- One Battle After the Other (Paul Thomas Anderson)
- Put Your Soul on Your Hand and Walk (Sepideh Farsi)
- A Useful Ghost (Ratchapoom Boonbunchachoke)
Favorite first watches
- Letter from an Unknown Woman (Max Ophüls, 1948)
- The Wages of Fear (Henri-Georges Clouzot, 1953)
- Centuries of June (Joseph Cornell, 1955)
- Rosaura at 10 O'Clock (Mario Soffici, 1958)
- The Earth is a Sinful Song (Rauni Mollberg, 1973)
- The Sting (George Roy Hill, 1973)
- Model (Frederick Wiseman, 1981)
- Leila and the Wolves (Heiny Srour, 1984)
- If This Ain't Heaven (Roberta Cantow, 1985)
- Return to Oz (Walter Murch, 1985)
- Central Park (Frederick Wiseman, 1990)
- Mississippi Masala (Mira Nair, 1991)
- Zoo (Frederick Wiseman, 1993)
- A Couch in New York (Chantal Akerman, 1996)
- Love & Pop (Hideaki Anno, 1998)
- Belfast, Maine (1999)
- The Death of Mr. Lazarescu (Cristi Puiu, 2005)
New Releases
- Punku (Juan Daniel Fernandez Molero, 2025)
- Sirât (Oliver Laxe, 2025)
- The Secret Agent (Kleber Mendonça Filho, 2025)
- I Only Rest in the Storm (Pedro Pinho, 2025)
- Afternoons of Solitude (Albert Serra, 2024)
- Reflection in a Dead Diamond (Hélène Cattet and Bruno Forzani, 2025)
- little boy (James Benning, 2025)
- In the Manner of Smoke (Armand Yervant Tufenkian, 2025)
- Bogancloch (Ben Rivers, 2024)
First Viewings
- The Music Room (Satyajit Ray, 1958)
- Angel's Egg (Mamoru Oshii, 1985)
Favorite First Viewings and Discoveries
Diaries, Notes, and Sketches (Jonas Mekas, 1968)
Hale County This Morning, This Evening (RaMell Ross, 2018)
The Straight Story (David Lynch, 1999)
No Other Land (Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor, 2024)
Aspen (Frederick Wiseman, 1991)
Bush Mama (Haile Gerima, 1979)
Mascon (The Otolith Group, 2024)
If This Ain’t Heaven (Roberta Cantow, 1985)
The Shrouds (David Cronenberg, 2024)
The Apartment (Billy Wilder, 1960)
Benjamin Smoke (Jem Cohen, 2000)
Northern Lights (John Hanson, Rob Nilsson, 1978)
The Killing of a Chinese Bookie (John Cassavettes, 1976)
American Hunter (Arizal, 1988)
Hypnosis Display (Paul Clipson, 2014)
The Margin (Walerian Borowczyk, 1976)
Perfect Film (Ken Jacobs, 1986)
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (Robert Altman, 1982)
Ménilmontant (Dimitri Kirsanoff, 1926)
Pink Narcissus (James Bidgood, 1971)
2025
- Hot Spring Shark Attack
- Highest 2 Lowest
- War of the Worlds
- King Baby
- Splitsville
- Paranormal Activity ON STAGE
- 28 years later
- Eephus
- the phone commercials where Jeff Bridges lives with Zoe Saldaña. as of recently Druski has moved in as well
First Viewings
- Return to Greendale- Neil Young & Crazy Horse
- The Center of the World
- Deep Cover
- Dinner Rush
- Mercy (what if Ellen Barkin did cruising)
- Crime + Punishment in Suburbia
- Olivia
- The Wolf House
- Jolene
- We Don’t Live Here Anymore
- Lake George (a love letter to the most beautiful place on earth Glendale)
- Personal Velocity
- Mr. Wonderful
- The Line
- Candy
- Special Effects
First Viewings
- God's Comedy, João César Monteiro - Livro dos Pensamentos...
- Spanglish, James L. Brooks - "what am I going to do about me?"
- Don't Go Breaking My Heart 2, Johnnie To - loved both, but the second is more evil by far
- Hanging Up, Diane Keaton - pure joy..."Cleo..."
- Still Life, Harun Farocki - Benjaminian camambert...the Bildraum...
- Henry Johnson, David Mamet - satanic and fascinating. fuck him.
- Nobody's Hero, Alain Guiraudie - totally uncompromised. Noémie Lvovsky...
- Ricky Stanicky, Peter Farrelly - redemption of lost souls
- Twisted Romance, José Celestino Campusano - the truth at last...
- Victor/Victoria, Blake Edwards - beauty of Robert Preston, beauty of Julie Andrews
New Releases (Alphabetical)
Caught by the Tides (Jia Zhang-ke)
Die My Love (Lynne Ramsay)
Eddington (Ari Aster)
Henry Fonda for President (Alexander Horwath)
If I Had Legs I’d Kick You (Mary Bronstein)
It Was Just an Accident (Jafar Panahi)
One Battle After Another (Paul Thomas Anderson)
Shifty (Adam Curtis)
Sirât (Óliver Laxe)
Vulcanizadora (Joel Potrykus)
First Viewings (Alphabetical)
- Breakfast of Champions (Alan Rudolph, 1999)
- Cossacks in Exile (Edgar G. Ulmer, 1939)
- The Judge and the Assassin (Bertrand Tavernier, 1976)
- Leila and the Wolves (Heiny Srour, 1984)
- Naked Acts (Bridgett M. Davis, 1996)
- Oil Lamps (Juraj Herz, 1971)
- The Sealed Soil (Marva Nabili, 1977)
- The Sound of Fury aka Try and Get Me! (Cy Endfield, 1950)
- The Stranglers of Bombay (Terence Fisher, 1960)
- Supermarket Woman (Juzo Itami, 1996)
New U.S. Releases
1. The Shrouds (David Cronenberg)
2. By the Stream (Hong Sang-soo)
3. Henry Fonda for President (Alexander Horwath)
4. The Fishing Place (Rob Tregenza)
5. Eephus (Carson Lund)
6. Broken Rage (Takeshi Kitano)
7. Caught by the Tides (Jia Zhangke)
8. Cloud (Kiyoshi Kurosawa)
9. Blue Moon (Richard Linklater)
10. One Battle After Another (Paul Thomas Anderson)
+ 3 great films without U.S. distribution:
Escape (Masao Adachi)
Scorched Earth (Thomas Arslan)
Three Friends (Emmanuel Mouret)
First Viewings / Discoveries
Street Angel (Frank Borzage, 1928)
Queen Kelly (Erich von Stroheim, 1932)
Three Sisters with Maiden Hearts (Mikio Naruse, 1935)
Enamorada (Emilio Fernández, 1946)
Miss Oyu (Kenji Mizoguchi, 1951)
7 Women (John Ford, 1966)
The Big Mouth (Jerry Lewis, 1967)
Three Poplars on Plyuschika Street (Tatyana Lioznova, 1968)
La Rupture (Claude Chabrol, 1970)
Juvenile Court (Frederick Wiseman, 1973)
Hustle (Robert Aldrich, 1975)
Hunter in the Dark (Hideo Gosha, 1979)
Pilgrim, Farewell (Michael Roemer, 1980)
At the Top of the Stairs (Paul Vecchiali, 1983)
Fire Festival (Mitsuo Yanagimachi, 1985)
Leila and the Wolves (Heiny Srour, 1985)
Kanehsatake: 270 Years of Resistance (Alanis Obomsawin, 1993)
Doctor Mack (Lee Chi-Ngai, 1995)
Inquietude (Manoel de Oliveira, 1998)
The Wolberg Family (Axelle Ropert, 2013)
New Releases
- Misericordia (Alain Guiraudie)
- Sentimental Value (Joachim Trier)
- Sirāt (Óliver Laxe)
- F1: The Movie (Joseph Kosinski)
- One Battle After Another (Paul Thomas Anderson)
- 28 Years Later (Danny Boyle)
- Eddington (Ari Aster)
- The Materialists (Celine Song)
- The Accountant² (Gavin O'Connor)
-- Final slot is a neutralizing counter-vote against Sorry, Baby
First Viewings (Ranked)
- Holy Smoke (Jane Campion, 1999)
- Playtime (Jacques Tati, 1967)
- Kid Icarus (Carl Bird McLaughlin, Mike Ott, 2024)
- Barcelona (Whit Stillman, 1994)
- A Man and a Woman (Claude Lelouch, 1966)
- Downhill Racer (Michael Ritchie, 1969)
- It Ends with Us (Justin Baldoni, 2024)
- The Cooler (Wayne Kramer, 2003)
- Hooker on Campus (Lena Dunham, 2025)
- Manodrome (John Trengove, 2023)
New releases (unranked)
- Big Bear Bald Eagle Live Nest Cam (Friends of Big Bear Valley, Youtube)
- The Chair Company, S1 E5, “I won. Zoom in.” (Aaron Schimberg)
- Cloud (Kiyoshi Kurosawa)
- Eephus (Carson Lund)
- Hot Dog Baby (Jan Terri, Jordan Chini and Adam Chini)
- The Rehearsal Season 2 (Nathan Fielder)
- The Shrouds (David Cronenberg)
- Zodiac Killer Project (Charlie Shackleton)
First viewings
- 52 Pickup (John Frankenheimer, 1986)
- Babfilm (Ottó Foky,1976)
- Crazy Wisdom (Andy Anderson, 2024)
- Crossing Delancey (Joan Micklin Silver, 1988)
- Death Watch (Bertrand Tavernier, 1980)
- The Guano (David Snyder, 2016)
- I Hate Myself :) (Joanna Arnow, 2013)
- Nightshift (Robina Rose, 1981)
- Southern Comfort (Walter Hill, 1981)
- Still Life (Harun Farocki, 1997)
- The Store (Fredrick Wiseman, 1983)
- What Time Is It There? (Tsai Ming-liang, 2001)
Best new releases in 2025 (ranked):
- Paul Thomas Anderson, One Battle after Another
- Bi Gan, Resurrection
- Kleber Mendonça Filho, Secret Agent
- Pietro Marcello, Duse
- Richard Linklater, Nouvelle Vague
- Miguel Gomes, Grand Tour
- Paolo Sorrentino, La Grazia
- Sergei Loznitsa, Two Prosecutors
- Joachim Trier, Sentimental Value
- Christian Petzold, Miroirs no. 3
Favorite First Viewings and Discoveries (ranked):
1. Kira Muratova, Asthenic Syndrome, USSR (Ukraine), 1990
Caps, and tops, the European cinema of late-Cold War alienation and disenchantment that flourished in the decade whose end was marked by that of official “socialism,” with pointless rage and narcoleptic dysphoria as protest.
2. Oksana Karpovych, Intercepted, Ukraine, 2024
In a formally perfect manner that is also readily generalizable, this film about Ukraine under Russian invasion uses the modernist trope of juxtaposing modes of presentation to contrast devastated living spaces with an intercepted call soundtrack of babbling mothers encouraging soldiers in dehumanizing rhetoric.
3. Chantal Akerman, Man with a Suitcase, France, 1983
From the greatest of experimental and narrative visual examiners of (1968-2014) modern life, I found this minimalist story involving a man in an empty office space among the revelations amid classics in MoMA’s complete Akerman retrospective.
4. Jia Zhangke, Caught by the Tides, China, 2024
With appropriate visual melancholy Tao Zhao, alter-ego of China’s cinematic social historian Jia, is witness to what development’s take and give may leave one struggling to understand.
5. João César Monteiro, ‘trilogy’ (Recollections of the Yellow House, God’s Comedy, and God’s Wedding, Portugal, 1899/95/99) (screened at MoMA with complete filmography):
Traditional society, painted classically, is normally perverse.
6. Ali Khamraev, Man Follows Birds, Uzbekistan/USSR, 1976
Poetic cinema masterpiece visualizing traditional peasant folk tale in Ukrainian Soviet style.
7. Bertrand Bonello, The Beast, France, 2023
Encounters, which the young woman hopes she can manage, with nerdy man playing several roles, ending repeatedly with her as corpse, in scenes of European/American life, 1890s and ‘60s-to-now, at last awakening with a scream as she sees him, not as socialite proprietor of a doll factory vulnerable to fire and flood, nor lonely and sexlessly aggrieved American outsider whose narrative possibilities include a tentatively welcomed entry (spatial/bodily), but invitingly agreeable type embarked on promising government career.
8. Barbara Loden, Wanda, US, 1973
Justly canonized for its working-class feminism, involves moving performance by actor/director in road-trip of vulnerability to so much shit.
9. Anthony Harvey, The Dutchman, US, 1966
Unsettling LeRoi Jones piece allegorizing America’s unsolvable dramatic race conflicts, as hysterical white girl in bravura performance of manic hate provokes earnest if naive young black man on subway.
10. Abel Ferrara, Pasolini, Italy, 2014
Classically compelling, illuminatingly faithful treatment of the life and assassination of Italy’s most provocative postwar intellectual and cultural figure.
11. Pablo Larraín, Maria, 2024 (seen with Spencer, 2021, and Ema, 2019)
A study of the agonizingly problematic character of (female) subjectivity as (compulsive, perhaps self-destructive) performance.
12. Pablo Larraín, Post Mortem, Chile 2010
Tense portrayal of cowardice, as solitary man is shaken intimately by murderous dictatorship, where leftism is now a celebrity corpse he must examine, hospitals sites for staging live massacres, and the attractive, endangered married neighbor pleading for aid is in his desperation finally entombed alive.
13. Ardak Amirkulov, The Fall of Otrar, USSR, 1991
Epic of obliterated and forgotten heroic resistance to a conquering barbaric empire.
14. Manoel de Oliveira, The Letter, France, 1999
Classic French novel about a woman torn between impotent husband and insouciant admirers is set by the Portuguese master of historical melancholy amid 1990’s French high society and pop culture, with a colonial missionary exile as curious denouement.
15. Sean Baker, Anora, USA, 2024
Screwball comedy in which playboy brat of contemporary Russian plutocrats (assimilated Jews with a Brooklyn dacha who control him with mafia-esque fixers) sets off comically unsolvable problems focused on working girl, who when tossing the expected riches as vanity will give an unprincipled matriarch such a comeuppance that even her husband can only share our scornful laughter.
16. Pedro Almodovar, The Room Next Door, Spain/USA, 2024
Friendship is lived enigmatically in the shadow of death’s immanence.
17. Paul Schrader, Oh, Canada, USA, 2024
A formally complex image of Vietnam-era America as viewed by a filmmaker for whom the desired elsewhere is as much a narrative as social possibility.
18. Francesca Comencini, The Time it Takes, Italy, 2024
I so empathized with the girl’s faltering commitments to various political and cultural goods on offer while admiring her (in real life) mentoring filmmaker dad, in this story from Italy’s leftism-soaked and terrorism-haunted 70s, considered here as bad-trip countercultural comedown from which a filmmaking that honors its easily-forgotten history is what saves.
19. Andrea Segre, The Great Ambition, Italy, 2024
A dramatically compelling story of the Italian Communist Party leader who, with partial success (1970’s, again), brought democratic socialism into the government in the face of violent Soviet, American, and domestic opposition.
20. Barbara Albert, Blind at Heart, Germany, 2023
This fascinating allegory of German history (and highlight of the of the NY Jewish Film Festival’s avoidantly cautious programming) from Weimar to defeat and occupation, ends with the priceless promissory demand uttered by the Jewish mother to the estranged son by the German soldier husband she has survived: “Tell me a story.”
New & Recent Releases
- Apocalypse Now (Francis Ford Coppola, 1979) theatrical re-release
- Bird (Andrea Arnold, 2024) first viewing
- Pola X (Leos Carax, 2000) first viewing; rare theatrical release in U.S.
- Joker II (Todd Phillips, 2024) but seen repeatedly by me in 2025 including on a giant theater screen
- Sly Lives (Questlove, 2025)
- Warfare (Ray Mendoza & Alex Garland, 2025)
- Eephus (Carson Lund, 2025)
- The Other Side [Louisiana] (Roberto Minervini, 2015) first viewing
- Mr. Scorcese (Rebecca Miller, 2025)
- Art Spiegelman: Disaster is My Muse (Molly Bernstein & Philip Dolin 2025)
- One Battle After Another (Paul Thomas Anderson, 2025)
- The Vourdalak (Adrien Beau, 2023 [U.S. 2024-2025])
New Releases
Alphabetical (so much I still need to see this year...)
- Hamnet
- It Was Just an Accident
- One Battle After Another
- Peter Hujar’s Day
- Sentimental Value
- Sinners
- The Lost Bus
- Train Dreams
- Weapons
- Zootopia 2
Not my first time — but this year I saw them in entirely new formats at the Southampton Playhouse
- Back to the Future - IMAX
- Stop Making Sense - IMAX
- Apollo 13 - IMAX
- The Wizard of OZ - IMAX 3D
- Romance and Cigarettes - 35 MM
First Viewings that stuck with me…
- The Pawnbroker (dir. Sidney Lumet)
- Scarecrow (dir. Jerry Schatzberg)
- Ball of Fire (dir. Howard Hawks)
First Viewings & New Releases
- Woyzeck (Werner Herzog, 1979)
- Oda Sa Wala (Dwein Baltazar, 2018)
- Lions Love (. . . and Lies) (Agnès Varda, 1969)
- El Pico (Eloy de la Iglesia, 1983)
- A Scene at the Sea (Takeshi Kitano, 1991)
- Urchin (Harris Dickinson, 2025)
- La Garce (Christine Pascal, 1984)
- Heartburn (The Novel) (Nora Ephron, 1986)
- Trees Lounge (Steve Buscemi, 1996)
- Violette Nozière (Claude Chabrol, 1978)
- Les Jeux de la Comtesse Dolingen de Gratz (Catherine Binet, 1981) — CAROL KANE!
- Harlan County, USA (Barbara Kopple, 1976)
- Mike Tyson explaining “legacy” to 10 year old (2025)
- Interiors (Woody Allen, more importantly Diane Keaton, 1978)
- Erupcja (Pete Ohs, 2026)
- What Does That Nature Say to You (Hong Sang-soo, 2025)
- Emily Davis in Moliere’s Tartuffe (Sarah Benson) 2026
- If I Had Legs I’d Kick You (Mary Bronstein, 2025)
- Lucy Kaminsky in Optimistic Voices (Juliana F. May) 2025
- River of Grass (Kelly Reichardt, 1994)
- Peter Hujar’s Day (Ira Sachs, 2025)
- Electrical Gaza (2015, Rosalind Nashashibi)
- The Town Within Reach (1983, Dang Nhat Minh)
- A Dark Room (2025, Heehyun Choi)
- Buseok (2024, Kyujae Park)
- Bye Bye Love (1974, Isao Fujisawa)
- Fucktoys (2025, Annapurna Sriram)
- Bounded Intimacy (2024, Ayanna Dozier)
- Market Street (2005, Tomonari Nishikawa)
- Alice in the Cities (1974, Wim Wenders)
- 逆立ち逆立ち : If pinholes were right side up, I would be doing handstands. (2024, Kioto Aoki)
- Mind Game (2004, Masaaki Yuasa)
- Leila and the Wolves (1984, Heiny Srour)
- Showgirls of Pakistan (2020, Saad Khan)
- Peking Opera Blues (1986, Tsui Hark)
- Softshell (2024, Jinho Myung)
- A Journey from North to South (2024, Tiffany Sia)
- Correct Me If I’m Wrong (2025, Hao Zhou)
- Ring of Fire - Solar Yang & Lunar Weerasethakul (2024-2027, Apichatpong Weerasethakul and Haegue Yang in Naoshima)
- For those who share mornings and evenings (2025, Chang Yuchen at Smack Mellon)
- Ichiko Aoba Plays Live on a Rock - https://youtu.be/OZXH9iXqFbI?si=vX47bmRvZpDtTgyV
First Viewings
- Altyn At (Svetlana Romanova, 2025)
- Letter to Jane (Jean-Luc Godard and Jean-Pierre Gorin, 1972)
- Levers (Rhayne Vermette, 2025)
- Lost Book Found (Jem Cohen, 1996)
- Remake (Ross McElwee, 2025)
Best New Releases
· No! YOU'RE WRONG. or: Spooky Action at a Distance directed by Crispin Glover
· The Uninvited directed by Nadia Conners
· Schneewittchen (Snow White) directed by Stanley Schtinter
· Father Mother Sister Brother directed by Jim Jarmusch
· Bugonia directed by Yorgos Lanthimos
· Weapons directed by Zach Cregger
· Becoming Led Zeppelin directed by Bernard MacMahon
· Eric LaRue directed by Michael Shannon
· Friendship directed by Andrew DeYoung
First Viewings and Discoveries
· Mock Up on Mu directed by Craig Baldwin (2008)
· Judgment at Nuremberg directed and produced by Stanley Kramer (1961)
· Idiocracy directed by Mike Judge (2006)
· The Apprentice directed by Ali Abbasi (2024)
· Yacht Rock directed by Garrett Price (2024)
· The Brutalist directed by Brady Corbet
First Viewings
- Master of the House (Denmark 1925, Carl Theodor Dreyer)
- Listen to the Voices of the Sea (Japan 1950, Hideo Sekigawa)
- La finestra sul Luna Park (Italy 1957, Luigi Comencini)
- The Wife of Seisaku (Japan 1965, Yasuzo Masumura)
- A New Leaf (USA 1971, Elaine May)
- The Journey (Iran 1972, Bahram Beyzaie) – SHORT
- Those Whom Death Refused (Guinea-Bissau 1988, Flora Gomes)
- The Sweet East (USA 2023, Sean Price Williams)
- Am Telefon Milena Fina (Austria 2025, Albert Sackl) – SHORT
- Phantoms of July (Germany 2025, Julian Radlmaier)
First Viewings
- Worlds Greatest Sinner (Timothy Carey 1962)
- Charlie is My Darling (Peter Whitehead 1966)
- The Swimmer (Frank Perry 1968)
- Bye Bye Braverman (Sidney Lumet 1968)
- 92 in the Shade (Thomas McGuane 1975)
- Chilly Scenes of Winter (Joan Michelin Silver 1979)
- Winter Kills (William Richert 1979)
- Lightning Over Water (Nicholas Ray, Wim Wenders 1980)
- Tough Guys Don’t Dance (Norman Mailer 1987)
- Pumpkinhead (Stan Winston 1988)
- Dead Bang (John Frankenheimer 1989)
- Cold Dog Soup (Alan Metter 1990)
- Linguini Incident (Richard Shepard 1991)
- China Moon (John Bailey 1994)
- Los Angeles Plays Itself (Thom Anderson 2003)
- Lawrence of Belgravia (Paul Kelly 2012)
- Phrogging: Hider in My House (Zaki Rubenstein 2022)
- Favorite Music Moment: Hot Freaks (Guided by Voices) If I Had Legs I’d Kick You (Mary Bronstein)
First Viewings
- Apollo 11 (2019)
- Rollercoaster (1977)
- Vigilante Force (1976)
- Earnhardt (2025)
- Heart Like a Wheel (1983)
- Night of the Juggler (1980)
- Breathless (1983)
- Anatomy of a Fall (2023)
- Body Parts (1991)
- Last Man Standing (1995)
- State of Grace (1990)
New Releases
- One Battle After Another
- Blue Moon
- The Secret Agent
- Mistress Dispeller
- Predators
- Misericordia
- It Was Just an Accident
- April
- Sirat
- My Undesirable Friends Part 1: Last Air in Moscow
First Viewings and Discoveries
- The Children's Hour (William Wyler)
- Sound of the Mountain & Sudden Rain (Mikio Naruse
- Southern Comfort (Kate Davis)
- Well-Founded Fear (Shari Robertson, Michael Camerini)
New Releases (Unranked)
- Direct Action
- Radu Jude’s 2025 trifecta: Dracula + Kontinental ’25 + Little Poems in Prose
- Final Destination: Bloodlines
- The Mastermind
- M3GAN 2.0
- Jean-Luc Mélenchon at CUNY Graduate Center
- The broken poster display outside the Angelika emitting a constant electrical buzz
First Viewings
- La Commune (Paris 1871) (2000) at Anthology
- Uptight (1968) at The People’s Forum
- Dogfight (1991) on Criterion Channel
- The Asthenic Syndrome (1989) at Walter Reade
- Streets of Fire (1984) at Anthology
- Rap World (2024) several times in a row on YouTube
- The Panic in Needle Park (1971) on Criterion (holy shit!!)
- Whatever Happened to Baby Jane? (1962) on Tubi
- Hellbent (2004) at Spectacle
- Still Life (1997) at Anthology
BEST NEW RELEASES (IN ORDER)
- ONE BATTLE AFTER ANOTHER (dir. Paul Thomas Anderson; Warner Bros.)
- THE PLAGUE (dir. Charlie Polinger; IFC)
- REFLECTION IN A DEAD DIAMOND (dir. Hélène Cattet & Bruno Forzani; IFC/Shudder)
- EEPHUS (dir. Carson Lund; Music Box Films)
- MARTY SUPREME (dir. Josh Safdie; A24)
- EDDINGTON (dir. Ari Aster; A24)
- IF I HAD LEGS, I'D KICK YOU (dir. Mary Bronstein; A24)
- BUGONIA (dir. Yorgos Lanthimos; Focus)
- FUCK MY SON! (dir. Todd Rohal; self-released)*
- SPLITSVILLE (dir. Michael Angelo Covino; NEON)
*Hosting the 35mm premiere of FUCK MY SON! with Todd in conversation with Mike Kuchar (prior to his short THE STRANGER IN APARTMENT 9F) at the Alamo New Mission made for a banner evening.
FAVORITE FIRST VIEWINGS AND DISCOVERIES (ALPHABETICAL)
- ANGEL'S EGG (dir. Mamoru Oshii, 1985)
- CASUALTIES OF WAR (dir. Brian De Palma, 1989)
- CHRISTIANE F. (dir. Uli Edel, 1981)
- THE CRAZY FAMILY (dir. Gakuryu Ishii, 1984)
- DADDY'S GONE A-HUNTING (dir. Mark Robson, 1968)
- ELECTRA GLIDE IN BLUE (dir. James William Guercio, 1973)
- THE EROTIC RITES OF FRANKENSTEIN (dir. Jess Franco, 1973)
- GOING DOWN (dir. Haydn Keenan, 1983)
- THE INTRUDER (dir. Roger Corman, 1962)
- FOLIES MEURTRIERES (dir. Antoine Pellissier, 1984)
- THE MISSION (dir. Johnnie To, 1999)
- ODDS AGAINST TOMORROW (dir. Robert Wise, 1959)
- A PERFECT COUPLE (dir. Robert Altman, 1979)
- SCHOOL IN THE CROSSHAIRS (dir. Nobuhiko Obayashi, 1981)
- SPIKE OF BENSONHURST (dir. Paul Morrisey, 1988)
- THE SPY WHO CAME IN FROM THE COLD (dir. Martin Ritt, 1965)
- TRACK 29 (dir. Nicolas Roeg, 1988)
- TWO THOUSAND MANIACS! (dir. Herschell Gordon Lewis, 1964)
- VENGEANCE IS MINE (dir. Michael Roemer, 1984)
- WHO'S AFRAID OF VIRGINIA WOOLF? (dir. Mike Nichols, 1966)
Maybe one day I'll log a film from the 21st century, but not today!
New Releases
(some favorites, in no particular order, with many new films yet to see)
- Bunny (Ben Jacobson)
- Vulcanizadora (Joel Potrykus)
- Where To Land (Hal Hartley)
- Die My Love (Lynne Ramsey)
- Carol & Joy (Nathan Silver)
- I’m Not Everything I’d Like To Be (Klára Tasovská)
- Roofman (Derek Cianfrance)
- Peter Hujars Day (Ira Sachs)
- Megadoc (Mike Figgis)
- Eddington (Ari Aster)
- All Of You (William Bridges)
- Toxic (Saule Bliuvaite)
- Smashing Machine (Benny Safdie)
- If I Had Legs I’d Kick You (Mary Bronstein)
- Secret Agent (Kleber Mendonça Filho)
2025 favorite first viewings
- Nightfall (1957)
- Blaise Pascal (1972)
- Jacques Lacan. Psychanalyse 1 & 2 (1974)
- Koko (1978)
- Shoah (1985)
- Microcosmos (1996)
- Phantom Beirut (1998)
- Saint-Cyr (2000)
- Avenge But One of My Two Eyes (2005)
- La guerre des centimes (2019)
- (Unranked / No 2024 releases either / Cinema not as an "experience" but as a synthesis)
First Viewings
- Anora (Sean Baker, 2024)
- Sing Sing (Greg Kwedar, 2023)
- Sister Midnight (Karan Kandhari, 2024)
- Bogancloch (Ben Rivers, 2024)
- Certain Women (Kelly Reichardt, 2016)
- Punch-Drunk Love (Paul Thomas Anderson, 2002)
New Releases
- Urchin (Harris Dickinson, 2025)
- One Battle After Another (Paul Thomas Anderson, 2025)
- Bugonia (Yorgos Lanthimos, 2025)
- Islands (Jan Ole Gerster, 2025)
First viewings in 2025
1. Apocalypse Now (1979), Redux cut, Metrograph (I know, I know—I just saw it)
2. The Man from Laramie (1955), MoMA
3. 7th Heaven (1927), MoMA
4. Dream of Light/The Quince Tree Sun (1992), Metrograph
5. Nothing but a Man (1964), Anthology
6. Cat People (1982), MoMA
7. Hot Pepper (1973), MoMA
8. Ex Libris: The New York Public Library (2017), FLC
9. What's Up, Doc? (1972), Paris Theater
10. Dick Tracy (1990), Nitehawk Williamsburg
11. Bend of the River (1952), MoMA
12. The Big Trail (1930), MoMA
13. Street Angel (1928), MoMA
14. Onibaba (1964), MoMI
15. Offside (2006), Metrograph
16. Time of the Wolf (2003), Metrograph
17. Lola Montès (1955), Metrograph
18. Scarface (1983), Metrograph
19. The Damned (1969), BAM
20. Sholay (1975), FLC
Best New Releases
1. Jean-Luc Godard, Jean-Paul Battaggia - The Story of "Scenario"
2. Albert Serra - Afternoons of Solitude
3. Harmony Korine - Baby Invasion
4. Bi Gan - Resurrection
5. Jia Zhangke - Caught By the Tides
6. Kiyoshi Kurosawa - Cloud
7. Masao Adachi - Escape
8. Virgil Vernier - 100.000.000.000.000 (Cent Mille Milliards)
9. Atom Egoyan - Seven Veils
10. Rob Tregenza - The Fishing Place
Favorite First Viewings
1. Budd Boetticher - My Kingdom For... (1985)
2. "Knots Landing" Season 6 (1984)
3. Vittorio Cottafavi - Maria Zef (1981)
4. Hisayasu Sato - Soft Skin (1998)
5. Roberto Gavaldon - Autumn Days (1963)
6. Roger Leenhardt - The Last Vacation (1948)
7. José Giovanni - Where Did Tom Go? (1971)
8. King Vidor - Beyond the Forest (1949)
9. Raoul Walsh - Uncertain Glory (1944)
10. David Hamilton - Laura (1979)
11. Sergei Gerasimov - The Young Guard (1948)
12. Dorothy Arzner - Working Girls (1931)
13. Alf Sjöberg - Iris and the Lieutenant (1946)
14. Florestano Vancini - The Long Night of '43 (1960)
15. John Landis - The Stupids (1996)
16. Ralf Kirsten - Chronicle of a Summer (1963)
17. Maurice Cloche - Monsieur Vincent (1947)
18. Youssef Chahine - Dark Waters (1956)
19. Marcel Pagnol - Angele (1934)
20. Sacha Guitry - The Virtuous Scoundrel (1953)
New Releases
- The Voice of Hind Rajab (Kaouther Ben Hania)
- Testament of Ann Lee (Mona Fastvold)
- Landmarks (Lucretia Martel)
- Hedda (Nia DaCosta)
- My Father’s Shadow (Akinola Davies Jr.)
The greatest thing was to see Michael Witt's reconstruction of Jean-Luc Godard's montage film Sauve la vie (qui peut). I proposed it as my carte blanche in FID Marseille and it was truly amazing. Michael also wrote an amazing book about Godard's unfinished projects. Also I loved A Page of Madness by Kinugasa and the discovery of a few Maurice Lemaître's letterist films, especially Un soir au cinema and Pour faire un film. Also Amos Poe's The Foreigner. Michael Almereyda was so kind to offer me a Garry Winogrand's album with color photographs (edited by him), and it is truly amazing.
Then, from the new films, I liked a lot Dry Leaf by Alexander Koberidze, Yes by Nadav Lapid, Julia Loktev's My Undesirable Friends, With Hasan in Gaza by Kamal Aljafari, and Richard Linklater's double bill, Nouvelle Vague and Blue Moon.
The Young Girls of Rochefort (Les Demoiselles de Rochefort,1967) is Jacque Demy and Michel Legrand’s follow-up to The Umbrellas of Cherbourg. I had never seen the film before this year—and it was a bright, colorful delight: tuneful, inventive, romantic, completely original. Less melodramatic than Umbrellas, it is full of life, full of dancing, with a restless jazz score that propels the film with urgent, kinetic energy. Gene Kelly offers a memorable character portrait—and his dancing outshines everyone else in the film.
For Your Consideration (2006) was another film I’d somehow missed until recently. Christopher Guest and Eugene Levy fashioned a satire of Hollywood awards mania that managed to be sardonic and affectionate—and even, occasionally, poignant. We watch the cast of a dreadful period drama called Home for Purim as they’re bewitched by the prospect of an Academy Award nomination. The film is nearly stolen by Fred Willard as a crassly self-absorbed co-host of an Entertainment Tonight-style show. Willard is merciless and hilarious.
Top 10 (unranked)
- BLKNWS: Terms & Conditions
- Caught Stealing
- Dead Lover
- Lloyd Wong, Unfinished
- Maddie’s Secret
- Nickel Boys
- One Battle After Another
- Peter Hujar's Day
- The Mastermind
- The Naked Gun
First Watches
- Audition (1999)
- A Woman of Paris: A Drama of Fate (1923)
- Big Wednesday (1978)
- Crime Wave (1953)
- Dodsworth (1936)
- It Always Rains on Sunday (1947)
- Joan Mitchell: Portrait of an Abstract Painter (1980)
- Southern Comfort (1981)
- The Vietnam War (2017)
- Touchez Pas au Grisbi (1954)
First Viewings
- Throw Away Your Books, Rally in the Streets (Shuji Terayama, 1971)
- Young & Beautiful (Francois Ozon, 2013)
- Eureka (Shinji Aoyama, 2000)
- Lipstick (Damiano Damiani, 1960)
- The Most Beautiful Wife (Damiano Damiani, 1970)
- A Difficult Life (Dino Risi, 1961)
- Fat Girl (Catherine Breillat, 2001)
- Overlord (Stuart Cooper, 1975)
- The Disappearance (Stuart Cooper, 1977)
- The Man Who Left His Will on Film (Nagisa Oshima, 1970)
- Boy (Nagisa Oshima, 1969)
- Ariel (Aki Kaurismäki, 1988)
- Shin Godzilla (Shinji Higuchi, Hideaki Anno, 2016)
- Missile (Frederick Wiseman, 1988)
- I'm Still Alive (Irving Reis, 1940)
- The Hang Up (John Hayes, 1969)
- The Breaking Point (Michael Curtiz, 1950)
- Nobody Waved Goodbye (Don Owen, 1964)
- Prince of Broadway (Sean Baker, 2008)
- My Forbidden Past (Robert Stevenson, 1951)
SHORT FILMS: You (1983) removed (1999) Craig's Cutting Room Floor (2011) Standard Gauge (1986) The Boy Who Liked Deer (1975) Movie Pests (1944) The Girl Chewing Gum (1976) Beirut Outtakes (2007) America: Everything You've Ever Dreamed Of (1973) Make Me A Pizza (2024)
New Releases
- Becoming Led Zeppelin
- Grand Theft Hamlet
- The Actor
- Legends of the Condor Heroes: The Gallants
- Black Bag
- The Shrouds
- One to One: John and Yoko
- Henry Fonda For President
- The Friend
- One Battle After Another
- Afternoons of Solitude
- Cloud
- My Undesirable Friends
- Weapons
- Frankenstein
- Caught Stealing
- Sentimental Value
- If I Had Legs I'd Kick You
- Die My Love
- The Running Man
New Releases (Unranked)
If I Had Legs I’d Kick You
The Secret Agent
Sirat
Misericordia
Familiar Touch
The Perfect Neighbor
Eephus
Vulcanizadora
One Battle After Another
It Was Just an Accident
First Viewings
The Lovers on the Bridge (1991, Leos Carax)
The Wayward Cloud (2005, Tsai Ming-liang)
Yeast (2008, Mary Bronstein)
No Sex Last Night (1991, Sophie Calle, Greg Shephard)
In My Skin (2002, Marina de Van)
The Childhood of a Leader (2015, Brady Corbet)
Christiane F (1981, Uli Edel)
Freaked (1993, Alex Winter)
Cruising (1980, William Friedkin)
In the Cut (2003, Jane Campion)
Split (2016, M. Night Shyamalan)
The Century of the Self (2002, Adam Curtis)
Cane Toads: An Unnatural History (1988, Mark Lewis)
Dirty Work (1988, Bob Saget)
Saving Face (2004, Alice Wu)
Jo Jo Dancer, Your Life Is Calling (1986, Richard Pryor)
High School II (1994, Frederick Wiseman)
Wanda (Barbara Loden, 1970)
May (2002, Lucky McKee)
Neon Genesis Evangelion: The End of Evangelion (1997, Hideaki Anno, Kazuya Tsurumaki)
First Viewings
- Remorques (Jean Grémillon, 1941)
- Night Train (Jerzy Kawalerowicz, 1959)
Favorite First Viewings
1. The Affected (Rikke Gregersen, 2020)
2. Aleph (Iva Radivojević 2021)
3. André François: Artist-Poet (Sarah Moon, 2002)
4. Blind Spot (Claudia von Alemann, 1981)
5. Correspondences: Víctor Erice, Abbas Kiarostami, José Luis Guerín, Jonas Mekas, Albert Serra, Lisandro Alonso, Isaki Lacuesta, Naomi Kawase, Jaime Rosales, Wang Bing, Fernando Eimbcke, So Yong Kim (2005 - 2011)
6. The Culture (Ernst De Geer, 2018)
7. The Days When I Don’t Exist (Jean-Charles Fitoussi, 2002)
8. Edith and the Tall Child (Kohana Wilson, 2023)
9. Fire of Wind (Marta Mateus, 2024)
10. The Hummingbird Wars (Janie Geiser, 2014)
11. I, Daniel Blake (Ken Loach, 2016)
12. INAATE/SE/ [it shines a certain way. to a certain place./it flies. falls./] (Adam Khalil, Zack Khalil, 2016)
13. Journey to the Beginning of Time (Karel Zeman, 1955)
14. Kin-dza-dza! (Georgiy Daneliya 1986)
15. Marathon (Amir Naderi, 2002)
16. Nibbles (Christopher Hinton, 2003)
17. Peace (Soda Kazuhiro, 2010)
18. Three Examples of Myself as a Queen (Anna Biller, 1994)
19. Volcanic Saga (Joan Jonas, 1989)
20. Waiting for Bas (Daniel & Clara, 2024)
Favorite first viewings (alphabetical):
- ...All the Marbles (Robert Aldrich, 1981)
- Always for Pleasure (Les Blank, 1978)
- The Annihilation of Fish (Charles Burnett, 1999)
- The Black and the Green (St. Clair Bourne, 1983)
- Christiane F. (Uli Edel, 1981)
- Early Spring (Yasujiro Ozu, 1956)
- Going Down (Haydn Keenan, 1982)
- High and Low (Akira Kurosawa, 1963)
- The Long Gray Line (John Ford, 1955)
- Love Letters (Amy Holden Jones, 1983)
- Marseille (Angela Schanelec, 2004)
- Miss and the Doctors (Axelle Ropert, 2013)
- Moral (Marilou Diaz-Abaya, 1982)
- Night of the Juggler (Robert Butler and Sidney J. Furie, 1980)
- Noir et blanc (Claire Devers, 1986)
- One Way Passage (Tay Garnett, 1932)
- The Quiet Man (John Ford, 1952)
- Summertime (David Lean, 1955)
- The Temple Woods Gang (Rabah Ameur-Zaïmeche, 2022)
- Will (Jessie Maple, 1981)
New Releases (Unranked)
- Afternoons of Solitude (Albert Serra)
- The Alabama Solution (Andrew Jarecki & Charlotte Kaufman)
- The Chair Company (season 1, episode 8): “Minnie Mouse coming back wasn't on my bingo card." (Aaron Schimberg)
- Eric LaRue (Michael Shannon)
- Orwell: 2+2=5 (Raoul Peck)
- Pee-wee As Himself (Matt Wolf)
- The Rehearsal (season 2, episode 6): “My Controls” (Nathan Fielder)
- Shifty (Adam Curtis)
- Sinners (Ryan Coogler)
- This is the Tom Green Documentary (Tom Green) First Viewings and Discoveries
- In Jackson Heights (Frederick Wiseman, 2015)
- The Lighting Field (Walter De Maria, 1977–present)
- Sticks and Bones (Robert Downey Sr., 1973)
- Total Recall (Paul Verhoeven, 1990) in 70mm Bonus Content
- “H. C. Westermann: Anchor Clanker” ed. Giampaolo Bianconi (AIC)
- “The Complete C Comics” by Joe Brainard et al (NYRB)
- “Go Figure: Figurative Social Surrealist Paintings” by Guy Colwell (Fantagraphics)
- “Other Networks: A Radical Technology Sourcebook” by Lori Emerson (Anthology Editions)
- “Everything Is Now: The 1960s New York Avant-Garde” by J. Hoberman (Verso)
- Kilynn Lunsford - “Promiscuous Genes” LP (Feel It Records)
- Bennie Maupin - “The Jewel In The Lotus” LP reissue (ECM)
- Shonen Knife - “Minna Tanoshiku” “P reissue (P-Vine)
- Michael Smith - “Mike's Box” DVD boxset (Drag City)
Creator and co-star of Hulu’s Difficult People and host of How Was Your Week.
First Viewings
- Zardoz (John Boorman, 1974)
- Barry Lyndon (Stanley Kubrick, 1975)
- Who Killed Teddy Bear? (Joseph Cates, 1965)
- The First Nudie Musical (Mark Haggard & Bruce Kimmel, 1976)
- Supergirl (Jeannot Szwarc, 1984)
- Arthur 2: On The Rocks (Bud Yorkin, 1988)
- Go into Your Dance (Archie Mayo, 1935)
- The Fly (David Cronenberg, 1986)
- Superstar: The Karen Carpenter Story (Todd Haynes, 1987)
- The Poseidon Adventure (Ronald Neame, 1972)
- Swimming to Cambodia (Jonathan Demme, 1987)
- The One and Only (Carl Reiner, 1978)
- Lucky Lady (Stanley Donen, 1975)
- Superman IV: The Quest for Peace (Sidney J. Furie, 1987)
First viewings and discoveries
-Ornette: Made in America (Shirley Clarke)
-Eye of the Devil (J. Lee Thompson)
-Ten Days’ Wonder (Chabrol)
-Sholay (Ramesh Sippy)
-The High Lonesome Sound (John Cohen)
-“Dirty Cut” of Dirty Work (Saget)
-Grandma’s Boy (Harold Lloyd)
-Queen Christina (Mamoulian)
-In the Spirit (Sandra Seacat and possibly Elaine May)
-The Journey/'Resan' (Peter Watkins)
And a bonus:
Strong Medicine by Richard Foreman, rest in peace.
First Viewings
- 'Fermat's Last Theorem' (1996) BBC Horizon episode, dir. Simon Singh
- Very Gentle Work (2024) dir. Nate Lavey
- Canal Zone (1977) dir. Fred Wiseman
- Klute (1971) dir. Alan J. Pakula
- I Remember You (1985) dir. Ali Khamraev
- Mai's America (2002) dir. Marlo Poras (hadn't seen in 10+ years and it felt like a new film)
- The Best of Your Life (aka Sun City) (1971) dirs. Tony Ganz and Rhody Streeter
- Beirut Jamais Plus (1976) dir. Jocelyne Saab
- Soft Shell (2024) dir. Jinho Myung
- Citizen Ruth (1996) dir. Alexander Payne
New Releases
- Holy Electricity (Tato Kotetishvili)
- Magellan (Lav Diaz)
- Phantoms of July (Julian Radlmaier)
- The Mastermind (Kelly Reichardt)
- Headshots (Johanna Schorn Kalinsky)
- Nobody in Sight (Kote Kalandadze)
- Leleka (Harald Hutter)
- Mr. Turner (Mike Leigh)
Favorite First Viewings 2025
- Swing High, Swing Low (Mitchell Leisen, 1937)
- The King and the Mockingbird (Paul Grimault, 1952/1980)
- Wife! Be Like a Rose (Mikio Naruse, 1935)
- The Bride Wore Red (Dorothy Arzner, 1938)
- Kitty (Mitchell Leisen, 1946)
- D.E.B.S. (Angela Robinson, 2003)
- Le Dortoir (François Girard, 1991)
- Rogue (Greg McLean, 2007)
- Gay USA (Arthur J. Bressan Jr., 1977)
- It's My Turn (Claudia Weill, 1980)
Best 2025 Releases, unranked
- Misericordia (Alain Guiraudie)
- The Shrouds (David Cronenberg)
- Final Destination: Bloodlines (Zach Lipovsky, Adam Stein)
- Landmarks (Lucretia Martel)
- It Was Just An Accident (Jafar Panahi)
- Nurses (Steve Zultanksi and Ed Atkins)
- Impediment is Information (JJJJJerome Ellis)
Best First Viewings/Discoveries, unranked
- Primate (Frederick Wiseman, 1974)
- El Vampiro Negro (Román Viñoly Barreto, 1953)
- Mahabharat (BR Chopra, 1989)
- New Rose Hotel (Abel Ferrara, 1998)
- A Real Young Girl (Catherine Breillat, 1976)
- Victimas del Pecado (Emilio Fernandez,1951)
- The Core (John Amiel, 2003)
- A New Love in Tokyo (Banmei Takahashi, 1994)
- Marquis (Henri Xhonneux, 1989)
- The Fall of Otrar (Ardak Amirkulov, 1991)
- Death of Yazdgerd (Bahram Beyzai, 1982)
- Queen Kelly (Erich von Stroheim, 1929)
- Man Follows Birds (Ali Khamraev, 1975)
- Kalyug (Shyam Benegal, 1981)
- Los Tallos Amargos (Fernando Ayala, 1956)
- Letters from an Unknown Woman (Max Ophüls, 1948)
First Viewings
- Mermaid Legend (1984)
- Kameradschaft (1931)
- One to One: John & Yoko (2024)
- When a Woman Ascends the Stairs (1960)
- Ratatouille (2007)
- A Tale of Winter (1992)
- Carol (2015)
- Prince of Darkness (1987)
- Main Theme (1984)
- Endless Waltz (1995)
Rep titles
- 7th Heaven (Frank Borzage, 1927)
- The Approach of Autumn (Naruse Mikio, 1960)
- The Doctor’s Dream (Ken Jacobs, 1978)
- Fireworks (Keneth Anger, 1947)
- Genet à Chatila (Richard Dindo, 1999)
- Harat (Sepideh Farsi, 2007)
- In the Darkness of Time (Jean-Luc Godard, 2002)
- Leila and the Wolves (Heiny Srour, 1984)
- Life Without Principle (Johnnie To, 2011)
- Love Torn in a Dream (Raúl Ruiz, 2000)
- Man Follows Birds (Ali Khamraev, 1975)
- Moonbird (John and Faith Hubley, 1959)
- Off-White Tulips (Aykan Safoğlu, 2013)
- One Way or Another (Sara Gómez, 1975)
- Release (Nasser Taghvai, 1971)
- The Runner (Amir Naderi, 1984)
- Something Between Us (Jodie Mack, 2015)
- Summertime (David Lean, 1955)
- Typhoon Club (Sōmai Shinji, 1985)
- Walker (Alex Cox, 1987)
Contemporary releases
- Afternoons of Solitude (Albert Serra)
- Back Home (Tsai Ming-liang)
- The Flowers Stand Silently Witnessing (Theo Panagopoulos)
- GAZA.MP4 (Diaa Lagan, Mohannad El-Masria, and Fuad Halwani)
- It Was Just an Accident (Jafar Panahi)
- Morgenkreis (Basma al-Sharif)
- Nuestra Tierra (Lucrecia Martel)
- Put Your Soul On Your Hand and Walk (Sepideh Farsi)
- The Shrouds (David Cronenberg)
- You Burn Me (Matías Piñeiro)
2025 Favorites in Alphabetical Order
- Atropia (Hailey Benton Gates)
- Cloud (Kiyoshi Kurosawa)
- Eddington (Ari Aster)
- Friendship (Andrew DeYoung)
- If I Had Legs I’d Kick You (Mary Bronstein)
- Messy (Alexi Wasser)
- No Other Choice (Park Chan-wook)
- One Battle After Another (Paul Thomas Anderson)
- Sentimental Value (Joachim Trier)
- www.RachelOrmont.com (Peter Vack)
2025 Honorable Mentions
Lurker (Alex Russell), Sorry, Baby (Eva Victor), The Code (Eugene Kotlyarenko), The Phoenician Scheme (Wes Anderson), Universal Language (Matthew Rankin), Weapons (Zach Cregger)
2025 movies I have yet to see that might influence this list
Bugonia, It Was Just an Accident, Marty Supreme, The Mastermind, The Secret Agent
Favorite First Viewings in Alphabetical Order
- A Brighter Summer Day (1991, Edward Yang)
- Beirut, My City (1983, Jocelyne Saab)
- Crooklyn (1994, Spike Lee)
- Cry-Baby (1990, John Waters)
- Deep End (1970, Jerzy Skolimowksi)
- Devil in a Blue Dress (1995, Carl Franklin)
- Grave of the Fireflies (1988, Isao Takahata)
- High and Low (1963, Akira Kurosawa)
- Ms. 45 (1981, Abel Ferrara)
- New Rose Hotel (1998, Abel Ferrara)
- Nowhere (1997, Gregg Araki)
- Polyester (1981, John Waters)
- Prince of Broadway (2008, Sean Baker)
- Reprise (2006, Joachim Trier)
- Reyner Banham Loves Los Angeles (1972, Julian Cooper)
- Siméon (1992, Euzhan Palcy)
- Suburbia (1983, Penelope Spheeris)
- The Battle of Algiers (1966, Gillo Pontecorvo)
- The Rules of the Game (1939, Jean Renoir)
- Trouble in Paradise (1932, Ernst Lubitsch)
- Weekend (1967, Jean-Luc Godard)
- Wang Chung performing their soundtrack for William Friedkin's To Live and Die in L.A. (1985) at The Belasco with synced footage from the film!
First Viewings & Discoveries
- The Boys from Fengkuei (Hou Hsiao-Hsien, 1983)
- Christo’s Valley Curtain (Albert and David Maysles, 1974)
- The Eve Before Ivan Kupala (Yurii Illienko, 1968)
- Giants and Toys (Yasuzo Masumura, 1958)
- Love Meetings (Pier Paolo Pasolini, 1964)
- The Mystery of Picasso (Henri-Georges Clouzot, 1956)
- Notes on Displacement (Khaled Jarrar, 2022)
- À Propos de Nice (Jean Vigo, 1930)
- Public Housing (Frederick Wiseman, 1997)
- Something Wild (Jonathan Demme, 1986)
Here are the films that have been on my mind lately-
- Afternoons of Solitude
- Chronology of Water
- Sound of Falling
- Fire Will Come
- One Battle After Another
- Sirat
- Silent Friend
- Rain Fell On Nothing New - this is a German first feature by director/writer: Steffen Goldkamp
Top Ten New Releases (Unranked)
- 28 Years Later, d. Danny Boyle
- Evil Puddle, d. Charlie Roxburgh
- The Mastermind, d. Kelly Reichardt
- Nobody, d. Shui Yu
- One Battle After Another, d. Paul Thomas Anderson
- Plainclothes, d. Carmen Emmi
- Room Temperature, d. Zac Farley, Dennis Cooper
- Retro, d. Karthik Subbaraj
- Sirāt, d. Olive Laxe
- War 2, d. Ayan Mukerji
Honorable Mention
- Aero Horrorthon: The Movie, d. Damon Packard
- The Polar Express - Off the Rails!, d. Landon Fernald
- "Tom Francis performs Sunset Boulevard in Time Square" from Sunset Boulevard, d. Jamie Lloyd
Ten Memorable First Viewings and Discoveries:
- Bone, d. Larry Cohen
- Body Parts, d. Eric Red
- Castration Movie Anthology i. Traps, d. Louise Weard
- Ghostly Revenge, d. Gary Castro Churchwell, Erick Ferman
- God of Gamblers' Return, d. Wong Jing
- Experiment in Terror, d. Blake Edwards
- Heartbreaker: With Love from A Bullet, d. Soichiro Komatsu
- Kill Me Again, d. John Dahl
- Night of the Living Dead, d. Tom Savini
- Neighbors, d. John G. Avildsen
New Releases
1. Eephus (Carson Lund)
2. The Woman in the Yard (Juame Collet-Serra)
3. Peter Hujar's Day (Ira Sachs)
4. Cloud (Kiyoshi Kurosawa)
5. Japanese Food Noodles YouTube Channel
First Viewings
- Les Vampires (Louis Feuillade, 1915-1916, DCP, Academy Museum)
- Die Drei von der Tankstelle (Wilhelm Thiele, 1930, Digital, Home Viewing)
- Japanese Paper Film Project (Various, 1930s, Paper Film to Digital, Hammer Museum @ UCLA)
- The Fresh Vegetable Mystery (Dave Fleischer, 1939, DCP, Hammer Museum @ UCLA)
- Dead Man's Eyes (Reginald Le Borg, 1944, 35mm, New Beverly Cinema)
- Portrait of Jennie (William Dieterle, 1948, Nitrate 35mm, Egyptian Theatre)
- Rope (Alfred Hitchcock, 1948, Nitrate 35mm, Egyptian Theatre)
- Comanche Territory (George Sherman, 1950, 35mm, New Beverly Cinema)
- The Brigand (Phil Karlson, 1952, 35mm, New Beverly Cinema)
- The Bigamist (Ida Lupino, 1953, 35mm, Hammer Museum @ UCLA)
- There's Always Tomorrow (Douglas Sirk, 1956, 35mm, American Cinematheque Los Feliz)
- Alfred Hitchcock Presents, "The Man from the South" (Norman Lloyd, 1960, DCP, Hammer Museum @ UCLA)
- The Liberation of L.B. Jones (William Wyler, 1971, 35mm, American Cinematheque Los Feliz)
- Das Millionenspiel (Tom Toelle, 1971, Digital, Home Viewing)
- The Waiting Room (Karen Sperling, 1973, Digital, Wirtz Center Chicago)
- Popeye (Robert Altman, 1980, 35mm, Hammer Museum @ UCLA)
- Dessert For Constance (Sarah Maldoror, 1981 DCP, Hammer Museum @ UCLA)
- Surely Bach Closed the Door When He Wanted to Work (Narcisa Hirsch, 1981, DCP, Academy Museum)
- The Meeting (Bill Duke, 1989, Digital, Hammer Museum @ UCLA)
- Central Park (Frederick Wiseman, 1990, DCP, American Cinematheque Los Feliz)
- Domestic Violence (Frederick Wiseman, 2001, DCP, American Cinematheque Los Feliz)
Viewing Stats: DCP: 98, 35mm: 68, 70mm: 3, Nitrate: 6. Getting soft in my old age.
Caught by the Tides, Jia Zhangke
Sorry Baby, Eva Victor
*
Bait (Mark Jenkin, 2019)
Nine Gross and Conspicuous Errors (Red Krayola with Art & Language, 1975)
Four Nights A Dreamer (Robert Bresson, 1971)
White Nights (Luchino Visconti, 1957)
The Chronicle of A.M. Bach (Ken Okiishi, 2025)
Friday Night (Claire Denis, 2002)
Where is the Friend’s House? (Abbas Kiarostami, 1987)
The House in the Woods TV series (Maurice Pialat, 1971)
Drugs are Nice: A Suckumentary (Lisa Carver, 2005)
Joe Mazzulla 2025 postgame press conferences
New Releases
1. Resurrection (Dir. Bi Gan)
2. Black Bag (Dir. Steven Soderbergh) x Presence (Dir. Steven Soderbergh)
3. It Was Just an Accident (Dir. Jafar Panahi)
4. The Shrouds (Dir. David Cronenberg)
5. One Battle After Another (Dir. Paul Thomas Anderson)
6. Reflection In a Dead Diamond (Dirs. Hélène Cattet & Bruno Forzani)
7. Sinners (Dir. Ryan Coogler)
8. Highest 2 Lowest (Dir. Spike Lee)
9. Magellan (Dir. Lav Diaz)
10. Blue Moon (Dir. Richard Linklater) x Peter Hujar’s Day (Dir. Ira Sachs)
Discoveries (in no order)
● Compensation (Dir. Zeinabu irene Davis, 1999)
● Action : The October Crisis of 1970 (Dir. Robin Spry, 1973)
● King Lear (Dir. Jean-Luc Godard, 1987)
● Mermaid Legend (Dir. Toshiharu Ikeda, 1984)
● Running on Karma (Dirs. Wai Ka-Fai & Johnnie To, 2003)
● Suroh: Alien Hitchhiker (Dir. Patrick McGuinn, 1996)
● The Sword (Dir. Patrick Tam, 1980)
● The Tin Star (Dir. Anthony Mann, 1957)
● Totally Fucked Up (Dir. Gregg Araki, 1993)
● Leila and the Wolves (Dir. Heiny Srour, 1984)
● The Cat (Dir. Lam Nai-Choi, 1992)
● Blood Brothers (Dir. Mike Diana, 1989)
● Bronco Billy (Dir. Clint Eastwood, 1980)
● Love Hotel (Dir. Shinji Sōmai, 1985)
● Thomasine & Bushrod (Dir. Gordon Parks Jr., 1974) x Three the Hard Way (Dir. Gordon Parks Jr., 1974)
● Freeze Me (Dir. Takashi Ishii, 2000)
● Evolver (Dir. Mark Rosman, 1995)
● Black Girl (Dir. Ossie Davis, 1972)
● The Perfume of the Lady In Black (Dir. Francesco Barilli, 1974)
● Portrait In Crystal (Dir. Hua Shan, 1983)
● School In the Crosshairs (Dir. Nobuhiko Obayashi, 1981)
● Girls Town (Dir. Jim McKay, 1996)
● Campfire Tales (Dirs. Martin Kunert, David Semel & Matt Cooper, 1997)
● Skin Deep (Dir. Blake Edwards, 1989)
● The Wrong Man (Dir. Jim McBride, 1993)
Due to the intensity of the work on YES and the demanding releases of the movie and the long festival circuit, I missed several films that I can imagine that could have figured on this list. I Only Rest in the Storm by Pedro Pinhio, The Secret Agent by Kleber Mendonca Filho, What Does That Nature Say to You by Hong Sang-soo, as few examples for movies that I can imagine myself really appreciating but that I haven't yet watched. That's why this list is in no way the best of the year but some revealing films I had the opportunity to bump into. While several others movies seemed to me not daring or/and not deep enough:
Mektoub my love, Canto due: Maybe it's not his best film or not even even the best of the trilogy. But there's so much life here, Kechiche's mysterious capacity to be so alive, that almost everything looks half dead in comparison.
Nouvelle Vague: The celebration of this marvelous and hilarious moment in the history of art, the appearance of Godard and of La nouvelle vague. A gesture of joy. You should be so confident and talented as a filmmaker to skip the tendency to be always ambivalent. To simply say: A bout de Souffle: What a marvel.
And another four films I really loved.
Afternoons of Solitude
A Poet
Eddington
and Kontinental 25 which is for me the definition of a small big film.
Then an old film which I discovered this year:
Saute ma ville by Chantal Akerman. A first short film. All her cinema, her life and life in general are already found in these 12:30 min she shot at the age of 18.
And to finish, Melancholia by Von Trier which I already saw when it was released so actually it doesn't really belong to this pole. But since I saw it again two days ago and I can't think of anything else, I couldn't help myself not to mention the evidence of its unique hugeness.
Best of 2025 (Ranked)
- Sinners (Ryan Coogler)
- One Battle After Another (Paul Thomas Anderson)
- BLKNWS: Terms and Conditions (Kahlil Joseph)
- Weapons (Zach Cregger)
- Black Bag (Steven Soderbergh)
- My Father’s Shadow (Akinola Davies Jr)
New Discoveries
- The Rehearsal S2E2 (Nathan Fielder)
- House of Games (David Mamet)
- Uncle Uncle (Amar Ahmad)
Top Viewing Experiences
Watching “A Dream Longer Than the Night” (1976) by Niki de Saint Phalle at the American Cosmograph cinema in Toulouse, France with my very limited French language skills.
Sharing a root beer float with a friend while watching Coil's depraved short films.
Favorite First Viewings in Alphabetical Order:
Akai nawa: Hateru made (Suzuki, 1987)
Animalicious (Lewis, 1999)
A Way to Die: The Films of Peter Christopherson and John Balance (Timeless, 2023)
Cemetery Without Crosses (Hossein, 1969)
Cyclone (Ray, 1987)
Electra Glide in Blue (Guerico, 1973)
Emanuelle and Françoise (D’Amato, 1975)
Flower and Snake (Konuma, 1974)
His Motorbike, Her Island (Obayashi, 1986)
Hollywood 90028 (Hornisher, 1973)
Identikit (Griffi, 1974)
Mirrored Mind (Ishii, 2005)
Queens of Evil (Cervi, 1970)
See You in Hell, My Darling (Nikolaidis, 1999)
Shredder Orpheus (McGinley, 1990)
The Apartment (Wilder, 1960)
The Girl from Rio (Franco, 1969)
The Horrors of Malformed Men (T. Ishii, 1969)
The Innerview (Beymer, 1973)
Trans-Europ-Express (Robbe-Grillet, 1966)
2025 New Releases:
1. One Battle After Another, D. PTA
2. Sound of Falling, D. Mascha Schilinski
3. The Secret Agent, D. Kleber Mendonça Filho
4. My Undesirable Friends: Part I — Last Air in Moscow, D. Julia Loktev
5. Silent Friend, D. Ildikó Enyedi
6. April, D. Dea Kulumbegashvili
7. Predators, D. David Osit
8. Bonjour Tristesse, D. Durga Chew Bose
9. BLKNWS: Terms & Conditions, D. Kahlil Joseph
10. The Perfect Neighbor, D. Geeta Gandbhir
Favourite First Viewings:
The Rose of Stamboul, D. Arthur Wellin (1919)
The Holy Night, D. Elvira Notari (1922)
My Son, D. Evgeny Cherveakov (1928)
Aloha Wanderwell's With Car and Camera Around the World (1929)
Seventh Heaven, D. Frank Borzage (1927)
Erotikon, D. Gustav Machatý (1929)
Sentimental Romance, D. Sergei Eisenstein & Grigorij Aleksandrov (1930)
One Hour With You, D. Ernst Lubitsch (1932)
Maskerade, D. Willi Forst (1934)
Melody of Murder, D. Bodil Ipsen (1944)
Till We Meet Again, D. Frank Borzage (1944)
Death is a Caress, D. Edith Carlmar (1949)
Summertime, D. David Lean (1955)
And That on Monday Morning, D. Luigi Comencini (1959)
Bube's Girl, D. Luigi Comencini (1963)
Winter Kept Us Warm, D. David Secter (1965)
Location Hunting is Palestine, D. Pier Paolo Pasolini (1965)
Komissar, D. Aleksandr Askoldov (1967)
Somewhere Beyond Love, D. Luigi Comencini (1974)
Calamity, D. Věra Chytilová (1982)
Best New Releases (ranked)
- Eddington
- One Battle After Another
- If I Had Legs I’d Kick You
- After the Hunt
- F1
- TRON: Ares
- The Shrouds
- Misericordia
- Mission: Impossible — The Final Reckoning
- Bugonia
Favorite First Viewings and Discoveries
- The Devil is a Woman (Von Sternberg, 1935)
- You Can Count on Me (Lonergan, 2000)
- La Vie de Jésus (Dumont, 1997)
- As Bodas de Deus (Monteiro, 1999)
- Some Came Running (Minnelli, 1958)
- Spree (Kotlyarenko, 2020)
- Escape from Alcatraz (Siegel, 1979)
- A Couch in New York (Akerman, 1996)
- We Own the Night (Gray, 2007)
- Bloody Mama (Corman, 1970)
- Prince of the City (Lumet, 1981)
- Blue Steel (Bigelow, 1990)
- Star 80 (Fosse, 1983)
- How Green Was My Valley (Ford, 1941)
- 35 Rhums (Denis, 2008)
- The Rapture (Tolkin, 1991)
- The Color Wheel (Perry, 2011)
- Revenge (Scott, 1990)
- Way Down East (Griffith, 1920)
- Observe and Report (Hill, 2009)
New releases
The Best of Me (Heather Landsman)
Caught by the Tides (Jia Zhangke)
Debut, or, Objects of the Field of Debris as Currently Catalogued (Julian Castronovo)
Direct Action (Guillaume Cailleau, Ben Russell)
Fiume o morte! (Igor Bezinović)
Invention (Courtney Stephens)
Magellan (Lav Diaz)
My Undesirable Friends: Part I - Last Air in Moscow (Julia Loktev)
The Shrouds (David Cronenberg)
Softshell (Jinho Myung)
New to me
Baby It’s You (1983) dir. John Sayles
A Camel (1981) dir. Ibrahim Shaddad
The Clock (1945) dir. Vincente Minnelli
Cluny Brown (1946) dir. Ernst Lubitsch
Cosmopolis (2012) dir. David Cronenberg
Exotica (1994) dir. Atom Egoyan
Following the Sun (1961) dir. Mikhail Kalik
Haut bas fragile (1995) dir. Jacques Rivette
Leila and the Wolves (1984) dir. Heiny Srour
Near Orouët (1971) dir. Jacques Rozier
The Novelist’s Film (2022) dir. Hong Sang-soo
Portrait of Jennie (1948) dir. William Dieterle
The Razor’s Edge (1985) dir. Jocelyne Saab
Road to Nowhere (2010) dir. Monte Hellman
Route One/USA (1989) dir. Robert Kramer
Some Came Running (1958) dir. Vincente Minnelli
Stars at Noon (2022) dir. Claire Denis
Stars in My Crown (1950) dir. Jacques Tourneur
A Walk with Johnny Guitar (1996) dir. João César Monteiro
Zeroes and Ones (2021) dir. Abel Ferrara
Note: The best things I watched in 2025 were the IndyCar Snap-on Milwaukee Mile 250 and the Motul Petit Le Mans IMSA season closer.
2025 films I liked in NO particular order
- Athina Tsangari. HARVEST (US theatrical in 2025)
- Kate Beecroft EAST OF WALL
- Janie Geiser SUDDEN TOURNIQUET (short)
- Julie Murray ESTUARY (TIDAL) (EBB) (short)
- Raoul Peck ORWELL: 2+2=5
- Dea Klumbegashvili APRIL (US theatrical in 2025)
- Jafar Panahi IT WAS JUST AN ACCIDENT
- Radu Jude SLEEP # 2 (US release in 2025)
- Radu Jude KONTINENTAL (though not among his best)
Favorite First Viewings (Unranked)
Andor (Tony Gilroy) The empire will fall.
The Godfather (Francis Ford Coppola) I stood up in the middle of this watch and paused it and yelled this is real cinema to my scurrying cat.
Dislocations (Josefa Ntjam) Watched with my partner at MACAAL.
Tampopo (Jūzō Itami) My partner and I went on a quest for ramen in Florence and told the head chef at the restaurant we found about Tampopo. He proceeded to pull out the dvd from behind the counter.
The Hand of God (Paolo Sorrentino) Shoutouts to Naples and shoutouts to their patron saint Maradona.
One Battle After Another (Paul Thomas Anderson) Are you shitting me?
Yukon (Cole Bennett) Gopro printed on 16mm.
I am Cuba (Mikhail Kalatozov) I love how Americans are depicted in this cuz this is legitimately how white people are in my head.
Rap World Day (Edward Frumkin) The ultimate going to the movies film made by everyone’s favorite moviegoer.
Travel Companion (Travis Wood, Alex Mallis) This really how it feels to be a broke filmmaker.
My Top 10 Repertory Viewings
- January 2 - Hold That Blonde! (George Marshall, 1945) projected with friends in my backyard
- January 25/February 1 - Wild at Heart + Mulholland Drive (David Lynch, 1990 / 2001) both at the Egyptian Theater in Hollywood; 35mm projections
- April 20 - Deep Cover (Bill Duke, 1992) projected in my friend Josh's home theater in Brooklyn
- April 22 - Water and Power (Pat O'Neill, 1989) at the Film-Makers' Cooperative in Manhattan; 16mm projection
- June 2 - A New Life (Phillipe Grandrieux, 2002) at the Aero Theater in Santa Monica; 35mm projection
- June 26 - Side Phase Drift (John Whitney Jr., 1965) at 2220 Arts + Archives in Los Angeles; 3-channel 16mm projection
- August 26 - The Doll (Ernst Lubitsch, 1919) on TV at my fiance's mom's house in Santa Cruz
- Sept 28 - The Hidden (Jack Sholder, 1987) on my desktop computer monitor at home
- Nov 1 - Popcorn (Mark Herrier, 1991) on my laptop in a Nashville hotel room
For first views, my favorites are below (unranked)
- Michelangelo Antonioni “Zabriskie Point” (1970) at Anthology Film Archives
- Robert Ashley “Perfect Lives” (1984) at Spectacle Theater
- Michel Auder “A Coupla White Faggots Sitting Around Talking” (1981) at Anthology Film Archives
- David Lynch “The Straight Story” (1999) at Livvy and Charlie’s
- The Otolith Group “Mascon” (2024) at Light Industry
- Sophie Calle and Greg Shephard “No Sex Last Night” (1996) at BAM
- Marcel Broodthaers “Rendez-vous Mit Jacques Offenbach” (1972) at Anthology Film Archives
- Raymond Pettibon “Sir Drone” (1989) via UbuWeb
- Jodie Mack “Unsubscribe #1: Special Offer Inside” (2010) at Rockaway Film Festival
- Chantal Akerman “One Day Pina Asked…” (1983) at MoMA
- Chantal Akerman “Night and Day” (1991) at MoMA
- Chantal Akerman “Portrait of a Young Girl at the End of the 60s in Brussels” (1994) at MoMA
- Gregory Markopoulos “ENIAIOS IV” (1947-1991) at Anthology Film Archives
- Theresa Hak Kyung Cha “Translations from a Willow Tree” (1976) at Palais de Tokyo
- Yair Oelbaum “Untitled (Slide Projection for Aléa)” (2014-2022/2025) at Aléa
TOP 10 of 2025 (Theatrical Features)
- Afternoons of Solitude
- The Fishing Place
- Henry Fonda for President
- Magellan
- The Testament of Ann Lee
- Final Destination: Bloodlines
- The Secret Agent
- The Shrouds
- No Other Choice
- The Mastermind
Special mention to Bahram Beyzai’s shadow-play Jana and Baladoor on YouTube
Best First-Time Views of 2025
- The Annunciation of Marie (Alain Cuny, 1991)
- Rome Wants Another Caesar (Miklós Jancsó, 1974)
- Night at the Crossroads (Jean Renoir, 1932)
- Tol’able David (Henry King, 1921)
- The End of an Old Song (John Cohen, 1969)
- The Ice Palace (Per Blom, 1987)
- Ghost Trio (Samuel Beckett, 1977)
- The Mongols (Parviz Kimiavi, 1973)
- Sia, the Myth of the Python (Dani Kouyaté, 2001)
- The Satin Slipper (Manoel de Oliveira, 1985)
- The Colors of Iris (Nikos Panayotopoulos, 1974)
- Le dernier caravansérail (Odyssées) (Ariane Mnouchkine, 2006)
- The Hips of J.W. (João César Monteiro, 1997)
- The White Sister (Henry King, 1923)
- The Ghost Ship (Mark Robson, 1943)
- The Garden of Stones (Parviz Kimiavi, 1976)
- The Last Flight (William Dieterle, 1931)
- Daddy and Them (Billy Bob Thornton, 2001)
- Snow Country (Shiro Toyoda, 1957)
- The Crime of Aldeia Velha (Manuel Guimarães, 1964)
First Viewings
- XCXHXEXRXRXIXEXSX (Ken Jacobs, 1970)
- MY BROTHER’S WEDDING (Charles Burnett, 1983)
- THE LONGEST SUMMER (Fruit Chan, 1998)
- THE BLACKOUT (Abel Ferrara, 1997)
- THE LONGEST NITE (Patrick Yau, Johnnie To, 1998)
New releases:
- Sirat
- The Ugly Stepsister
- Familiar Touch
- Magic Farm
- If I Had Legs I Would Kick You
- Bugonia
- Weapons
- Bring Her Back
- Secret Mall Apartment
- Final Destination: Bloodlines
First viewings (not ranked)
They Shoot Horses, Don’t They? (1969)
The Long Walk wishes it was this
Babycat (2023)
Surprisingly wholesome
MadS (2024)
How did I miss this masterpiece last year?!?!?!
The Endless (2017)
I was trying to watch films with a fate worse than death, and I succeeded
Caveat (2020)
Run down cabin as a film location will always work for me
Bloody Nose Empty Pockets (2020)
It’s like spending a night at a dive bar in Hamtramck, MI, or anywhere in the world, really!
Tar (2022)
I thought this was a documentary so I skipped it initially, turns out, not a documentary
Santa Sangre (1989)
I love mommy enmeshment films.
Boxing Helena (1993)
Really good usage of Sadeness - Enigma
Der Bunker (2015)
All child roles should be played by adults.
Waffle House Training - Pull Drop Mark Order Calling Method
https://www.youtube.com/watch?v=Jky5ZXI0axc
This is the most insane video I’ve seen on YouTube in a very long time.
Itchy Boots (2018-present)
Noraly is a Dutch motorcycle adventurer, and I absolutely adore watching her adventures.
Tales From The Hood (1995)
I love short stories made into a narrative!
Humanist Vampire Seeking Consenting Suicidal Person (2023)
UGH I bet this would have been on a previous new releases top 10 if only I had watched it in time!!
Two Moon Junction (1988)
It’s not a good film, but was an extremely fun watch with a group.
Garlic Is as Good as Ten Mothers (1980)
I now eat the garlic chunks that make it into my salad dressings instead of casting them aside.
Aliens (1986)
Fuck it, I need to see the whole franchise.
Little Children (2006)
The novel has been sitting untouched in the nearby “Free Little Library” for a year now, love that someone put that there.
The Reflecting Skin (1990)
I watched this on my phone on a plane and it was still an incredible experience.
Favorite new releases
Festival premieres and new-to-me 2025 theatrical releases. Unranked and in alphabetical order.
- Afternoons of Solitude (Albert Serra)
- Broken Rage (Takeshi Kitano)
- Endless Cookie (Seth Scriver & Peter Scriver)
- Escape (Masao Adachi)
- If I Had Legs, I’d Kick You (Mary Bronstein)
- The Mastermind (Kelly Reichardt)
- One Battle After Another (Paul Thomas Anderson)
- Paul (Denis Côté)
- A Poet (Simón Mesa Soto)
- Writing Life: Annie Ernaux Through the Eyes of High School Students (Claire Simon)
Favorite first viewings, discoveries, etc:
- Stoney Knows How (Pacho Lane and Alan Govenar)
- The Black Tower (John Smith)
- Deep Crimson (Arturo Ripstein)
- Ball of Fire (Howard Hawks)
- Bride of Frankenstein (James Whale)
- Totò Nudo (Diego Perrone)
- The Blue Gentleman (Dan Hentschel)
- Time Without Pity (Joseph Losey)
- Jacques Pépin Cooking at Home: James Beard’s Famous Onion Sandwich
- The House of Mirth (Terence Davies)
- Foul Play with Anthony Davis
- The Life and Death of 9413: A Hollywood Extra (Robert Florey, Slavko Vorkapich)
- No Sex Last Night (Sophie Calle & Greg Shephard)
- My Man Godfrey (Gregory La Cava)
- Everything for a Scrambled Pancake! (Irena Dodalová, Karel Dodal)
- The Worm (Ed Atkins)
- Popping a choccy milk (OP unknown)
- The Beekeeper (David Ayer)
- Shadowboxer (Lee Daniels)
- Gelli Haha at Night Club 101
First Viewings
- Yeast (Mary Bronstein, 2008)
- May (Lucky Mckee, 2002)
- Three Days (Sarunas Bartas, 1991)
- Wall (Takashi Ito, 1987)
- Anatomy of a Relationship (Luc Moullet, 1976)
- Rosa la rose, fille publique (Paul Vecchiali, 1986)
- The Kidnapping (Dimitri Kirsanoff, 1934)
- Chaos (Coline Serreau, 2001)
- Seisaku’s Wife (Yasuzo Masumura, 1965)
- Female Perversions (Susan Streitfeld, 1996)
- Black God, White Devil (Glauber Rocha, 1964)
- Clubbed to Death (Yolande Zauberman, 1996)
- The Big Clock (John Farrow, 1948)
- Bread (Manoel de Oliveira, 1959)
- I’m Going Home (Manoel de Oliveira, 2001)
- Love Hotel (Shinji Somai, 1985)
- Nightshift (Robina Rose, 1981)
- Gyromorphosis (Hy Hirsh, 1954)
I've been editing Part II of My Undesirable Friends all year, so I haven't gone to as many movies as I usually do. I realized my most memorable film experiences of the year were about the act of sharing films I love with people I love. Rewatching In The Mood for Love and 2046 over consecutive days with my 17-year-old goddaughter—who was seeing them for the first time—seeing them through her eyes and seeing her so moved walking out of 2046, she cried over an ex-boyfriend, who we later decided was definitely not worth crying over. Rewatching Fellini's 8 1/2 and Billy Wilder's The Apartment with my Mama, who hadn't seen them in years. Watching Sentimental Value, It Was Just an Accident and The Secret Agent with Ira Dolinina and No Other Choice with Ksenia Mironova—all in the giant Alice Tully Hall at NYFF, and thinking wow it's so amazing to be in such a huge space sharing great movies with strangers. And there's one movie I saw for the first time this past year that I can't seem to share with anyone because it disappeared from streamers (so I'm hoping someone sees this and helps), Alice Rohrwacher's The Wonders.
New Releases
- Afternoons of Solitude (Albert Serra)
- Dreams (Michel Franco)
- The Mastermind (Kelly Reichardt)
- Orphan (László Nemes)
- The Garden of Earthly Delights (Morgan Knibbe)
- Short Summer (Nastia Korkia)
- Wind, Talk to Me (Stefan Djordjevic)
- Yes! (Nadav Lapid)
- The Most Precious of Cargoes (Michel Hazanavicius)
- The Seed of the Sacred Fig (Mohammad Rasoulof)
Best New Releases
1. Afternoons of Solitude (dir. Albert Serra)
2. One Battle After Another (dir. Paul Thomas Anderson)
3. April (dir. Dea Kulumbegashvili)
4. By The Stream (dir. Hong Sang-soo)
5. My Undesirable Friends: Part I – Last Air in Moscow (dir. Julia Loktev)
6. It Was Just An Accident (dir. Jafar Panahi)
7. The Pee Pee Poo Poo Man (dir. Braden Sitter Sr.)
8. If I Had Legs I’d Kick You (dir. Mary Bronstein)
9. Castration Movie Anthology i. Traps / ii. The Best of Both Worlds (dir. Louise Weard)
10. Eephus (dir. Carson Lund)
Favorite First Viewings and Discoveries
1. Italian for Beginners (2000, dir. Lone Scherfig)
2. Let It Ride (1989, dir. Joe Pytka)
3. Inserts (1975, dir. John Byrum)
4. Afterglow (1997, dir. Alan Rudolph)
5. Pilgrim, Farewell (1980, dir. Michael Roemer)
6. Shipwrecked on Route D17 (2002, dir. Luc Moullet)
7. Go Go Tales (2007, dir. Abel Ferrara)
8. True Crime (1999, dir. Clint Eastwood)
9. Sugar (2008, dir. Anna Boden & Ryan Fleck)
10. Valerie Flake (1999, dir. John Putch)
New Releases (unranked)
- WTO/99 (Ian Bell)
- Invention (Courtney Stephens)
- River of Grass (Sasha Wortzel)
- Predators (David Osit)
- Peter Hujar's Day (Ira Sachs)
- Eraserhead Xiu Xiu (Xiu Xiu, performed at Elsewhere)
- Eight Postcards from Utopia (Radu Jude, Christian Ferencz-Flatz)
- Lover, Lovers, Loving, Love (Jodie Mack)
- The Mastermind (Kelly Reichardt)
- Zodiac Killer Project (Charlie Shackleton)
Favorite First Viewings and Discoveries
- Watersmith (Will Hindle, 1969)
- Hypnosis Display (Paul Clipson, 2014) + 16mm reel of rare Paul Clipson material, live scored by Jefre Cantu-Ledesma at Arverne Cinema
- As I Said at Microscope Gallery (works by Copper Frances Giloth, 1979-1994)
- Both at Once: Video by Peer Bode at Spectacle (Peer Bode, 1977-1983)
- Adolescence of Utena (Kunihiko Ikuhara, 1999)
- The Devonsville Terror (Ulli Lommel, 1983)
- His Motorbike, Her Island (Nobuhiko Obayash, 1986)
- Virgin Machine (Monika Treut, 1988)
- My Father is Coming (Monika Treut, 1991)
- Letters Not About Love (Jacki Ochs, 1998)
- The Flying Luna Clipper (Ikko Ono, 1987)
- The Parapraxis Film Festival at Light Industry
2025 Discoveries
- Sudden Rain (Naruse, 1956)
- Pilgrim, Farewell (Roemer, 1980)
- Henry Fonda for President (Horwath, 2024)
- One Week (Keaton, 1920)
- Trouble Every Day (Denis, 2001)
- Dog Day Afternoon (Lumet, 1975)
- Wife (Naruse, 1953)
- 36 Fillette (Breillat, 1988)
- I Will Buy You (Kobayashi, 1956)
- Devil in a Blue Dress (Franklin, 1995)
- The Vessel’s Isle (Wang Di, 2024)
- La Danse: The Paris Opera Ballet (Wiseman, 2009)
- Hideko the Bus Conductress (Naruse, 1941)
- Repast (Naruse, 1951)
- The Height of the Coconut Trees (Du Jie, 2024)
Best New releases (unranked)
As an overworked movie theater employee I didn’t actually see that many new releases (in a theater) this year. Fire me!
- One Battle After Another (Paul Thomas Anderson) - 70mm, Music Box Theatre
- Eephus (Carson Lund, 2025) - DCP, Music Box Theatre
- "Two Projectors & A Barrel Full of Monkeys" (Bruce McClure, 2025) - live projector performance, Church of the Three Crosses
- infinite column (arc, 2022–2025) - live performance, Celluloid Now
First viewings and Discoveries
- Lemora (Richard Blackburn, 1973) 16mm, Music Box Theatre
- Dreadnaught (Yuen Woo-ping, 1981) 35mm, Music Box Theatre
- Jardin du Sel (Rose Lowder, 2011) - 16mm, Celluloid Now
- Light, Noise, Smoke and Light, Noise, Smoke (Tomonari Nishikawa, 2023) - 16mm, Celluloid Now
- Music of the Spheres (Jordan Belson, 1977) 16mm, Constellation (Chicago Film Society)
- L for Leisure (Whitney Horn & Lev Kalman, 2009) DCP, Music Box Theatre
- When a Woman Ascends the Stairs (Mikio Naruse, 1960) 35mm, Music Box Theatre (Chicago Film Society)
- Lightning (Mikio Naruse, 1955) 35mm at Gene Siskel Film Center, (Chicago Film Society)
- The Bandwagon (Vincente Minnelli, 1953) - 35mm, Northeastern Illinois University (Chicago Film Society)
- Madonna: Truth or Dare (Alek Keshishian, 1991) DCP, Music Box Theatre
- Going Down (Haydn Keenan, 1983) - DCP, Music Box Theatre
- “Knife Throwing Mom” (Universal Newsreel, 1950s) - 16mm from the collection of Heather McAdams
First Viewings
- Die Bergkatze (The Wildcat, Ernst Lubitsch, 1921)
- Rich and Strange (Alfred Hitchcock, 1931)
- Wahlkampf 1932 (Letzte Wahl) (Election Campaign 1932 (Last Election), Ella Bergmann-Michel, 1933)
- De Mayerling à Sarajevo (From Meyerling to Sarajevo, Max Ophuls, 1940)
- Bambini in città (Luigi Comencini, 1946)
- Husband and Wife (Mikio Naruse, 1953)
- The Far Country (Anthony Mann, 1954)
- Jet Pilot (Josef von Sternberg, 1957)
- Run of the Arrow (Samuel Fuller, 1957)
- En el balcón vacío (On the Empty Balcony, Jomí García Ascot, 1961)
- Lettre à la prison (Marc Scialom, 1969)
- Journey (Bahram Beyzai, 1972)
- L'Olivier (Groupe Cinéma Vincennes, 1976)
- Chickens (Omar Amirlay, 1977)
- Gehenu Lamai (The Girls, Sumitra Peries, 1978)
- El Sur (Víctor Erice, 1983)
- Movimento das Coisas (The Movement of Things, Manuela Serra, 1985)
- Rosa de Areia (Margarida Cordeiro, António Reis, 1989)
- Celebrity (Woody Allen, 1998)
- Un petit cas de conscience (Marie-Claude Treilhou, 2002)
First Viewings & New Release:
- Eddington (Ari Aster, 2025)
- They Were Sisters (Arthur Crabtree, 1945)
- Madonna of the Seven Moons (Arthur Crabtree, 1945)
- Freud (John Huston, 1962)
- Deadline at Dawn (Harold Clurman, 1946)
- My Foolish Heart (Mark Robson, 1949)
- I Walk the Line (John Frankenheimer, 1970)
- Ladies in Love (Edward H. Griffith, 1937)
- Seven Women (John Ford, 1966)
- Exclusive (Alexander Hall, 1937)
New Releases (Unranked)
- Gangsterism (Medina)
- Hair, Paper, Water (Graux, Quy)
- The Ice Tower (Hadzihalilovic)
- It Was Just an Accident (Panahi)
- Magellan (Diaz)
- The Mastermind (Reichardt)
- Peter Hujar’s Day (Sachs)
- The Phoenician Scheme (Anderson)
- Razeh-del (Tafakory)
- The Secret Agent (Filho)
First Viewings
- 3 Women (1977, Altman)
- The 8 Diagram Pole Fighter (1984, Lan)
- Ballet (1995, Wiseman)
- Barres (1984, Moullet)
- Betty Tells Her Story (1972, Brandon)
- Compensation (1999, Davis)
- Doctor Zhivago (1965, Lean)
- Double Team (1997, Tsui)
- Elvira Madigan (1967, Widerberg)
- Evil Under the Sun (1982, Hamilton)
- The Little Prince (1974, Donen)
- Mermaids (1990, Benjamin)
- Miracle in Milan (1951, De Sica)
- No Sex Last Night (1996, Calle, Shephard)
- Parking (1985, Demy)
- Sholay (1975, Sippy)
- Side/Walk/Shuttle (1992, Gehr)
- Tales of Beatrix Potter (1971, Mills)
- The Wages of Fear (1953, Clouzot)
- The Winning of Barbara Worth (1926, King)
First Viewings
- The Wild Parrots of Telegraph Hill (Irving, 2003)
- Streetwise (Bell, 1984)
- The Red Shoes (Powell + Pressburger, 1948)
- Marc Jacobs & Louis Vuitton (Prigent, 2007)
- Kid Icarus (Ott + McLaughlin, 2008)
- Shut Up and Sing (Peck + Kopple, 2006)
- The Day the Earth Blew Up (Browngardt, 2024)
- Miracle Mile (De Jarnatt, 1989)
- Juror #2 (Eastwood, 2024)
- Mai’s America (Poras, 2002)
- Escape from L.A. (Carpenter, 1996)
Top 11 2025 films (in reverse alphabetical order)
- Vulcanizadora
- Sirat
- One Battle After Another
- Marty Supreme
- Invention
- If I Had Legs I'd Kick You
- Happyend
- Eephus
- The Code
- By The Stream
- Afternoons of Solitude
Favorite First Viewings
- Dig! (2004)
- WR: Mysteries of the Organism (1971)
- Chained for Life (2019)
- Wanda (1970)
- Welfare (1975)
- Belfast, Maine (1999)
- Near Death (1989)
- Domestic Violence (2001)
- The Bellboy (1960)
- Freaked (1993)
- The Asthenic Syndrome (1989)
- No Sex Last Night (1996)
- Les Sieges de L'Alcazar (1989)
- I'm Not Fascinating (1996)
- Christiane F. (1981)
- Einstein's Brain (1998)
- Unforgiven (1992)
- Rachel Getting Married (2007)
- The Village (2004)
- Night of the Juggler (1980)
- Umberto D. (1952)
New Releases (Unordered)
- Zootopia 2 (Jared Bush, Byron Howard)
- Is This Thing On? (Bradley Cooper)
- Caught Stealing (Darren Aronofsky)
- Shifty (Adam Curtis)
- Eddington (Ari Aster)
- F1: The Movie (Joseph Kosinski)
- Mission: Impossible - The Final Reckoning (Christopher McQuarrie)
- Warfare (Ray Mendoza, Alex Garland)
- Superman (James Gunn)
- 28 Years Later (Danny Boyle)
First Viewings and Discoveries
The Doors (Oliver Stone, 1991) on 70mm at The Paris Theater.
The scene in After the Hunt (Luca Guadagnino, 2025) where Andrew Garfield orders Indian food.
Jon Hamm’s Criterion Channel merch in Your Friends and Neighbors.
Keith Richards as Jack Sparrow’s dad “Edward Teague” in Pirates of the Caribbean: On Stranger Tides (Rob Marshall, 2011).
Dwayne Johnson’s performance as Mark Kerr in The Smashing Machine (Benny Safdie, 2025).
Dragged Across Concrete (S. Craig Zahler, 2018).
Jim’s wedding speech.
The scene in Materialists (Celine Song, 2025) where Dakota Johnson orders a Coke and a beer.
The other scene in Materialists where Dakota Johnson and Pedro Pascal have dinner at Nobu and it’s shot like the diner scene from Heat.
Jurassic World Dominion - Extended Edition (Colin Trevorrow, 2022) over two or three work days on Peacock Premium.
Variety Coffee in Thunderbolts* (Jake Schreier, 2025).
The Yards (James Gray, 2000) at home with mild food poisoning from I Sodi.
Pride & Prejudice (Joe Wright, 2005) at Regal Essex Crossing on Easter Sunday.
The Joe Wright directed episodes of Showtime’s The Agency: Central Intelligence (formerly known as The Agency) on Paramount+ Premium.
“Ten Mickey Chunks."
The “King Size” cat burglary in Den of Thieves 2: Pantera (Christian Gudegast, 2025).
Oasis Live ‘25 at MetLife Stadium.
The Aerosmith preshow from Rock ‘n’ Roller Coaster at Walt Disney World.
A very cinematic dinner at the newly re-opened Babbo.
The Chair Company on HBO Max.
Best New Releases (10 films)
In no order:
- Megadoc (dir. Mike Figgis)
- Mickey 17 (dir. Bong Joon-ho)
- On Becoming a Guinea Fowl (dir. Rungano Nyoni)
- One Battle After Another (dir. Paul Thomas Anderson)
- One of Them Days (dir. Lawrence Lamont)
- Resurrection (dir. Bi Gan) - Making an exception to my “no films I’m working on” rule here because I cannot stress enough how much regret folks will have if they miss seeing this on the biggest screen possible. The pros will sit a few rows closer than normal, too.
- Sinners (dir. Ryan Coogler)
- Sirât (dir. Oliver Laxe)
- The Testament of Ann Lee (dir. Mona Fastvold)
- The Voice of Hind Rajab (dir. Kaouther Ben Hania)
Favorite First Viewings and Discoveries
- Compensation (dir. Zeinabu irene Davis)
- Highest 2 Lowest (dir. Spike Lee)
- Angel’s Egg (dir. Mamoru Oshii)
- Eyes Without a Face (dir. George Franju)
- Floating Clouds (dir. Mikio Naruse)
- The Long Night (dir. Woodie King Jr)
- Pokiri (dir. Puri Jagannadh)
New releases (unranked)
- It Was Just an Accident (Jafar Panahi)
- Bogancloch (Ben Rivers)
- One Battle After Another (Paul Thomas Anderson)
- The Mastermind (Kelly Reichardt)
- Sentimental Value (Joachim Trier)
- Eephus (Carson Lund)
- The Shrouds (David Cronenberg)
- Little, Big, and Far (Jem Cohen)
- Invention (Courtney Stephens)
- Cloud (Kiyoshi Kurosawa)
First viewings and discoveries (unranked)
- Hollywood 90028 (Christina Hornisher, 1973)
- Early Spring (Yasujirō Ozu, 1956)
- The Past is Past [but there is something now that I regret like I was about to do it] (Josh Lewis, 2015)
- Heroic Purgatory (Yoshishige Yoshida, 1970)
- La vallée close (Jean-Claude Rousseau, 1995)
- When a Woman Ascends the Stairs (Mikio Naruse, 1960)
- American Hunter (Arizal, 1989)
- 2/Duo (Nobuhiro Suwa, 1997)
- Confessions of a Young American Housewife (Joe Sarno, 1974)
- Central Park (Frederick Wiseman, 1990)
- Huge Pupils (Andrew Noren, 1968)
- Who Killed Teddy Bear? (Joseph Cates, 1965)
- Spacey (Takashi Ito, 1981)
- The Shape of Night (Noboru Nakamura, 1964)
- Untitled (Ernie Gehr, 1977)
- Trans-Europ-Express (Alain Robbe-Grillet, 1966)
- The Killer (John Woo, 1989)
- Corruption (Roger Watkins, 1983)
- Gertrud (Carl Theodor Dreyer, 1964)
- Offering (Claudio Caldini, 1978)
New Movies I Liked (Not Ranked)
- Universal Language - Matthew Rankin
- Invention - Courtney Stephens
- Cloud - Kiyoshi Kurosawa
- Reflection in a Dead Diamond - Bruno Forzani, Hélène Cattet
- Wallace & Gromit: Vengeance Most Fowl - Nick Park, Merlin Crossingham
- One Battle After Another - PTA
- Weapons - Zach Cregger
- Eddington - Ari Aster
- Misericordia - Alain Guiraudie
- The Heirloom - Ben Petrie
Favorite First Viewings and Discoveries
- Gösta (2019) Lukas Moodysson (this is a wonderful mini series)
- Dirty Money (1972) - Deny Arcand
- Never Give a Sucker an Even Break (1941) - Edward F. Cline
- Rubin & Ed (1991) - Trent Harris
- To Live and Die in L.A. (1985) William Friedkin
- Stranger by the Lake (2013) - Alain Guiraudie
- In the Spirit (1990) - Sandra Seacat
- A League of Ordinary Gentlemen (2004) - Christopher Browne
- Revenge (2017) - Coralie Fargeaut
- Red Rooms (2023) Pascal Plante
- Freaky Farley (2007) - Charles Roxburgh
- Ricky Jay and His 52 Assistants (1996) - Ricky Jay & David Mamet
- Petite Maman (2021) - Céline Sciamma
Best New Releases
1. Sentimental Value
2. The Secret Agent
3. It Was Just an Accident
4. Sorry, Baby
5. Black Bag
6. Die My Love
7. Sirat
8. Blue Moon
9. Boys Go to Jupiter
10. Frankenstein
Favorite First Viewings and Discoveries
The Wicker Man (1973)
Persona (1966)
The Wages of Fear (1953)
The Fog (1980)
Gimme Shelter (1970)
Ran (1985)
Bad Black (2016)
Waiting for Guffman (1996)
You Can Count on Me (2000)
Black Narcissus (1947)
Top Ten Films of 2025
1. Castration Movie Anthology ii. The Best of Both Worlds (Dir. Louise Weard)
2. Caught by the Tides (Dir. Jia Zhangke)
3. Castration Movie Anthology i. The Fear of Having No One to Hold at the End of the World (Dir. Louise Weard)
4. One Battle After Another (Dir. Paul Thomas Anderson)
5. Put Your Soul on Your Hand and Walk (Dir. Sepideh Farsi)
6. Sinners (Dir. Ryan Coogler)
7. Universal Language (Dir. Matthew Rankin)
8. Afternoons of Solitude (Dir. Albert Serra)
9. 9. Wake Up Dead Man (Dir. Rian Johnson)
10. Blue Moon (Dir. Richard Linklater)
Major Releases I Haven’t Watched Yet: Marty Supreme, The Secret Agent, Sentimental Value, and Viet and Nam
My Ten Favorite Cinematic Experiences in San Francisco in 2025 (One per Venue)
- Blue Velvet (Dir. David Lynch) on 35mm at the Balboa Theatre: January 16th (on the day David Lynch died)
- Hard Truths (Dir. Mike Leigh) in an empty Cinemark Century at Tanforan: January 30
- Buddies (Dir. Arthur J. Bressan Jr.) at the Roxie Theater (as part of 40 Years of Queer): February 22
- The Best of Me (Dir. Heather Landsman) on a laptop in my cluttered room: March 13
- Princess Mononoke (Dir. Hayao Miyazaki) on the IMAX at AMC Metreon: March 29
- Brewster McCloud (Dir. Robert Altman) on 35mm at the Alamo Drafthouse New Mission: April 2
- The entirety of Light Field 2025 at The Lab (in particular In-Out Around by Luis Macias): April 11-13
- Sinners (Dir. Ryan Coogler) on 70mm at the Grand Lake Theater: May 2
- Flowing (Dir. Mikio Naruse) on 35mm at BAMPFA (as part of Mikio Naruse: The Auteur as Salaryman): July 19
- Red River (Dir. Howard Hawks)/Rio Bravo (Dir. Howard Hawks) on 35mm at the Stanford Theater (as part of Classic Westerns): November 2
First Viewings
The Annihilation of Fish (Burnett)
The Antiquities of Rome (Rousseau)
Baseball (Burns)
The Big Heat (Lang)
La Cabale des oursins (Moullet)
Charade (Donen)
The Craving (Francis Ford)
The Devil is a Woman (Sternberg)
Dying (Roemer)
Fragments of an Alms-Film (Monteiro)
Germany Year 90 Nine Zero (Godard)
Hannah and Her Sisters (Allen)
Immanence (Shahani)
Méditerranée (Pollet)
New Desk (Valentin)
Pachamama: Our Land (Nestler)
Paris s’en va (Rivette)
La Religieuse (Rivette)
Rosa de Areia (Reis-Cordeiro)
Shoulder Arms (Chaplin)
Stolen Kisses (Truffaut)
Stop for Bud (John, Thorsen, Leth)
What’s up, Doc? (Bogdanovich)
Zodiac (Fincher)
New Releases
By the Stream
7 Walks with Mark Brown
The Annihilation of Fish
Henry Fonda for President
You Burn Me
Love Hotel
Cloud
Fire of Wind
The Mastermind
- Seventeen - Joel Demott & Jeff Kreines (1982)
- Aloha - Cameron Crowe (2015)
- Animalicious - Mark Lewis (1999)
- Australia - Baz Luhrmann (2008)
- Get Shorty - Barry Sonnenfeld (1995)
- Limitless - Neil Burger (2011)
- Bowling for Columbine - Michael Moore (2002)
- Eddington - Ari Aster (2025)
- The Mosquito Coast - Peter Weir (1986)
- Bigbug - Jean-Pierre Jeunet (2022)
- Megadoc - Mike Figgis (2025)
- Fraud - Dean Fleischer-Camp (2016)
Here are some of the films I saw in 2025 that I really liked:
- Bird, dir. Andrea Arnold
- I’m Still Here, dir. Walter Salles
- Apocalypse in the Tropics dir. Petra Costa
- Writing Life: Highschoolers reading Annie Ernaux, dir. Claire Simon
- Misericordia, dir. Alain Guiraudie
- Sentimental Value – dir. Joachim Trier
- Dreams for a Better Past, dir. Albert Kuhn
- Bend in the River, Robb Moss
New Releases
In 2024 I saw over 80 films in the theater - in 2025 it was much less, due to 6 months in Atlanta on a job (during which I experienced daily Screen Slate email FOMO…). But here’s what I saw and liked:
- Görünür Görünmez: Bir (Oto) Sansür Antolojisi (Seen Unseen: An Anthology of (Auto)Censorship) (Doc Fortnight)
- No Other Land (Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor)
- Blue Moon (Richard Linklater)
- Peter Hujar's Day (Ira Sachs)
- Frankenstein (Guillermo del Toro)
- Bogancloch (Ben Rivers)
- I'm Still Here (Walter Salles)
- Oceans are the Real Continents (Tommaso Santambrogio)
- Enzo (Robin Campillo)
- It Was Just an Accident (Jafar Panahi)
2025, unranked
- Peter Hujar’s Day
- Zodiac Killer Project
- Late Fame
- One Battle After Another
- Videoheaven
- Black Bag
- The Mastermind
- Father Mother Sister Brother
- Nouvelle Vague
- Sentimental Value
- Bugonia
First viewings
- The Spirit of the Beehive (Erice, 1973)
- Lily, aime-moi (Dugowson, 1975)
- The Ghost Goes West (Clair, 1935)
- Hue and Cry (Crichton, 1947)
- Strongroom (Sewell, 1962)
- La valigia dei sogni (Comenicini, 1953)
- Erotikon (Machaty, 1929)
- Girl with Hyacinths (Ekman, 1950)
- Of Mice and Men (Milestone 1939)
- 11 Harrowhouse (Avakian, 1974)
- Russian Roulette (Lombardo, 1975)
- Montage V: How to Play Pinball (Sourbeer, 1965)
Top Ten
10. Cover-Up (dir. Laura Poitras & Mark Obenahus)
9. Bugonia (dir. Yorgos Lanthimos)
8. Shifty (dir. Adam Curtis)
7. Friendship (dir. Andrew DeYoung)
6. Caught By The Tides (dir. Jia Zhangke)
5. If I Had Legs I'd Kick You (dir. Mary Bronstein)
4. The Phoenician Scheme (dir. Wes Anderson)
3. Magellan (dir. Lav Diaz)
2. Afternoons of Solitude (dir. Albert Serra)
1. One Battle After Another (dir. Paul Thomas Anderson)
First Viewings
Matador (dir. Pedro Almodóvar, 1986)
L'Eclisse (dir. Michelangelo Antonioni, 1962)
The Quince Tree Sun (dir. Victor Erice, 1992)
The Clock (dir. Christian Marclay, 2010)
Anatomy of a Relationship (dir. Luc Moullet, 1976)
Wind Across the Everglades (dir. Nicholas Ray, 1958)
I Am Curious (Yellow) (dir. Vilgot Sjöman, 1967)
I-Be Area (dir. Ryan Trecartin, 2007)
The Wayward Cloud (dir. Tsai Ming-Liang, 2005)
Central Park (dir. Frederick Wiseman, 1990)
First viewings
- Cry of the City (Robert Siodmak, 1948)
- Cutter’s Way (Ivan Passer, 1981)
- Série noire (Alain Corneau, 1979)
- Will (Jessie Maple, 1981)
- Presence (Steven Soderbergh, 2025)
- Badnam Basti (Prem Kapoor, 1971)
- Dead Mountaineer’s Hotel (Grigori Kromanov, 1979)
- Fury (Fritz Lang, 1936)
- Bless Their Little Hearts (Billy Woodberry, 1984)
- Figures in a Landscape (Joseph Losey, 1970)
- Belfast, Maine (Frederick Wiseman, 1999)
- Crisis (Richard Brooks, 1950)
- Hell’s Angels (Howard Hughes, 1930)
- Caught by the Tides (Jia Zhangke, 2024)
- Le garçu (Maurice Pialat, 1995)
- Head Against the Wall (Georges Franju, 1959)
- Possession (Andrzej Żuławski, 1981)
- The Arch (T’ang Shushuen, 1968)
- West Indies: The Fugitive Slaves of Liberty (Med Hondo, 1979)
- The Mastermind (Kelly Reichardt, 2025
New Releases (Unranked, Alphabetical Order)
- April (Dea Kulumbegashvili)
- Black Bag (Steven Soderbergh)
- Blue Moon (Richard Linklater)
- Happyend (Neo Sora)
- Lurker (Alex Russell)
- My Undesirable Friends: Part 1 – Last Air in Moscow (Julia Loktev)
- Peter Hujar’s Day (Ira Sachs)
- The Secret Agent (Kleber Mendonça Filho)
- Zodiac Killer Project (Charlie Shackleton)
- WTO/99 (Ian Bell)
First Viewings and Discoveries (Alphabetical Order)
- Black Legion (Archie Mayo, 1937)
- Canyon Passage (Jacques Tourneur, 1946)
- Children of Paradise (Marcel Carné, 1945)
- His Motorbike, Her Island (Nobuhiko Obayashi, 1986)
- If This Ain’t Heaven (Roberta Cantow, 1985)
- Jonathan Schwartz short films at Spectacle Theater
- La Commune (Paris, 1871) (Peter Watkins, 2000)
- Lifeboat (Alfred Hitchcock, 1944)
- Matewan (John Sayles, 1987)
- Morgiana (Juraj Herz, 1972)
- My Man Godfrey (Gregory La Cava, 1936)
- Night of the Eagle (aka Burn Witch Burn) (Sidney Hayers, 1962)
- Room at the Top (Jack Clayton, 1958)
- Summertime (David Lean, 1955)
- The Dead (John Huston, 1987)
- The Heiress (William Wyler, 1949)
- The Target Shoots First (Chris Wilcha, 1999)
- The Way We Were (Sydney Pollack, 1973)
- Woman in the Dunes (Hiroshi Teshigahara, 1964)
- You Can Count on Me (Kenneth Lonergan, 2000)
New Releases
1. By the Stream (Hong)
2. The Ice Tower (Hadzihalilovic)
3. Blue Moon (Linklater) & Peter Hujar's Day (Sachs)
4. It Was Just an Accident (Panahi)
5. Seven Veils (Egoyan)
6. The Shrouds (Cronenberg)
7. Cloud (Kurosawa)
8. One Battle After Another (Paul Thomas Anderson) & The Phoenician Scheme (Wes Anderson)
9. The Secret Agent (Filho)
10. Magellan (Diaz)
First Viewings and Discoveries (Alphabetical)
- 30 Rock (2006-13)
- The 8 Diagram Pole Fighter (Lau, 1984)
- Bug (Friedkin, 2006)
- Day of Wrath (Dreyer, 1943)
- Desire (Borzage, 1936)
- "Hollywood" (Mondino for Madonna, 2003)
- Innocence (Hadzihalilovic, 2004)
- Jane B. by Agnes V. (Varda, 1986)
- The Ladies Man (Lewis, 1961)
- The Nutty Professor (Lewis, 1963)
- Peking Opera Blues (Tsui, 1986)
- Shanghai Blues (Tsui, 1984)
- Super 81/2 (LaBruce, 1994)
- The Velvet Vampire (Rothman, 1971)
- The Wedding Banquet (Ang Lee, 1993)
- When the Levees Broke: A Requiem in Four Acts (Spike Lee, 2006)
- The Wrong Man (Hitchcock, 1956)
- The Wrong Trousers (Park, 1993)
I saw only three films this year; So, i can't answer to you
Sincerely yours
luc moullet
Best New Films (Unranked):
- Afternoons of Solitude (Albert Serra, 2025)
- Caught by the Tides (Jia Zhangke, 2025)
- Evidence (Lee Anne Schmitt, 2025)
- Fire of Wind (Marta Mateus, 2024)
- Henry Fonda For President (Alexander Horwath, 2024)
- No Other Land (Basel Adra, Yuval Abraham, Hamdan Ballal, Rachel Szor, 2024)
- Misericordia (Alain Guiraudie, 2025)
- 7 Walks With Mark Brown (Pierre Creton, 2024)
- Shock Studies (Simon Liu, 2025)
Favorite First Viewings and Discoveries
- Doc’s Kingdom (Robert Kramer, 1988)
- Earth (Oleksandr Dovzhenko, 1930)
- Fanny and Alexander (TV version) (Ingmar Bergman, 1982)
- How Green Was My Valley (John Ford, 1941)
- Lightning (Mikio Naruse, 1952)
- Méditerranée (Jean Daniel Pollet, 1963)
- Ombres des soie (Mary Stephen, 1978)
- Porto of My Childhood (Manoel de Oliveira, 2001)
- Signs of Life (Werner Herzog, 1968)
- The Last Dive (João César Monteiro, 1992)
- The Taking of Power by Louis XIV (Roberto Rossellini, 1966)
- Un mauvais fils (Claude Sautet, 1980)
- Yearning (Mikio Naruse, 1964)
Best New Releases
- By the Stream (Hong Sang-soo)
- Cloud (Kiyoshi Kurosawa)
- Death Stranding 2: On the Beach (Hideo Kojima)
- Escape (Masao Adachi)
- Father Mother Sister Brother (Jim Jarmusch)
- Gavagai (Ulrich Köhler)
- Kill Bill: The Whole Bloody Affair (Quentin Tarantino)
- Megadoc (Mike Figgis)
- One Battle After Another (Paul Thomas Anderson)
- Pin De Fartie (Alejo Moguillansky)
Favorite First Viewings and Discoveries
- All Things Pass (Paul Verhoeven, 1981)
- Cremaster 4 (Matthew Barney, 1994) Or 1 or 5 or 3, but probably not 2.
- Doing Time (Yoichi Sai, 2002)
- Double Fixation (Yonfan, 1987)
- Happy End (Oldřich Lipský, 1967)
- Hu-Man (Jérôme Laperrousaz, 1975)
- The Letter (Manoel de Oliveira, 1999) Chiara Mastroianni, certainly among the most radiant of European stars, gets sent into soul-lacerating romantic longing by a man who is literally the Portuguese equivalent of crossing Lou Bega with Fred Durst.
- Love Massacre (Patrick Tam, 1981) Among this year’s great fortunes was attending the world premiere of a long-overdue restoration, though 13-hour jet lag had me a tad tired and worried I nodded off. Going to the crummy rip on YouTube confirmed I did not, and that Patrick Tam’s savagery via transcendentalism (let’s be reductive and say, I don’t know, Antonioni made Slumber Party Massacre) is, in fact, just like that.
- A Night in Nude (Takashi Ishii, 1993)
- Le Pélican (Gérard Blain, 1974) Closer to a perfect film than most.
- Play Dirty (Andre de Toth, 1969)
- The Quince Tree Sun (Víctor Erice, 1992)
- Rollerball (John McTiernan, 2002) Come for the 2002 sheen, stay for an absurdly long night vision sequence that anticipated Miami Vice and Aggro Dr1ft by years, decades.
- School on Fire (Ringo Lam, 1988) Like many of my favorite films, evokes the apocalyptic without expanding its destruction (physical or otherwise) beyond a micro scale. Even after proving itself (again and again) absolutely ruthless, still made me gasp.
- Son of Godzilla (Jun Fukuda, 1967)
- Stealing Beauty (Bernardo Bertolucci, 1996) A film that could only be born of Europeans’ degenerate notion that it’s acceptable for family members to see one inch below your neck or above the kneecap. When a durag-wearing Jeremy Irons told Liv Tyler (who he’s met three minutes prior) “You need to be RAVISHED” I started floating.
- Suit Yourself or Shoot Yourself!! The Hero (Kiyoshi Kurosawa, 1996) While the best entry, also placed as a stand-in for this whole series—Kiyoshi Kurosawa's Six Moral Tales, or Abbott and Costello Meet the Yakuza. Something of a skeleton key to the corpus, too: a many-times-over run through doubles, resonances and echoes, good-and-evil countervailing until it, of course, travels deathward. They don’t make texts this rich every day.
- Who Killed Teddy Bear (Joseph Cates, 1965) Just when you think you’ve seen a problem picture!
La Commune (2002) – Peter Watkins
First film of 2025 at Anthology Film Archives, which jump-started my new year. The film is a byproduct of the actual work of art: the participatory historical reenactment of the Commune by the townspeople themselves. Peter Watkins passed this year – rest in peace to one of the most committed Marxist filmmakers of our time.
Pride & Prejudice (2005) – Joe Wright
Why did it take me so long! Everything otherwise obnoxious works here: Mr. Darcy’s sideburns, Kiera Knightley’s jaw-acting.
The Town Within Reach (1983) – Đặng Nhật Minh
Programmed in my Vietnamese cinema series at Metrograph, with files from the national film archive. Scan was so crisp. A masterful film that I think surpasses the director’s more regarded When the Tenth Month Comes.
28 Days Later (2002) – Danny Boyle
Why did it take me so long! The imaging of video art (lo-res ultra-yellow / “was this shot on a Motorola Razr?”) + plot commitment of a feature = best of both worlds.
Escape (2025) – Masao Adachi
The October NYFF premiere coincided with One Battle After Another, another ultra-left-revolutionaries-in-hiding movie that was instantly proclaimed “the best movie of the year,” but between the two I prefer Adachi’s because he’s more earnest and was an actual militant. His love for the youth (and their aesthetics, like punk rock music) really comes through in his later works.
Caught by the Tides (2025) – Jia Zhangke
I believe wife guys have a magic spark that makes their cinema masterpieces (see Cassavetes).
The Black and the Green (1983) – St. Clair Bourne
Documentation of Black American activists (some part of Harlem Writers Guild and Black Arts Movement) who take a trip to Belfast during the Troubles. Interesting discussions and points of tension in their efforts to draw connections across racial, class, and religious lines.
Direct Action (2024) – Ben Russell & Guillaume Cailleau
Lovely, immersive ethnography film of daily life in the ZAD eco-activist commune in Nortre-Dame-des-Landes. At Anthology, with Q&A with the filmmakers. Frigid and wet outside, but the long runtime melted away. One of my favorite viewings of the year.
Best New Releases 2025
If I Had Legs I'd Kick You (Mary Bronstein)
Sinners (Ryan Coogler)
Weapons (Zach Cregger)
First Time Viewings
Feature-Length (Narrative)
Chronicle of the Years of Fire (Mohammed Lakhdar-Hamina)
Devils on the Doorstep (Jiang Wen)
Haitian Corner (Raoul Peck)
Mirch Masala (Ketan Mehta)
Perejil (José María Cabral)
Transformers: One (Josh Cooley)
Documentaries
Cuban Roots/Bronx Stories (Pam Sporn)
Oggun: An Eternal Presence (Gloria Rolando)
Reembarque (Gloria Rolando)
Sankara's Orphans (Géraldine Berger)
The Return of Amilcar Cabral (Sana Na N’Hada, Flora Gomes)
The Revolution Will Not Be Televised (Kim Bartley, Donnacha O'Briain)
Short Films
Al-Sit (Suzannah Mirghani)
A Dessert for Constance (Sarah Maldoror)
Flight of the Swan (Ngozi Onwurah)
Best New Releases
1. Palestine 36
2. Seeds
3. Khartoum
4. The Fisherman
5. With Hasan in Gaza
6. The Great North
7. Memory of Princess Mumbi
8. The Track
9. Cover-Up
10. Familiar Touch
First Viewings and Discoveries
1. The bloody satellite imagery of the destruction of the Sudanese city of el-Fasher to the Rapid Support Forces (RSF) viewed by Yale’s Humanitarian Research Lab (HRL). The smoke and blotches of reddish-brown stains will forever be itched into my brain (and nightmares).
2. Saleh Aljafarawi’s last recorded video where he states “You need a million years to break the will of these people and you will not break it”. He was later kidnapped, tortured and then assassinated by Israel-backed outlaw gangs in Gaza City on October 12th, 2025. Aljafawai’s Instagram page is now removed, along with all his fearless and joyful testimonials of Gaza. Inna illallah inna ilayhi raji'un. Surah Ali 'Imran, Verse 169 (3:169 )"And never think of those who have been killed in the cause of Allah as dead. Rather, they are alive with their Lord, receiving provision".
3. This isn’t a first view or discovery but something that needs to be stated in all my ScreenSlate end-of-year wrapup(s)… Bisan Owda @wizard_bisan1 has remained thee most significant filmmaker in the world since the beginning of the genocide in Gaza over 25 months ago. Owda uses her cameraphone as a tool of recognition, a tool of emancipation, and a tool of emergency memory work. I will forever be indebted to her and everyone who refuses subjugation in the face of corruption. Thank you Bisan for truly embracing the meaning of a democratized camera and exhibiting bravery at any cost.
New Releases
- Afternoons of Solitude
- Misericordia
- Eddington
- Magellan
- Sirat
- Friendship
- The Ice Tower
- Marty Supreme
- If I Had Legs I'd Kick You
- One Battle After Another
First Viewings
- Looking for Mr. Goodbar (1977)
- Dying (1976)
- Threads (1984)
- Edvard Munch (1974)
- Benny’s Video (1992)
- The Apprentice (2024)
- Swept Away (1974)
- The Big Clock (1948)
- Shockproof (1949)
- Joe (1970)
First Viewings
- Wheel of Fortune and Fantasy (Ryusuke Hamaguchi, 2021)
- Right Now, Wrong Then (Hong Sang-soo, 2015)
- O Brother, Where Art Thou (Joel and Ethan Coen, 2000)
- Babette’s Feast (Gabriel Axel, 1987)
- Cloud (Kiyoshi Kurosawa, 2024)
- No Bears (Jafar Panahi, 2022)
- Nervous Energy (Short, Eve Liu, 2025)
- Paradise Man (ii) (Short, Jordan Michael Blake, 2025)
- It Ends (Alexander Ullom, 2025)
New Releases
- Eddington (Ari Aster)
- One Battle After Another (Paul Thomas Anderson)
- Final Destination: Bloodlines (Zach Lipovsky & Adam B. Stein)
- Weapons (Zach Cregger)
- Bring Her Back (Danny Philippou & Michael Philippou)
- 28 Years Later (Danny Boyle)
- Bugonia (Yorgos Lanthimos)
- Superman (James Gunn)
- Peter Hujar’s Day (Jia Zhangke)
- Fuck My Son (Todd Rohal)
First Viewings & Discoveries
- Waiting for Godot on Broadway with Keanu Reeves and Alex Winter. Despite the inevitable Bill and Ted reference it was amazing!
- The Witch with the Flying Head, the title does not do it justice.
- I was in Istanbul over the summer and I encountered a Turkish man outside a mosque with two giant parrots sitting on his shoulder and his beard was dyed blue and yellow to match his birds. His tried to tell me a dirty joke in broken English but I couldn’t understand him.
- John Wilson’s footage projected behind David Byrne during his show at Radio city music hall was pretty special.
- Slime City (despadazator) so I have already seen this movie but I never realized there was an official Mexican vhs release of this film dubbed in Spanish and it’s somehow better.
- Seeing Noel Gallagher dedicate Don’t Look Back in Anger to a young girl in the front row who was crying uncontrollably at the Oasis show at the Rose Bowl.
First Viewings
"Dune: Part Two. I don’t remember anything else.”
New Releases
- A Want in Her (Myrid Carten)
- Eddington (Ari Aster)
- Eephus (Carson Lund)
- The Mastermind (Kelly Reichardt)
- Mistress Dispeller (Elizabeth Lo)
- The Perfect Neighbor (Geeta Gandbhir)
- The Phoenician Scheme (Wes Anderson)
- Sentimental Value (Joachim Trier)
- The Shrouds (David Cronenberg)
- Universal Language (Matthew Rankin)
First Viewings & Discoveries
- A Move (Elahe Esmaili, 2024)
- The Bride’s Curse (Alex Kavutskiy, Jerzy Rose, 2024)
- Carol & Joy (Nathan Silver, 2024)
- Jill, Uncredited (Anthony Ing, 2022)
- Max Distance (Marissa Goldman, 2024)
- Side Hustle (Abbi Hari, 2024)
- When The Moon Returns (Brandon Colvin, 2025)
- The Light Show at NIN
- 36 Fillette (Catherine Breillat, 1988)
- Chilly Scenes of Winter (Joan Micklin Silver, 1979)
- The Collective Work of the Actor/Influencer Ivy Wolk
First Viewings & New Releases
Bashu, the Little Stranger (Bahram Beyzai, 1989)*
The Secret Agent (Kleber Mendonça Filho, 2025)
*Not a first viewing, but the new restoration felt like a discovery, not a rediscovery, as if seeing such a masterpiece for the first time.
New Releases (alphabetical)
100,000,000,000,000 (dir. Virgil Vernier) at First Look, Museum of the Moving Image
3 Songs from the Liver (dir. Mark Leckey) at Gladstone
Dracula (dir. Radu Jude) at the New York Film Festival, Film at Lincoln Center
Fiction Contract (dir. Carolyn Lazard) at the New York Film Festival
Henry Fonda for President (dir. Alexander Horwath) at Anthology Film Archives
Magellan (Lav Diaz) at TIFF
The Mastermind (dir. Kelly Reichardt) at home
Morgenkreis (dir. Basma al-Sharif) at TIFF
The Secret Agent (dir. Kleber Mendonça Filho) at TIFF
Zodiac Killer Project (dir. Charlie Shackleton) at First Look, Museum of the Moving Image
Best Discoveries (chronological)
The Clock (dir. Christian Marclay, 2010) at the Museum of Modern Art
Wanda (dir. Barbara Loden, 1970) at Anthology Film Archives
Trás-os-Montes (dir. António Reyes and Margarida Cordeiro, 1976) at Metrograph
Honor Among Lovers (dir. Dorothy Arzner, 1931) at Anthology Film Archives
Marseille (dir. Angela Schanelec, 2004) at L’Alliance
Out of the Body Travel (dir. Richard Foreman, 1976) and City Archives (1978) at Anthology Film Archives
Early Films by Guy Sherwin at Light Industry
Tokyo - Ebisu and Shibuya - Tokyo (Tomonari Nishikawa, 2010) at Anthology Film Archives
God Told Me To (dir. Larry Cohen, 1976) at Spectacle
Diary of a Lost Girl (dir. G. W. Pabst, 1929) at Anthology Film Archives
First Viewings & New Releases
- The World of Love (Yoon Ga-eun, 2025)
- One Battle After Another (Paul Thomas Anderson, 2025)
- Tokyo Twilight (Yasujirō Ozu, 1957)
- Marie-Octobre (Julien Duvivier, 1959)
2025
- Cloud (Kiyoshi Kurosawa)
- Debut, or, Objects of the Field of Debris as Currently Catalogued (Julian Castronovo)
- Direct Action (Guillaume Cailleau and Ben Russell)
- Endless Cookie (Seth Scriver and Peter Scriver)
- Father Mother Sister Brother (Jim Jarmusch)
- Henry Fonda for President (Alexander Horwath)
- Marty Supreme (Josh Safdie)
- Moi-Même (Lee Breuer and Mojo Lorwin)
- Pin de Fartie (Alejo Moguillansky)
- Presence (Steven Soderbergh)
First Viewings
- Blue Movie (Andy Warhol, 1969)
- The Blue Planet (Franco Piavoli and Neria Poli, 1982)
- Cría Cuervos (Carlos Saura, 1976)
- Deux (Werner Schroeter, 2002)
- Earth Light (Guy Gilles, 1970)
- Five Easy Pieces (Bob Rafelson, 1970)
- Hovering Over the Water (João César Monteiro, 1986)
- India Song (Marguerite Duras, 1975)
- Jackal of Nahueltoro (Miguel Littín, 1969)
- Jeanne Dielman, 23, quai du Commerce 1080 Bruxelles (Chantal Akerman, 1975)
- L’Amour (Paul Morrissey and Andy Warhol, 1973)
- Love Torn in a Dream (Raúl Ruiz, 2000)
- Offside (Jafar Panahi, 2006)
- Pilgrim, Farewell (Michael Roemer, 1980)
- Pink Flamingos (John Waters, 1972)
- Reunion (Jerry Schatzberg, 1989)
- Rosaura at 10 O’Clock (Mario Soffici, 1958)
- Stubby (Bo Widerberg, 1974)
- Taste of Cherry (Abbas Kiarostami, 1997)
- Will It Snow for Christmas? (Sandrine Veysset, 1996)
Favorite 2025 releases (unranked)
I’m interested in how much can be done with so little — the outtakes of outtakes, a few conversations, light tracing stones, two models. ‘Simplicity, being direct.’
- Dreams Reveal a Weightless World - Nathaniel Dorsky
- Bonjour la langue - Paul Vecchiali
- The Ruins of Seyssuel’s Castle - Flo Mavy
- Interactions 24: Becky and Mike - Fred Camper
Favorite First Viewings and Discoveries of 2025 (unranked)
- Tabu: A Story of the South Seas - F.W. Murnau, 1931
- Broken Lullaby - Ernst Lubitsch, 1932
- Ruggles of Red Gap - Leo McCarey, 1935
- Only Angels Have Wings - Howard Hawks, 1939
- Hideko the Bus Conductress - Mikio Naruse, 1941
- Condemned- Manuel Mur Oti, 1953
- Princess Yang Kewi-Fei - Kenji Mizoguchi, 1955
- Poem of the Sea - Yulia Solntseva, 1958
- The Tiger of Eschnapur/The Indian Tomb - Fritz Lang, 1959
- Barabbas - Richard Fleischer, 1961
- Blaise Pascal - Roberto Rossellini, 1972
- Xala - Ousmane Sembène, 1975
- The Human Factor - Otto Preminger, 1979
- 10 - Blake Edwards, 1979
- Pilgrim, Farewell - Michael Roemer, 1980
- Maria Zef - Vittorio Cottafavi, 1981
- Far from Manhattan - Jean-Claude Biette, 1982
- Hovering Over the Water - João César Monterio, 1986
- Nouvelle Vague - Jean-Luc Godard, 1990
- From Today Until Tomorrow - Danièle Huillet/Jean-Marie Straub, 1997
Favorite First Viewings and Discoveries
- The Razor's Edge (1985, Jocelyn Saab)
- Mitómana (2010, Carolina Adriazola, José Luis Sepúlveda)
- Lost (1970, Ho Fan)
- Passing Summer (2001, Angela Schanelec)
- Bloody Beans (2013, Narimane Mari)
- Burning Beds (1987, Pia Frankenberg)
- Little Match Girl (2017, Alejo Moguillansky)
- Ombres de Soie (1978, Mary Stephen)
- Ah Ying (1983, Allen Fong)
- Turang (1957, Bachtiar Siagian)
- Crazy Love (1968, Michio Okabe)
- Hengyoro (Gō Takamine)
THE GREATEST FILM OF RECENT MEMORY
Quelque part quelqu'un (Somewhere, Someone, Yannick Bellon, 1972)
In preparation for the L'Alliance New York retrospective Yannick Bellon: The Happy Pessimist (co-programmed with Éric Le Roy), I re-watched, or saw for the first time, numerous films I consider to be masterpieces or near-masterpieces (L'amour viole and Jean's Wife, at the top of the list). Yet, Quelque part quelqu'un is the greatest film I have seen in years, one of the greatest films of the 1970s, certainly. The absolute highpoint of the year.
TOP 10 (alphabetical)
- Atropia (Hailey Gates)
- Bonjour Tristesse (Durga-Chew Bose)
- Marty Supreme (Josh Safdie)
- Moi-même (Mojo Lorwin)
- Phoenician Scheme (Wes Anderson)
- Sinners (Ryan Coogler)
- Show About the Show - Season 4 (Caveh Zahedi)
- Smashing Machine (Benny Safdie)
- Sorry, Baby (Eva Victor)
- Zodiac Killer Project (Charlie Shackleton)
HONORABLE MENTION: Being Eddie (Angus Wall)
UNRELEASED, GREAT & COMING IN 2026
- Adnan being and time (Marie Valentine Regan)
- Conbody v Everybody (Debra Granik)
- Division (James Paul Dallas)
- It Goes That Quick (Ashley Connor and Joe Stankus)
- Our Hero, Balthazar (Oscar Boyson)
FIRST VIEWINGS
As soon as I saw it listed on the program for Film Forum's Bo Widerberg and Jr. programs, I fully expected STUBBY to be the rep event of the year, and it was.
- Baby Carriage (Bo Widerberg) at Film Forum
- Baskin-Robbins (Tony Ganz & Rhody Streeter) at Low Cinema
- Best Way to Walk (Claude Miller) at L'Alliance New York
- Bionico's Bachata (Yoel Morales) at Rockaway Film Festival
- Building Bombs (Mark Mori & Susan Robinson) at Firehouse
- David Golder (Julien Duvivier) on Criterion Channel
- Iron Giant (Brad Bird) at Film Forum
- Jazz is Alive, Jazz is Well, Jazz is in New York (Daniel Berger) at Maysles
- Radcliffe Blues (Claudia Weill & Tony Ganz) at NYPL Performing Arts
- Riot Control Weapons (Newsreel #9) at Anthology
FILMS I REVISITED AND ARE BETTER THAN EVER
- Bad Son (Sautet) at MoMA
- Eureka (Roeg) at Lincoln Center
- The Mattei Affair (Rosi) - streaming
- Noir et Blanc (Devers) at L'Alliance New York
- The Outsiders (Coppola) at MoMI
- Ramparts of Clay (Bertucelli) at L'Alliance New York
- Tea and Sympathy (Minnelli) at MoMI
- Titanic (Cameron) on Tubi, with a boat disaster obsessed kid, over the course of seven hours.
- Une Vie (Austruc) at L'Alliance New York
First Viewings
- Muzan-E: The AV Murder Video Exist (Yamanouchi Daisuke, 1999)
- The Natural (Barry Levinson, 1984)
- Dead Calm (Philip Noyce, 1989)
- A Midnight Clear (Keith Gordon, 1992)
- The Burmese Harp (Kon Ichikawa, 1956)
- Hell of the Living Dead (Bruno Mattei, 1980)
- Stone Cold Dead (George Mendeluk, 1979)
- To the Devil a Daughter (Peter Sykes, 1976)
- Mausoleum (Michael Dugan, 1983)
- The Bodyguard (Mick Jackson, 1992)
Top 10 first watches and other shit I liked (Unranked)
- Castration Movie Anthology ii. (dir. Louise Weard) - This entry is for psychopaths only, clear your schedule for this.
- This Sopranos promotional jersey some guy was wearing who stormed out halfway during Eddington at the AMC Americana.
- Guynamedjoe1 TikTok account - A truly hypnotising persona. In The Bathtub of the World for real dirtbags, hard to stop watching.
- Metal Gear Solid 2 - Better than most things I saw in theaters this year.
- Lifeline (dir. Johnnie To) - Amazing and reckless stuff here. Lots of fire.
- The Most Terrible Time In My Life (dir Kaizo Hayashi)
- Highway Hypnosis - Ken Clark’s ambient slasher rips and rolls down I-5.
- Toni Storm vs Mariah May “The Hollywood Ending” (AEW Revolution) - An 18th month lesbian love affair wrestling storyline ending in a Tapai death match. Blood and guts on Hollywood Blvd.
- Tay Zonday has Microphone issues. Probably the most important video to go number 1 at Hollywood Entertainment HQ. An all time great first watch.
- Cash Cow (dir. Matt Barats) - One of the best covid movies that floats between Joseph Smith and Domino's Pizza.
First Viewings (unranked)
- Mario Monicelli, The Organizer (1964)
- Jay Arthur Sterrenberg, Kelly Anderson, Emergent City (2024)
- Mati Diop, Dahomey (2024)
- Johan Grimonprez, Soundtrack to a Coup d'Etat (2024)
- Billy Wilder, Sunset Boulevard (1950)
- Howard Hawks, His Girl Friday (1940)
- Steven Soderbergh, The Knick, seasons 1 and 2 (2014–2015)
- John Carpenter, Escape from LA (1996)
- Vittorio De Sica, Yesterday, Today and Tomorrow (1964)
- Fritz Lang, Scarlet Street (1945)
New Releases
- 9 Month Contract (Ketevan Vashagashvili)
- Below The Clouds (Gianfranco Rosi)
- Carol And Joy (Nathan Silver)
- Caught By The Tides (Jia Zhangke)
- Dracula (Radu Jude)
- Harvest (Athina Rachel Tsangari)
- Magellan (Lav Diaz)
- My Undesirable Friends (Julia Loktev)
- The Shrouds (David Cronenberg)
- 3 Songs From The Liver - Mark Leckey - @ Gladstone Gallery
- Evil Clown Reunion - Manuel de Landa - @ Below Grand, “No Handlebars”
First Viewings
- A Colt Is My Passport (Takashi Nomura, 1967)
- Ana (Margarida Cordeiro & António Reis, 1982)
- Aquarius (Kleber Mendonça Filho, 2016)
- Au Bonheur Des Dames (Julien Duvivier, 1930)
- Doc’s Kingdom (Robert Kramer, 1988)
- Electra Glide In Blue (James William Guercio, 1973)
- God Speed You! Black Emperor (Mitsuo Yanagimachi, 1976)
- Letter Never Sent (Mikhail Kalatozov, 1960)
- TGM The Liberator (Věra Chytilová, 1990)
- Up, Down, Fragile (Jacques Rivette, 1995)
Here goes my list of premiere films I have seen for the first time in 2025 that I enjoyed much in alphabetical order:
- Bonne Journée (Pauline Bastard)
- Cloud (Kiyoshi Kurosawa)
- Duas vezes João Liberada (Paula Tomas Marques)
- Kontinental 25 (Radu Jude)
- Numb (Takuya Uchiyama)
- La Limace et l'Escargot (Anne Benhaïem)
- Ombres de soie (Mary Stephen)
- Pin de Fartie (Alejo Moguillansky)
- Selegna Sol (Anouk Moyaux)
- What does that nature say to you? (Hong Sang Soo)
Best New Releases (unranked)
- Eddington (dir Ari Aster)
- Little Boy (dir. James Benning)
- The Smashing Machine (dir. Benny Safdie)
- Grand Tour (dir. Miguel Gomes)
- One Battle After Another (dir. Paul Thomas Anderson)
- BLKNWS: Terms & Conditions (dir. Kahlil Joseph)
- Speaking in tongues: Take One (dir. Christopher Harris)
- Vox Humana (dir. Don Josephus Raphael Eblahan)
- Left-Handed Girl (dir. Shih-Ching Tsou)
- Sinners (dir. Ryan Coogler)
First Viewings (unranked)
- Deepwater Horizon (dir. Peter Berg, 2016)
- Night Shift (dir. Robina Rose, 1981)
- Pink Narcissus (dir. James Bidgood, 1971)
- Devil Story (dir. Bernard Launois, 1986)
- The Seventh Victim (dir. Mark Robson, 1943)
- The Grapes of Death (dir. Jean Rollin, 1978)
- The Devil, Probably (dir. Robert Bresson, 1977)
- Elephant (dir. Alan Clarke, 1989)
- Hand Held Day (dir. Gary Beydler, 1975)
- Manila in the Claws of Light (dir. Lino Brocka, 1975)
- Frownland (dir. Ronald Bronstein, 2007)
- Compensation (dir. Zeinabu Irene Davis, 1999)
- Julien Donkey-Boy (dir. Harmony Korine, 1999)
- Samurai Cop (dir. Amir Shervan, 1991)
- King Lear (dir. Jean Luc-Godard, 1987)
- Hester Street (dir. Joan Micklin Silver, 1975)
- Red Rooms (dir. Pascal Plante, 2023)
- Twin Peaks: Fire Walk with Me (dir. David Lynch, 1992)
- Meantime (dir. Mike Leigh, 1983)
- My Man Godfrey (dir. Gregory La Cava, 1936)
Best of 2025 (unranked)
- Sorry, Baby (Eva Victor)
- If I Had Legs I'd Kick You (Mary Bronstein)
- Sentimental Value (Joachim Trier)
- The Mastermind (Kelly Reichardt)
- Familiar Touch (Sarah Friedland)
- April (Dea Kulumbegashvili)
- Atropia (Hailey Gates)
- Twinless (James Sweeney)
Favorite First Viewings (unranked)
- An Unmarried Woman (Paul Mazursky, 1978)
- Bob & Carol & Ted & Alice (Paul Mazursky, 1969)
- Crossing Delancey (Joan Micklin Silver, 1988)
- Nashville (Robert Altman, 1975)
- Old Joy (Kelly Reichardt, 2006)
- Miami Vice (Michael Mann, 2006)
- Georgia O'Keefe: Life in Art at the Georgia O'Keefe Museum in Santa Fe, New Mexico (Perry Miller Adato, 2003)
- On Cinema, At the Cinema (Tim Heidecker and Gregg Turkington, 2012-on; YouTube series)
First Viewings
- House of Flying Daggers (Zhang Yimou, 2004)
- Andrei Rublev (Andrei Tarkovsky, 1966)\
- Back to the Future (Robert Zemeckis, 1985)
- Mikey and Nicky (Elaine May, 1976)
- Working Girl (Mike Nichols, 1988)
- The Devils (Ken Russell, 1971)
- Seven Beauties (Lina Wertmüller, 1975)
- The Color of Pomegranates (Sergei Parajanov, 1969)
- My Best Friend’s Wedding (P. J. Hogan, 1997)
- Unfaithful (Adrian Lyne, 2002)
- Ed Wood (Tim Burton, 1994
Best new releases (unranked):
- The Mysterious Gaze of the Flamingo (Diego Céspedes)
- Pepe (Nelson Carlos de los Santos Arias)
- Little Trouble Girls (Urška Djukić)
- Dreams (Dag Johan Haugerud)
- Sirât (Óliver Laxe)
- Left-Handed Girl (Shih-Ching Tsou)
- Julie Keeps Quiet (Leonardo Van Dijl)
Favorite first viewings (in chronological order by release):
- I Know Where I'm Going! (Michael Powell and Emeric Pressburger, 1945)
- We Were Young (Binka Zhelyazkova, 1961)
- Dressed in Blue (Antonio Giménez-Rico, 1983)
- Broadcast News (James L. Brooks, 1987)
- Underground (Emir Kusturica, 1995)
- Princess Mononoke (Hayao Miyazaki, 1997)
- One Man Up (Paolo Sorrentino, 2001)
- The Wind that Shakes the Barley (Ken Loach, 2006)
- Police, Adjective (Corneliu Porumboiu, 2009)
New Releases (not ranked)
- Playboi Carti at Barclays Center - Like being inside the loudest flicker film of all time for ninety minutes
- Paul W.S. Anderson's IN THE LOST LANDS - One of the most beautiful movies ever made, only movie to actually come close to Bosch
- Anthony McCall's performance at Light Industry - Blink and you'd miss it!
- BABY INVASION at Knockdown Center - So loud it shook your soul: molly&poppers on the dance floor
- Mel Gibson's FLIGHT RISK in 4DX - A perfect night out with the boys, masterful use of 4DX
Repertory Screenings (first viewings only, one per director)
- Angel Beach (Scott Stark, 16mm, MoMA)
- Anna (Massimo Sarchielli and Alberto Grifi, DCP, Anthology Film Archives)
- Ashes and Embers (Haile Gerima, DCP, Film at Lincoln Center)
- Blue Movie (Andy Warhol, 16mm, MoMA)
- The Comedy of Work (Luc Moullet, DCP, Film at Lincoln Center)
- Forty Deuce (Paul Morrissey, 35mm, Metrograph)
- Hovering Over the Water (João César Monteiro, 35mm, MoMA)
- I Remember You (Ali Khamraev, 35mm, Asia Society)
- Kissy Suzuki Suck (Alison Murray, digital, Anthology Film Archives)
- The Ladies Man (Reginald Hudlin, 35mm, Roxy Theater)
- Laura (David Hamilton, digital, KGB)
- The Loss of Sexual Innocence (Mike Figgis, 35mm, Roxy Theater)
- My Bloody Valentine (Patrick Lussier, 3-D DCP, Alamo Drafthouse Brooklyn)
- Pardon My French (Sophie Fillières, 35mm, L'Alliance New York)
- Rape of Love (Yannick Bellon, DCP, L'Alliance New York)
- Rosa de Areia (Margarida Cordeiro and António Reis, DCP, Metrograph)
- La Ronde (Max Ophüls, 35mm nitrate, George Eastman Museum)
- Sheep in Wales (Christoph Schlingensief, DCP, Anthology Film Archives)
- Summertime (David Lean, 35mm, Paris Theater)
- Untamed Woman (Mikio Naruse, 35mm, Japan Society)
- La Vallée close (Jean-Claude Rousseau, 16mm, Anthology Film Archives)
First Viewings
- The Arch (Shu Shuen, 1968) BFI, 35mm print
- Being A Prisoner (Jasper, 1975), home
- Les Bienheureuses (Blachon, 1991), Light Cone, Digital
- Cuba Sí! (Marker, 1961), home
- Disarmament Video Survey (Clarke, 1982), Wisconsin Center for Film and Theater Research
- Enamorada (Emilio Fernández, 1946), BFI, 35mm print
- Histerias (Nunes de Castilho, 1983), Another Screen
- Home Sweet Home (Leigh, 1982), home
- India Cabaret (Nair, 1985), The Machine That Kills Bad People
- Living Room (Henley, 1975) LUX, 16mm print
- Lumumba: Death of a Prophet (Peck, 1991) Berwick Film & Media Arts Festival
- Mamma Roma (Pasolini, 1962), BFI
- Le Notti Bianche (Visconti, 1957), BFI
- Nobody Can Stop the Revolution (Forch, 1976), home
- Only Yesterday (Stahl, 1933), La Cinémathèque française, 35mm print
- Palestine Vaincra (Palestine Will Win) (Olivier de Sardan, 1969), Third World Newsreel
- Survie Transe Perce (Kolesar, 1974), Light Cone
- The Year of the Beaver (Stevens & Sprung, 1985), Metroland Studios
- The Swimmer (Perry, 1968), Écoles Cinéma Club, 35mm print
- Voices from Gaza (Caccia,1989), Palestinian Sound Archive, 16mm print
Old
- Alone. Life Wastes Andy Hardy (1998, dir. Martin Arnold)
- American Hunter (188, dir. Arizal)
- Everything for a Scrambled Pancake! (1937, dir. Irena Dodalová & Karel Dodal)
- The Fireworks Woman (1974, dir. Abe Snake)
- Forty Deuce (1982, dir. Paul Morrissey)
- Highway Hypnosis (1984, dir. Ken Camp)
- In the Spirit (1990, dir. Sandra Seacat)
- The Killing of a Chinese Bookie (1976, dir. John Cassavetes)
- Make a Face (1971, dir. Karen Sperling)
- Mouse Klub Konfidential (1976, dir. Jim Baker)
- Onda Nova (1983, dir. José Antonio Garcia & Ícaro Martins)
- Romance (1976, dir. Ed Bowes)
- Saint Flournoy Lobos-Logos and the Eastern Europe Fetus Taxing Japan Brides in West Coast Places Sucking Alabama Air (1970, dir. Will Hindle)
- Smorgasbord (1983, dir. Jerry Lewis)
- Stripper (1985, dir. Jerome Gary)
- SuicideGirls Must Die! (2010, dir. Sawa Suicide)
- Summer Dreams: The Story of The Beach Boys (1990, dir. Michael Switzer)
- Thru the CRT (1984, dir. Jamie Walters)
- WAVE (1991, dir. Hisayasu Satō)
- White Line Fever (1975, dir. Jonathan Kaplan)
New
- A Body to Live In (dir. Angelo Madsen)
- By Design (dir. Amanda Kramer)
- Camp (dir. Avalon Fast)
- Castration Movie Anthology i. The Fear of Having No One to Hold at the End of the World (dir. Louise Weard)
- Castration Movie Anthology ii. The Best of Both Worlds (dir. Louise Weard)
- No! YOU’RE WRONG. or: Spooky Action at a Distance (dir. Crispin Hellion Glover)
- The Occupant of the Room (dir. Kier-La Janisse)
- Room Temperature (dir. Dennis Cooper & Zac Farley)
- We Are Pat (dir. Rowan Haber)
First Viewings (alphabetical order)
Athens, Return to the Acropolis (Theo Angelopoulos, 1983)
Hurlevent (Jacques Rivette, 1985)
Never Sleep Again (Pia Frankenberg, 1992)
Nightshift (Robina Rose, 1981)
Syntagma (Valie Export, 1983)
The Return of Amílcar Cabral (Sana Na N’Hada, Flora Gomes, 1976)
To Sleep So as to Dream (Kaizo Hayashi, 1986)
Voices Through Time (Franco Piavoli, 1996)
Will (Jessie Maple, 1981)
Zingari (Mario Almirante, 1920)
Top 10 screenings in order of date watched:
- City Wide Fever (Josh Heaps, 2025), Criterion office
- Vulcanizadora (Joel Potrykus, 2024), IFC
- Stella Dallas (King Vidor, 1937), Roxy
- La Chinoise (Jean Luc Godard, 1967), archive.org
- Psychic Readings* short film program, curated by Hilla Eden
- Ratcatcher (Lynne Ramsey, 1999), Roxy
- Equation to an Unknown (Francis Savel, 1980), Roxy
- The Garden (Derek Jarman, 1990), Roxy
- Castration Movie pt. 1 (Louise Weard, 2024), Roxy <- fave film of the year
- Yi Yi (Edward Yang, 2000), LAB111 in Amsterdam
Best New Releases (unranked)
Afternoons of Solitude
BLKNWS: Terms & Conditions
Hard Truths
Henry Fonda for President
Little, Big, and Far
Milisuthando
Misericordia
One Battle After Another
The Secret Agent
Sinners
Favorite First Viewings:
Walter Ruttmann short advertisements: Der Sieger (1921); Das Wunder (1922), Der Aufstieg (1926)
La Dérive (Paula Delsol, 1964)
Bhuvan Shome (Mrinal Sen, 1969)
Hubert’s + Baskin-Robbins (Tony Ganz & Rhody Streeter, 1972)
Let the Church Say Amen! (St. Clair Bourne, 1973)
Anna (Alberto Grifi & Massimo Sarchielli, 1975)
Dying (Michael Roemer, 1976)
Frame for a Few Poses (Karpo Godina, 1976)
Nevermore, Forever (Yannick Bellon, 1976)
The Sealed Soil (Marva Nabili, 1977)
Ticket of No Return (Ulrike Ottinger, 1979)
Film No. 20: Fragments of a Faith Forgotten (Harry Smith, 1980) (with live score by John Zorn & Ikue Mori)
The Ladies and Me (Blondell Cummings, 1980)
Night of the Juggler (Robert Butler, 1980)
Solo Sunny (Konrad Wolf, 1980)
Blonde Death (James Dillinger, 1983)
Mortu Nega (Flora Gomes, 1988)
Kapital! cycle (Keith Sanborn, 1980-88)
The Khayal Saga (Kumar Shahani, 1989)
Brave New York (Richard Sandler, 2004)
Best New Releases (Unranked)
- Alice-Heart (Mike Macera)
- Blue Sun Palace (Constance Tsang)
- Discount Funeral (Brett Whitcomb)
- Eephus (Carson Lund)
- Foul Evil Deeds (Richard Hunter)
- Fucktoys (Annapurna Sriram)
- Invention (Courtney Stephens)
- Sanatorium Under the Sign of the Hourglass (The Brothers Quay)
- The Scout (Paula González-Nasser)
- WTO/99 (Ian Bell)
Favorite First Viewings
• The Texas Chainsaw Massacre (1974, Tobe Hooper) - I've seen this film so many times but never the way Tone Glow presented it: “It is an Agfacolor UK print with some bluish fade and some wear. Because the UK prints had a few small trims [i.e. was censored], I’ve cut this footage back in, frame for frame, from a US print which has reddish fade.” (Anthology Film Archives)
• In The Spirit (1990, Sandra Seacat) - Effortlessly hilarious. (Roxy Cinema on 35mm – with the iconic Elaine May in the house!)
• Heaven & Earth Magic (1957, Harry Smith) - Such an amazing piece of work, and it plays even better with a live score by JG Thirwell. (Nitehawk Cinemas)
• Raskolnikow (1923, Robert Weine) - New restoration that includes the lost footage. Praise be. (MoMA)
• ALEPH (1966, Wallace Berman) - I had never seen an original 16mm print of this psychedelic collage masterpiece – the only film he ever completed. Courtesy of the Film-maker's Cooperative, one of NYC's finest resources.
• Dirtier Work (1998, Bob Saget) - Mainly just so surprised and happy that this exists. (LOW Cinema)
• A Man and A Woman (1966, Claude Lelouch) - Beautiful film. I've been listening to this soundtrack for years and finally got around to it. (Film Forum)
• Honeysuckle Rose (1980, Jerry Schatzberg) - Sometimes films stay in your watchlist for eons, and this 35mm print was the perfect excuse to see it. Really wild that it's based on the 1936 Swedish film Intermezzo. (MoMA)
NEW RELEASES:
1. Sirat (Laxe)
2. Reflection in a Dead Diamond (Cattet/Forzani)
3. Eephus (Lund)
4. Dreadful Penny Dreadful (Sanborn)
5. Direct Action (Russell/Cailleau)
6. Grand Tour (Gomes)
7. Misericordia (Guiraudie)
8. The Mastermind (Reichardt)
9. The Shrouds (Cronenberg)
10. One Battle After Another (P.T. Anderson)
FIRST-TIME VIEWINGS OF 2025:
1. La Commune (Paris, 1871) (Watkins) - the real fin du cinema
2. At Sea (Hutton) - how route, how ecstatic
3. Side/Walk/Shuttle (Gehr) - the material world seems so far away
4. Hotel Cartograph (Stark) - journey to Room 217
5. Peking Opera Blues (Hark) - going for identity crisis
6. The Extravagant Shadows (Gatten) - a cover-up
7. Porch Glider (Herbert) - should be everyone's favorite camrip until the MoMA Film Study Center stops claiming they're fully booked
The rest alphabetically:
The Asthenic Syndrome (Muratova)
Charley Varrick (Siegel)
Chess of the Wind (Aslani)
The Great Race (Edwards)
Perfumed Nightmare (Tahimik)
Pine Flat (Lockhart)
Rosa de Areia (Reis/Cordeiro)
Les Sieges de l'Alcazar (Moullet)
Seven Days (Welsby)
A Spring for the Thirsty (Ilienko)
Toccata (Schupbach)
A Wanderer's Notebook (Naruse)
Waterwork (Cagle)
20 of my most memorable first viewings of 2025, in order of release date
1. Rain (Lewis Milestone, 1932) — 4K restoration, Il Cinema Ritrovato. Stunning camerawork and expressionistic photography by Oliver Marsh.
2. Queen Kelly (Erich von Stroheim, 1932) — Revivals at NYFF. Love when a film’s mere existence can illustrate the importance of preservation. Great with a crowd!
3. Servants’ Entrance (Frank Lloyd, 1934) — 35mm print from UCLA at the TCM Classic Film Festival.
4. Wife! Be Like a Rose! (Mike Naruse, 1935) — 35mm print from Toho. Part of the Naruse retrospective at Il Cinema Ritrovato.
5. Daisy Kenyon (Otto Preminger, 1947) — 35mm nitrate print from the Library of Congress at TCM Classic Film Festival. Saw quite a few Joan Crawford films this year and this one electrified the theater!
6. The Big Clock (John Farrow, 1948) — 35mm print at the New Beverly.
7. The Shooting (Monte Hellman, 1966) — Read Always Crashing in the Same Car this year and sought this out after reading the Carole Eastman chapter.
8. Unknown Woman (Luigi Comencini, 1969) — Comencini retrospective at Il Cinema Ritrovato. Oozing with late ‘60s style, with a plot that keeps you on your toes.
9. Cactus Flower (Gene Saks, 1969) — went down a Walter Matthau rabbit hole this year and boy did I ever fall for him in this movie.
10. Tenderness of the Wolves (Ulli Lommel, 1973) — opening night of the Berlinale retrospective. A queer, color remake of Lang’s M. Bonus cameo from Rainer Werner Fassbinder, who also produced.
11. Burnt Offerings (Dan Curtis, 1976) — watched at home. The Shining meets Psycho with perfect production design.
12. Solo Sunny (Konrad Wolf, 1980) — Berlinale Classics. For fans of Ladies and Gentlemen, The Fabulous Stains or any 1980s girl-in-a-band movie. Completely committed performance by Renate Krößner.
13. Sharky’s Machine (Burt Reynolds, 1981) — watched on Blu-ray with a friend. Its wit, pacing, and camerawork took me by surprise.
14. Toute une nuit (Chantal Akerman, 1982) — restoration at MoMA as part of an Akerman retrospective. Tinged with Pina Bausch rhythms and movements. A movie I want to live in.
15. Angel’s Egg (Mamoru Oshii, 1985) — Revivals at NYFF. A delicate reminder of the importance of keeping hope alive.
16. The Razor’s Edge (Jocelyne Saab, 1985) — Revivals at NYFF. Artmaking is necessary for survival.
17. Hello Mary Lou: Prom Night II (Bruce Pittman, 1987) — 35mm print at the Aero’s 20th Horrorthon. Third in a six-film marathon, played like a rock concert. Praise Corn Gorn.
18. Those Whom Death Refused (Flora Gomes, 1988) — 4K restoration from The Film Foundation, part of the Cinemalibero section at Il Cinema Ritrovato.
19. Paranormal Activity (Oren Pali, 2007) — watched at home, couldn’t sleep that night.
20. Ten Mornings Ten Evenings and One Horizon (Tomonari Nishikawa, 2016) — 16mm at TIFF’s opening Wavelengths program, which led to the Academy Museum’s Nishikawa program this coming February.
Unranked, a list of 10 films released this year that are able to step out of time to grasp one of the most compelling ways cinema can play with light, mostly to attempt to shed some of it into the future: opacity.
- The Shards (Rusia, Masha Chernaya)
- Afternoons of solitude (España, Albert Serra)
- The mastermind (USA, Kelly Reitchardt)
- México will no longer exist (México, Annalisa D. Quagliata)
- The prince of Nanawa (Argentina, Clarisa Navas)
- The currents (Argentina, Milagros Mumenthaler)
- The night is fading away (Argentina, Ramiro Sonzini, Ezequiel Salinas)
- December (Argentina, Lucas Gallo)
- Turtle chasing turtle (Argentina, Víctor González)
- Dice que… (Argentina, Alejandro Fernández Moujan)
In order of appearance in the world, as a dear friend of mine says: high-voltage aesthetic experiences.
- Day dreams (1922, Buster Keaton)
- Bringing up Baby (1938, Howard Hawks)
- Claro de luna (1942, Luis César Amadori)
- La doctora quiere tangos (1949, Alberto de Zavalía)
- Remember to live (1953, Roberto Gavaldón)
- Summertime (1955, David Lean)
- Fin de fiesta (1960, Leopoldo Torre Nilsson)
- Adieu Philippine (1962, Jacques Rozier)
- ¿Somos? (1962, Carlos Hugo Christensen)
- Charade (1963, Stanley Donen)
- La casa (1969, Enrique Butti)
- Idilio (1971, Osvaldo David)
- What’s up, Doc? (1972, Peter Bogdanovich)
- Audience (1982, Barbara Hammer)
- Desperetely seeking Susan (1985, Susan Seidelman)
- Time indefinite (1993, Ross McElwee)
- Travolta and me (1993, Patrizia Mazuy)
- The cable guy (1996, Ben Stiller)
- Aquí se construye (o Ya no existe el lugar donde nací) (2000, Ignacio Agüero)
- Historias extraordinarias (2008, Mariano Llinás)
2025
- The Voice of Hind Rajab (Kauther Ben Hania)
- On Becoming a Guinea Fowl (Rungano Nyoni)
- The Testament of Ann Lee (Mona Fastvold)
- Sound of Falling (Mascha Schilinski)
- Mother of Flies (Zelda Adams, John Adams, Toby Poser)
- The Perfect Neighbor (Geeta Gandbhir)
- It Was Just an Accident (Jafar Panahi)
- CAMP (Avalon Fast)
- Honey Bunch (Madeleine Sims-Fewer, Dusty Mancinelli)
- Homemade Gatorade (Carter Amelia Davis)
First Time Watches
- Angel’s Egg (Mamoru Oshii, 1985)
- Barlebas (Malu Janssen, 2024)
- Compensation (Zeinabu Irene Davis, 1999)
- Death Bed: The Bed That Eats (George Barry, 1977)
- Dildo Heaven (Doris Wishman, 2002)
- I Love Maria (David Chung, Tsui Hark, 1988)
- Love Hotel (Shinji Somai, 1985)
- Mouse Klub Confidential (James Robert Baker, 1976)
- Occult (Koji Shiraishi, 2009)
- The Pee Pee Poo Poo Man (Braden Sitter Jr., 2024)
- The Raspberry Reich (2004, Bruce LaBruce)
- Tongues Untied (Marlon Riggs, 1989)
- Twisted Issues (Charles Pinion, 1988)
First Viewings
- Anatomy of a Relationship (Luc Moullet)
- Blue for You (Anne Bean, Dov Eylath)
- The Breaking Point (Michael Curtiz)
- Ecce Homolka (Jaroslav Papoušek)
- Educating Rita (Lewis Gilbert)
- Fête foraine (Abel Gance)
- Gyromorphosis (Hy Hirsh)
- I Remember You (Ali Khamraev)
- The Little Girl of Hanoi (Hai Ninh)
- Marry Me (Terence Fisher)
- Mary Jane’s Not a Virgin Anymore (Sarah Jacobson)
- No Sex Last Night (Sophie Calle, Greg Shephard)
- Prick Up Your Ears (Stephen Frears)
- Silvestre (João César Monteiro)
- Swimmer (Teresa Wannberg, Suzanne Nessim)
- Terms of Endearment (James L. Brooks)
- Une vie (Alexandre Astruc)
- Wastebook Scenes (Frans van de Staak)
- When Margaux Meets Margaux (Sophie Fillières)
- You May Break (Judith Goddard)
BEST NEW RELEASES 2025
(Unranked* Except for the first)
- One Battle After Another - Paul Thomas Anderson
- BLKNWS : Terms & Conditions - Khalil Joseph
- If I Had Legs I Would Kick You - Mary Bronstein
- To the West, in Zapata - David Bim
- Bugonia - Yorgos Lanthimos
- Debut, or, Objects of the Field of Debris as Currently Catalogued - Julian Castronovo
- Thoughts & Prayers - Zackary Canepari & Jessica Dimmock
- Shifty - Adam Curtis
- John Candy: I like me - Colin Hanks
First Viewings
3 films by Hugo Fregonese, a great and disregarded filmmaker I discovered this year:
- Apache Drums (1951)
- The Mark of the Renegade (1951)
- Pampa Salvaje / Savage Pampas (1966)
+ 9 features, in the order I have seen them throughout the year:
- Les Belles Manières (1978) Jean-Claude Guiguet
- Los Placeres Ocultos (1977) Eloy de la Iglesia
- The Quiet One (1948) Sidney Meyers
- Society (1989) Brian Yuzna
- After the Hunt (2025) Luca Guadagnino
- Kim Novak’s Vertigo (2025) Alexandre O. Philippe
- Dias de Otoño (1963) Roberto Gavaldón
- La Noche Está Marchandose Ya (2025) Ezequiel Salinas, Ramiro Sonzini
- Westward the Women (1951) William Wellman
+ 3 shorts, in alphabetical order:
- By Flavio (2022) Pedro Cabeleira
- La Moto (2025) Matteo Giampetruzzi
- Les Habitants (2025) Maureen Fazendeiro
+ 1 animation:
- Ghost in the Shell (1995) Mamoru Oshii
- The Watermelon Woman (Cheryl Dunye, 1996)
- McCabe & Mrs. Miller (Robert Altman, 1971)
- The Shrouds (David Cronenberg, 2024)
- Brewster McCloud (Robert Altman, 1970)
- Schindler's List (Steven Spielberg, 1993)
- To the West, in Zapata (David Bim, 2025)
- Zodiac Killer Project (Charlie Shackleton, 2025)
- One Battle After Another (Paul Thomas Anderson, 2025)
- Dry Leaf (Alexandre Koberidze, 2025)
- Videos of my dog Hector that my parents sent me while I was out of town.
Favorite First Viewings and Discoveries for 2025:
- Sentimental Romance (1930, Sergei Eisenstein, Grigori Aleksandrov)
- Wild Boys of the Road (1933, William Wellman)
- Mr. Fantômas (1937, Ernst Moerman)
- The North Star (1943, Lewis Milestone)
- The Eye and the Ear (1944–1945, Franciszka Themerson, Stefan Themerson)
- Death is a Caress (1949, Edith Carlmar)
- Turn the Key Softly (1953, Jack Lee)
- Simon and Laura (1955, Muriel Box)
- The Window to Luna Park (1957, Luigi Comencini)
- El Inquilino (1958, José Antonio Nieves Conde)
- Magirama (1958, Abel Gance, Nelly Kaplan)
- The Four Horsemen of the Apocalypse (1962, Vincente Minnelli)
- The Demon (1963, Brunello Rondi)
- The Year of the Cannibals (1969, Liliana Cavani)
- Days and Nights in the Forest (1970, Satyajit Ray)
- At the Lőrinc Spinnery (1972, Márta Mészáros)
- Journey (1972, Bahran Beyzai)
- The Galaxy (1973, Sabin Bălașa)
- Over the Edge (1979, Jonathan Kaplan)
- Angel Heart (1987, Alan Parker)
New releases:
- Fire of Wind
- The Fishing Place
- Henry Fonda for President
- Little, Big, and Far
- Sirāt
- Jay Kelly
- Caught by the Tides
- Blue Moon
- Perfect Days
- Babygirl
Discoveries and First Viewings:
- The Ox-Bow Incident (William Wellman, 1943). Like Dreyer's Day of Wrath, a wartime look at collective hysteria that speaks to 2025, released the year I was born.
Undistributed and Contemporary First Looks:
- Bulle Ogier, portrait d’une étoile cachée (Eugénie Grandval). Loving and insightful criticism of an unrecognized auteur.
- Bits and Bobs (Shawn Yuan). Melancholy geometrical poetry in contemporary urban China.
- Kontinental ’25 (Radu Jude)*. Thoughtful chronicler of our confused and confusing ethics.
*Editor's note: this film has been acquired for distribution by 1-2 Special.
Best New Releases (unranked)
- Bouchra
- The Code
- About a Hero
- Caper
- Magic Farm
- Cloud
- A Minecraft Movie
- The Naked Gun
- Pavements
- Vulcanizadora
Favorite First Viewings and Discoveries (by year)
- Rain (1929)
- The Day of the Owl (1968)
- Busting (1974)
- What Have They Done to Your Daughters (1974)
- Deadly Hero (1975)
- Four of the Apocalypse (1975)
- Natural Enemies (1979)
- Amityville II: The Possession (1982)
- The Gigolo (1993)
- The Wild Goose Lake (2019)
Favorite First Viewings
- Komitas (Don Askarian, 1988)
- Birth of the Seanema (Sasithorn Ariyavicha, 2004)
- Turang (Bachtiar Siagian, 1957)
- Smile at Last (Leida Laius & Arvo Iho, 1958)
- Leila and the Wolves (Heiny Srour, 1984)
- Nighshift (Robina Rose, 1981)
- The Arch (Tang Shu Shuen, 1968)
- Dudviha (Mani Kaul, 1973)
- I Do Not Care If We Go Down in History as Barbarians (Radu Jude, 2018)
- Happiest Girl in the World (Radu Jude, 2009)
- A Film for Friends (Radu Jude, 2011)
- Ugetsu Monogatari (Kenji Mizoguchi, 1953)
- Day and Night in the Forest (Satyajit Ray, 1970)
- The Big City (Satyajit Ray, 1963)
- Morvern Callar (Lynne Ramsay, 2002)
- Red Light (Isao Kota, 1978)
- Obsada (Wendelein van Oldenborgh, 2021)
- thank you (belit sağ, 2013)
- Born in Flames (Lizzie Borden, 1983)
- Rehearsals for Extinct Anatomies (Brothers Quay, 1988)
First Viewings & New Releases
- Peter Hujar’s Day (Ira Sachs, 2025)
- Castration Movie Anthology Part i. Traps (Louise Weard, 2024)
- High Art (Lisa Cholodenko, 1998)
- Set It Off (F. Gary Grey, 1996)
- The Color of Love (Peggy Ahwesh, 1994)
- Freak Orlando (Ulrike Ottinger, 1991)
- Eat the Night (Caroline Poggi, Johnathan Vinel, 2025)
- Happyend (Neo Sora, 2025)
- Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (Robert Altman, 1982)
- 36 Fillette (Catherine Breillat, 1988)
Here are two kino-visions that stood out to me this year:
I’ve got to say that my first time viewing of After Life (1989) by Hirokazu Kore-eda at Cinema Nova in Brussels was one of my brightest cinema moments in 2025. The soft collision of such deep emotions gathered between ideas of interview, document, and construction was startling and truly inspiring. I can’t believe that I hadn’t seen that film until 2025 but feel so grateful that I did.
Seeing Phil Niblock’s The Magic Sun (1966) in early 2025 at the Pompidou in Paris - and then programming it with Jean Rouch’s Horendi (1972) at Double Vision in Marseille was also a pretty radical experience. The beautiful chaos-alignment of visionary musicianship alongside often nearly-abstract representational imagery left my jaw agape, my ears open wide.
Favorite First Viewings (chronological order)
Wings of a Serf (1926, Yuri Tarich & Leonid Leonidov) → If the prologue to "Andrei Rublev" was given its own epic, incredible
Vita di famiglia. Inverno 1932 (1932, Edoardo Scotti) → Quietly closed out this year's "Le Giornate del Cinema Muto" after almost everyone left the theater -- the most magical home movie of all <3
It's in the Bag (1932, Pierre Prévert) → How the world appears to me
Tomatos Another Day (1934, James Sibley Watson, Jr.) → This too
Ball of Fire (1941, Howard Hawks) → Ant farm of bumbling, hopelessly romantic professors orbiting Gary Cooper getting bullied by Barbara Stanwyck... I'm in loveThe Ox-Bow Incident (1943, William A. Wellman) → Usual Wellman-y pith and babble surrounding a parable of justice strapped to a Möbius loop
Hue and Cry (1947, Charles Crichton) → Biggest smile ever every frame
Strange Victory (1948, Leo Hurwitz) → Kinda miraculous anti-fascist transmission from post-WWII America-making, necessary viewingI Bury the Living (1958, Robert Band) → SO unassuming and patient in its madness
Tormented (1960, Bert I. Gordon) → Would kill to see this with an audience
THINK (1964, Charles & Ray Eames) → Biblically accurate cinema
Entranced Earth (1967, Glauber Rocha) → Revolution eviscerated, barking mad, sweating vinegar -- enraging and apocalyptic
If Footmen Tire You, What Will Horses Do? (1971, Ron Ormond) → "COMMUNISM IS GOOD. CHRISTIANITY IS STUPID. GIVE UP."
Without Fear (1972, Ali Khamraev) → Revolution in real-time, in all its tragedy, sacrifice, and necessityThe Clōnes (1973, Lamar Card & Paul Hunt) → Rollercoaster shoot-out must be seen to be believed
Safe Play: Danger Places (1975, unknown) → Contemporary horror is 50 years behind
Up! (1976, Russ Meyer) → Further proof that Russ was America's Shakespeare
You (1983, Heather McAdams) → The beating heart of a film strip
Visions of Suffering (2006, Andrey Iskanov) → Scratch that, contemporary horror is 19 years behindZero (2018, Aanand L. Rai) → Unbelievably ridiculous and beautiful in ways more films need to be if we want to survive as a species
First Viewings
Pilgrim Farewell, by Michael Roemer
Michael Roemer—one of the most singular and original filmmakers of the 20th Century—died this year, but not before finally seeing this first release of his 1981 feature that was lost in distribution purgatory for over 40 years. A tough and profoundly moving film about mothers, daughters, illness and death, it gives Cries and Whispers a run for its money (and in my book, it wins).
Absences répétées, by Guy Gilles
Guy Gilles is the queerest French New Wave director you've never heard of (but can discover on IG at @guygillescinema), and his 1972 feature, Absences répétées, is the perfect gateway film to his exquisite and sensual body of work. A story of a young, wealthy and beautiful artist struggling with both ennui and heroin addiction, it's a film in which every image evokes a feeling and a sense of aesthetic freedom.
- ON THE AIR - all seven episodes of David Lynch and Mark Frost’s other show screened at UCLA FTVA - it was electric and I am forever changed
- IN THE SPIRIT - a spiritual experience
- STRANGE BREW - I went down a Hamlet rabbit hole after this one
- LEILA AND THE WOLVES - remarkable. unlike anything I’ve seen
- Barbara Loden’s educational short films - THE BOY WHO LIKED DEER in particular!
- SHORT CUTS- can’t believe I lived in LA this long without seeing it. Whoa
- THE AMUSEMENT PARK - a disturbing yet fun watch with an audience
- FAST FORWARD - dance mobs, NYC, and Sidney Poitier? Shout out to my colleague, Kat, who loves this film
- THE PALM BEACH STORY - this was truly delightful. When I think of it, I smile.
- Deep Crimson (Arturo Ripstein)
- Dreams/third entry in Oslo Trilogy (Dag Johan Haugerud)
- Out of the Past (Jacques Tourneur)
- Marty Supreme (Josh Safdie)
- Shadows of Forgotten Ancestors (Sergei Parajanov)
- Pauline at the Beach (Eric Rohmer)
- Days and Nights in the Forest (Satyajit Ray)
- My Twentieth Century (Ildikó Enyedi)
- Strike (Sergei Eisenstein)
- Magellan (Lav Diaz)
First Viewings
- Point Blank (John Boorman, 1967)
- Margin Call (J.C. Chandor, 2011)
- Paris, Texas (Wim Wenders, 1984)
- Don't Look Now (Nicolas Roeg, 1973)
- The Red Shoes (Michael Powell and Emeric Pressburger, 1948)
- The Turning Point (Herbert Ross, 1977)
First Viewings
- The Taste of Tea (Katsuhito Ishii, 2004)
- The Company of Strangers (Cynthia Scott, 1990)
- Sonatine (Takeshi Kitano, 1993)
- Bread (Charles Eames, 1953)
- The Mirror (Jafar Panahi, 1997)
- P.P. Rider (Shinji Sōmai, 1983)
- Bouquets 1-10 (Rose Lowder, 1995)
- All Watched Over by Machines of Loving Grace (Adam Curtis, 2011)
- E6-D7 (Eno Swinnen, 2023)
- The Lovers on the Bridge (Leos Carax, 1991)
- Secrets & Lies (Mike Leigh, 1996)
- The Bitter Tears of Petra von Kant (Rainer Werner Fassbinder, 1972)
- Murder, She Wrote (Peter S. Fischer, 1984-1996)
- A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, 2014)
- August in the Water (Gakuryu Ishii, 1995)
- Vagabond (Agnès Varda, 1985)
- I Am Love (Luca Guadagnino, 2009)
- Mr. Bug Goes to Town (Dave Fleischer, 1941)
- All Light, Everywhere (Theo Anthony, 2021)
Favorite first viewings
- Morvern Callar (Lynne Ramsay, 2002)
- Domestic Violence (Frederick Wiseman, 2001)
- The Grapes of Death (Jean Rollin, 1978)
- The Cool World (Shirley Clarke, 1963)
- Out of the Blue (Dennis Hopper, 1980)
- Meet Marlon Brando (Albert and David Maysles, 1966)
- Tongues Untied (Marlon T. Riggs, 1989)
- Demonlover (Olivier Assayas, 2002)
- Putney Swope (Robert Downey Sr., 1969)
- Mississippi Masala (Mira Nair, 1991)
- Pestilent City (Peter Emmanuel Goldman, 1965)
- No Way Out (Roger Donaldson, 1987)
- Les Blank — Even better than his reputation suggests. I’ve watched eight of his movies this year and they never fail to delight; they’re each special and reliable like a beloved album. For the George Jones performance of “Take Me” alone, 'A Poem Is a Naked Person' is probably my favorite, but you really can’t go wrong. 'Garlic Is as Good as Ten Mothers' is also great.
2025, ranked
- Sound of Falling (Mascha Schilinski)
- Moon (Kurdwin Ayub)
- The blue trail (Gabriel Mascaro)
- Sorda (Eva Libertad)
- Late Shift (Petra Volpe)
- If I Had Legs I'd Kick You (Mary Bronstein)
- Romería (Carla Simón)
- Girls on Wire (Vivian Qu)
- House of Dynamite (Kathryn Bigelow)
- Invention (Courtney Stephens)
First watches, unranked
- Laura Citarella's Trenque Lauquen
- Florentina Holzinger's A Year without Summer
- Lars Friedrikson's electrical sculpture CC15D
First Viewings
- The In-Laws 1979
- Little Murders 1971
- Multi-Handicapped 1986
- Invention 2024
- Anatomy of a Relationship 1976
- Tales of the Dumpster Kid 1979
- The French Connection 1971
- The Exterminating Angel 1962
- The Shrouds 2024
- Magic Farm 2023
Favorite 2025 Releases (in alphabetical order)
- Caught by the Tides
- Cloud
- Eephus
- Friendship
- If I Had Legs I'd Kick You
- Marty Supreme
- Misericordia
- One Battle After Another
- Resurrection
- The Shrouds
Favorite First Viewings and Discoveries (vaguely in chronological order)
- RIP Peter Watkins: La Commune (Paris, 1871) at Anthology Film Archives and The Journey at Spectacle
- Shout out to the always deliriously fun Sunday on Fire series at Nitehawk Prospect Park: Zu: Warriors from the Magic Mountain, God of Gamblers' Return, Wheels on Meals, Mr. Vampire
- Hard to Kill on 16mm at Toronto's Revue Cinema, shout out to my guys at the podcast Sleazoids for programming. ("This is for my wife. Fuck you and die!" is the greatest pre-murder one-liner in cinema history.)
- The Quiet Man at MOMI
- His Motorbike, Her Island and The Girl Who Leapt Through Time at Japan Society
- The marvelous Frederick Wiseman retrospective at Lincoln Center: Model, Aspen, and Central Park
- Récréations
- The great picks from folks who attended my at-home movie club: History is Made at Night, One, Two, Three, Another Woman, Bonjour Tristesse, Not Fade Away, The Pirate, Hi, Mom!, Spider, Spies, The Outlaw and His Wife
- The Tragedy of Man at Spectacle
- The Hole at BAM
- Showgirls at Nitehawk Williamsburg
- Compensation and Picnic at Hanging Rock at the Jacob Burns Film Center's Restored and Rediscovered festival. Shame on them for laying off curator Monica Castillo, who made the whole damn thing happen.
- Faves of this year's Nitrate Picture Show at the Eastman Museum: The City, It's in the Bag, La Ronde, Wife! Be Like a Rose!, My Man Godfrey
- Center Stage at Metrograph
- Snake Eyes and Body Double at the Roxy
- BAM's Tarkovsky series: Voyage in Time, Ivan's Childhood, Andrei Rublev
- The Green Ray at the Quad
- I Am Cuba at London's Close-Up Cinema
Top 10
A Thousand Waves Away, Helena Wittman
April, Dea Kulumbegashvili
Afternoons of Solitude, Alberto Serra
Below the Clouds, Gianfranco Rosi
By the Stream, Hong Sang-soo
Caught by the Tides, Jia Zhangke
If I Had Legs, I’d Kick You, Mary Bronstein
It Was Just an Accident, Jafar Panahi
The Mastermind, Kelly Reichardt
My Undesirable Friends, Julia Lotkev
Honorable mention: Los Angeles Dodgers vs. Toronto Blue Jays, Game 7
First Viewings and Discoveries
Le Amiche (Antonioni)
The Baby Carriage (Widerberg)
Better than Ever (Gehr)
Canyon Passage (Tourneur)
Chess Fever (Pudovkin)
Days and Nights in the Forest (Ray)
Du Côté de la Côte (Varda)
Dying (Roemer)
The Destroyers of Our Gardens, The Caterpillar (Pathé)
Dream of Light (Erice)
Flowing (Naruse)
Greed (Stroheim)
Hanging Out Yonkers (Akerman)
Husbands (Cassavetes)
La-Bas (Akerman)
The Man on the Roof (Widerberg)
Numero Deux (Godard)
Ragtag (Boccassini)
Sid Caesar compilation at Film Forum
There’s Always Tomorrow (Sirk)
Three repertory venues got a boost with personnel changes; Eric Hynes to the Jacob Burns Film Center, Edo Choi to Metrograph, and Michael Koresky elevated to head programmer at Museum of the Moving Image.
best new releases (unranked)
If I Had Legs I'd Kick You
Caught By the Tides
No Other Choice
It Was Just an Accident
One Battle After Another
Hedda
The Shrouds
The Testament of Ann Lee
The Mastermind
Sinners
favorite first viewings and discoveries
Live Flesh (1997)
The Magnificent Ambersons (1942)
American Movie (1999)
Maurice (1987)
The Beach Bum (2019)
Alma's Rainbow (1994)
Hanging Garden (2005)
White Heat (1949)
Slacker (1990)
Buddies (1985)
Ran (1985)
Lilies (1996)
Three Bewildered People in the Night (1987)
Sex Is Comedy (2002)
U.S. Go Home (1994)
Be Pretty and Shut Up! (1981)
Full Moon in New York (1989)
Cotton Comes to Harlem (1970)
The Annihilation of Fish (1999)
The Wedding Banquet (1993)
First Viewings
- From the Realms of the Crystals (Jan Cornelis Mol, 1928)
- Side Street (Anthony Mann, 1949)
- Chelsea Girls (Andy Warhol & Paul Morrissey, 1966)
- Barbara (Walter De Ryck & André Delvaux, 1970)
- Penda’s Fen (Alan Clarke, 1974)
- Derek and Clive Get the Horn (Russell Mulcahy, 1979)
- The Social Life of Small Urban Spaces (William H. Whyte, 1980)
- Café Flesh (Stephen Sayadian & Mark S. Esposito, 1982)
- Close-Up (Abbas Kiarostami, 1990)
- Chicago (Rob Marshall, 2002)
- Blue Heron (Sophy Romvari, 2025)
First Viewings
- The Anime Business series of filmed interviews on the AnimEigo YouTube channel.
- The Katsuhiro Otomo episode of Manben
- Violence Voyager (Ujicha, 2018)
- The War of the Worlds: Next Century (Piotr Szulkin, 1981)
- 2010s newer computer Piotr Kamler animations
- Betty (Claude Chabrol, 1992)
Favorite First Viewings and Discoveries 2025
· Eraserhead (dir. David Lynch, 1977)
· Thundercrack! (dir. Curt McDowell, 1975)
· Mary Jane's Not a Virgin Anymore (dir. Sarah Jacobson, 1996)
· Nightshift (dir. Robina Rose, 1981)
· This House Has People In It (dir. Alan Resnick, 2016)
· La Commune (Paris, 1871) (dir. Peter Watkins, 2000)
· Tongues Untied (dir. Marlon Riggs, 1989)
· The Great Dictator (dir. Charlie Chaplin, 1940)
· The Beast (dir. Walerian Borowczyk, 1978)
· Blonde Death (dir. James Robert Baker, 1984)
· The Opening of Misty Beethoven (dir. Radley Metzger, 1976)
· No Sex Last Night (Double Blind) (dirs. Sophie Calle, Greg Shephard, 1992-1996)
· The Wolf House [La casa lobo] (dirs. Cristóbal León, Joaquín Cociña, 2018)
· UHF (dir. Jay Levey, 1989)
· Home Road Movies (dir. Robert Bradbrook, 2002)
· The Balcony (dir. Joseph Strick, 1963)
· The People's Joker (dir. Vera Drew, 2022)
· The Cameraman's Revenge (dir. Władysław Starewicz, 1912)
· The Backrooms (Found Footage) (dir. Kane Parsons, 2022)
· Hamburger Dad (dirs. Kevin Clarke, Wil Long, 2003)
New Releases
- Afternoons of solitude (Albert Serra)
- Dracula (Radu Jude)
- Castration Movie anthology ii: The Best of Both Worlds (Louise Weard)
- It Was Just an Accident (Jafar Panahi)
- Peter Hujar’s Day (Ira Sachs)
- Queerpanorama (Jun Li)
- To a Land Unknown (Mahdi Fleifel)
- Red Path (Lotfi Achour)
- M3gan 2.0 (Gerard Johnstone)
- The Fishing Place (Rob Tregenza)
First
- Dick Tracy Republic Serial (various)
- Keeper of the Flame (George Cuckor)
- Coming to Terms (Jon Jost)
- Detroit Thanksgiving parades (various years)
- Jackie Brown (Quentin Tarantino)
- The Town Within Reach (Đặng Nhật Minh)
- Zinda Laash (Khwaja Sarfaraz)
- Tree of Knowledge (Larry Gottheim)
- Mid/Evil Times (Devon Green)
- The World Drops Dead (Brandon Colvin)
- It Must Be Because I Decided To Leave (Zhuoyun Chen)
- He Never Dies: The Films of Kalil Haddad
- A Lack of Clarity (Stefan Kruse)
- Nightshift (Robina Rose)
- Skinned deep (Gabe Bartalos)
- Specter’s Rock (Josh Eisenstadt)
- Fatal Images (Dennis Devine)
- The Expert (Rick Avery, William Lustig)
- The Dead Don’t Die in Dallas (aka Kicking Zombie Ass For Jesus (Israel Luna)
- Trip Ubusan: The Lolas vs. Zombies (Mark A. Reyes)
Best new releases (#1 ranked, rest unranked)
- Caught by the Tides, Jia Zhangke
- After the Hunt, Luca Guadagnino
- One Battle After Another, PTA
- Mickey 17, Bong Joon Ho
- No Other Choice, Park Chan Wook
- Dracula, Radu Jude
- If I Had Legs I’d Kick You, Mary Bronstein
- Predators, David Osit
- It Was Just an Accident, Jafar Panahi
First viewings
- Secret Goldfish, Bi Gan
- Queer, Luca Guadagnino
- Bombay Tilts Down, CAMP @ MoMA
- Betty Tells Her Story, Liane Brandon
- Theorem, Pier Paolo Pasolini
- U.S. Go Home, Claire Denis
- Possession, Andrzej Zulawski
- Night and Fog, Alain Resnais
- The Turin Horse, Bela Tarr
- Tampopo, Juzo Itami
- Song of Avignon, Jonas Mekas
- Leviathan, Lucien Castaing-Taylor & Verena Paravel
- Adaptation, Spike Jonze
- The Gleaners and I, Agnes Varda
- The House is Black, Forugh Farrokhzad
First Viewings
- Jimmy Carter: Man from Plains (2007) by Jonathan Demme: Staggering to see how even a former President could be maligned for expressing solidarity with Palestine. Great soundtrack featuring Gillian Welch & David Rawlings, too.
- Agnes Martin: With My Back to the World (2003) by Mary Lance: Portrait of a deeply contradictory artist. Watched before my pilgrimage to the Agnes Martin Gallery in Taos, New Mexico this summer.
- Familiar Touch (2024) by Sarah Friedland: Such a careful feature-length debut by a filmmaker heretofore known as a choreographer. Friedland used her moment at Venice to speak out about Gaza.
- Heightened Scrutiny (2025) by Sam Feder: Among other things, this film is an important look at how reporting in the New York Times has been used to support anti-trans legislation.
- Love is the Drug (2025) by Liz Roberts: A short film about a “lethal brunette” named Heather Edney who ran a needle exchange as a nineteen-year-old while raising an orphaned child born HIV+.
New Releases
- The Bend in the River (Robb Moss)
- My Undesirable Friends: Part I — Last Air in Moscow (Julia Loktev)
- Peter Hujar’s Day (Ira Sachs)
First Viewings
- David Golder (Julien Duvivier, 1931)
- Desire (Frank Borzage, 1936)
- The Pink Panther Strikes Again (Blake Edwards, 1976)
- Born on the Fourth of July (Oliver Stone, 1989)
- Madonna: Truth or Dare (Alek Keshishian, 1991)
- The Competition (Claire Simon, 2016)
- Elvis (Baz Luhrmann, 2022)
New Releases
- The Sound of Falling (Mascha Schilinski)
- The Love That Remains (Hlynur Pálmason)
- A Poet (Simón Mesa Soto)
- Vermiglio (Maura Delpero)
- Grand Tour (Miguel Gomes)
First Viewings
- Walkabout (Nicolas Roeg, 1971)
- The Wings (Larisa Shepitko, 1966)
- Women of the Night (Kinuyo Tanaka, 1961)
- Walden (Jonas Mekas, 1969)
- La Maison Des Bois (Maurice Pialat, 1971)
- Frágil Como O Mundo (Rita Azevedo Gomes, 2001)
Best New Releases
- Grand Tour (Miguel Gomes)
- Last One for the Road (Francesco Sossai)
- A Poet (Simón Mesa Soto)
- April (Dea Kulumbegashvili)
- One Battle After Another (Paul Thomas Anderson)
- The Mastermind (Kelly Reichardt)
- Marty Supreme (Josh Safdie)
- Eephus (Carson Lund)
- The Secret Agent (Kleber Mendonça Filho)
- Sirat (Oliver Laxe)
First Viewings
- Distant Voices, Still Lives (Terrence Davies)
- Husbands (John Cassavetes)
- The Clock (Christian Marclay)
- Meat (Frederick Wiseman)
- Another Woman (Woody Allen)
- Ms. 45 (Abel Ferrara)
- Out of Sight (Steven Soderberg)
- Phone Booth (Joel Schumacher)
- Soundtrack to a Coup d’Etat (Johan Grimonprez)
- The Lovers on the Bridge (Leos Carax)
New Releases (Unranked)
- The Chronology of Water
- Desert of Namibia
- Cloud
- The Shrouds
- Seven Veils
- Chainsaw Man The Movie Reze Arc
- After the Hunt
- 100 Nights of Hero
- Father Mother Sister Brother
- Nervous Energy
Top 10 (no particular order)
Train Dreams
The Testament of Anne Lee
Urchin
Marty Supreme
The Love That Remains
Sentimental Value
One Battle After Another
The Secret Agent
Caught By The Tides
Messy
Best First viewings
Matinee
The Clockmaker
Mortu Nega
A Place In The Sun
Saint Joan
I’m Still Here
The Strange Love Of Martha Ivers
New Releases
1. Vulcanizadora (Joel Potrykus)
2. The Mastermind (Kelly Reichardt)
3. O Agente Secreto (Kleber Mendonça Filho)
4. Miséricorde (Alain Guiraudie)
5. Cloud (Kiyoshi Kurosawa)
Favorite First Viewings
- Soleil Ô (Med Hondo, 1970)
- Quatre nuits d'un rêveur (Robert Bresson, 1971)
- كفرشوبا aka Kufr Shuba (Samir Nimr, 1975)
- Keith Jarrett playing "Solar" at the "Solo Tribute: The 100th Performance in Japan" concert (1987)
- Bug (William Friedkin, 2006)
- David Lynch Cooks Quinoa (David Lynch, 2007)
- Lux Æterna (Gaspar Noé, 2019)
- Eureka (Lisandro Alonso, 2023)
- Riddle of Fire (Weston Razooli, 2023)
- This Closeness (Kit Zauhar, 2023)
- Christmas Eve in Miller's Point (Tyler Taormina, 2024)
- Good One (India Donaldson, 2024)
I've been terrible at keeping up with new movies, but some 2025 releases I liked include:
- Caught by the Tides (Jia Zhangke)
- The Code (Eugene Kotlyarenko)
- The Day the Earth Blew Up: A Looney Tunes Movie (Pete Browngardt)
- Eephus (Carson Lund)
- Evil Puddle (Charlie Roxburgh)
- Nobody (Yu Shui)
- Retro (Karthik Subbaraj)
The Shrouds (David Cronenberg) - With Hassan in Gaza (Kamal Aljafari)
Best First-Viewings
- A Nos Amours (Maurice Pialat, 1983)
- Ash is Purest White (Jia Zhangke, 2018)
- La Belle Noiseuse (Jacques Rivette, 1991)
- Bound (Lana and Lilly Wachowski, 1996)
- Dice Rules (Jay Dubin, 1991)
- Five-Year Diary (Anne Charlotte Robertson, 1981-1998)
- Floating Clouds (Mikio Naruse, 1950)
- Highway Hypnosis (Ken Camp, 1984)
- Home for Christmas (Rick Hancox, 1978)
- Law and Order (Edward L. Cahn, 1932)
- Law and Order (Frederick Wiseman, 1969)
- Love Me Tonight (Rouben Mamoulian, 1932)
- Mera Naam Joker (Raj Kapoor, 1970)
- Missing (Costa-Gavras, 1982)
- The Night of the Hunted (Jean Rollin, 1980)
- Origins of a Meal (Luc Moullet, 1978)
- Portrait in Crystal (Hua Shan, 1983)
- Record of a Tenement Gentleman (Yasujirō Ozu, 1947)
- The Set-Up (Robert Wise, 1949)
- Va Savoir (Jacques Rivette, 2001)
seven films we dug (unranked)
- If I Had Legs I’d Kick You (Mary Bronstein)
- Dracula (Radu Jude)
- Donkey Days (Rosanne Pel)
- WTO/99 (Ian Bell)
- Pandemonium (Haydn Keenan)
- Eddington (Ari Aster)
- Kontinental ’25 (Radu Jude)
In alphabetical order
- Debut, or, Objects of the Field of Debris as Currently Catalogued (Julian Castronovo)
- Dry Leaf (Alexandre Koberidze)
- Fiume o morte! (Igor Bezinović)
- Peter Hujar's Day (Ira Sachs)
- Remake (Ross McElwee)
- Sirât (Oliver Laxe)
- The Mastermind (Kelly Reichardt)
- The Secret Agent (Kleber Mendonça Filho)
- The Love that Remains (Hlynur Palmason)
- With Hasan in Gaza (Kamal Aljafari)
In alphabetical order
- A Confucian Confusion (Edward Yang, 1994)
- Café Flesh (Stephen Sayadian, 1982)
- Chameleon Street (Wendell B. Harris Jr., 1989)
- Leila and the Wolves (Heiny Srour, 1984)
- Les Ambassadeurs (Naceur Ktari, 1972)
- Les Intrigues de Sylvia Couski (Adolfo Arrieta, 1974)
- Merlusse (Marcel Pagnol, 1935)
- Obsession (Edward Dmytryk, 1949)
- Maître Galip (Maurice Pialat, 1964)
- Nightshift (Robina Rose, 1981)
- Notre Dame de la Croisette (Daniel Schmid, 1981)
- Requiem for a Vampire (Jean Rollin, 1972)
- The Ghost of Yotsuya (Nobuo Nakagawa, 1959)
- The Margin (Walerian Borowczyk, 1976)
- Time Indefinite (Ross McElwee, 1993)
New Releases
- Romería – Carla Simon
- A Useful Ghost – Ratchapoom Boonbunchachoke
- One Battle After Another – Paul Thomas Anderson
- The Voice of Hind Rajab – Kaouther Ben Hania
First Viewing
- El Sur – Víctor Erice
Favorite First Viewings and Discoveries
- Something Between Us (Jodie Mack, 2015)
- A Set of Miniatures (Jonathan Schwartz)
- Final Destination 3 (James Wong, 2006)
- Zoo (Frederick Wiseman, 1993)
- Zoo (Robinson Devor, 2007)
- Schomedipus (Barry Davis, 1974)
- Fortress (Stuart Gordon, 1992)
- The Flying Luna Clipper (Ikko Ono, 1987)
- Cure (Kiyoshi Kurosawa, 1997)
- Caligula Ultimate Cut (Tinto Brass, 1979)
- Hypnosis Display (Paul Clipson, 2014)
- Deep Rising (Stephen Sommers, 1998)
- Subway (Luc Besson, 1985)
10, Unranked
Afternoons of Solitude (Albert Serra)
Cady Noland/Steve Parrino @ Gagosian W. 24th, NYC
Crickets #9 (Sammy Harkham)
Fuck My Son (Todd Rohal)
L'histoire de "Scénario" (Jean-Luc Godard)
I AM SO PRETTY (Brock Enright) @ Club Rhubarb, NYC
Invention (Courtney Stephens)
Nymph (Stephanie LaCava)
Pavements (Alex Ross Perry)
We Exist in Time (Thibaut Grevet)
Firsts
Bathing Beauty (George Sidney, 1944)
Two in the Shadow (Mikio Naruse, 1967)
The Cut-Throats (John Hayes, 1969)
Big Jake (George Sherman, 1971)
Violated! (Albert Zugsmith, 1973)
Humane Killing (Muscha, Trini Trimpop, 1980)
Highway Hypnosis (Ken Camp, 1984)
Thong Girls (Jesús Franco, Lina Romay, 1987)
War Horse (Steven Spielberg, 2011)
When Evening Falls on Bucharest or Metabolism (Corneliu Porumboiu, 2013)
Honky Kong (Stephen Gurewitz, 2021)
After (Anthony Lapia, 2023)
Red Rooms (Pascal Plante, 2023)
The Featherweight (Robert Kolodny, 2023)
The Code (Eugene Kotlyarenko, 2024)
The Day the Earth Blew Up: A Looney Tunes Movie (Peter Browngardt, 2024)
L'Empire (Bruno Dumont, 2024)
Oh, Canada (Paul Schrader, 2024)
Or Something (Jeffrey Scotti Schroeder, 2024)
www.RachelOrmont.com (Peter Vack, 2024)
First Viewings
- The Gloaming (Charlotte Pryce)
- Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (Robert Altman, 1982)
- Girls Will be Girls (Shuchi Talati, 2024)
- Hearts of Darkness: A Filmmaker's Apocalypse (Fax Bahr, George Hickenlooper, Eleanor Coppola, 1991)
- The Shards (Masha Chernaya, 2024)
- Pink Floyd: Live at Pompeii (Adrian Maben, 1972)
- Bushman (David Schickele, 1971)
- Immemory CD-ROM (Chris Marker, 1997)
- Transformations (Barbara Hirschfeld, 1972)
- Reds (Warren Beatty, 1981)
- Looking for Horses (Stefan Pavlovic, 2021)
- Eddington (Ari Aster, 2025)
- The Instability of Clouds (Zazie Ray-Trapido, 2024)
- Origins of a Meal (Luc Moulet, 1978)
- Anatomy of a Relationship (Luc Moulet, 1976)
- In Common (Adele Horne, 2014)
New Releases (in no particular order)
- The Secret Agent (dir. Kleber Mendonça Filho)
- If I Had Legs I’d Kick You (dir. Mary Bronstein)
- It Was Just an Accident (dir. Jafar Panahi)
- Die My Love (dir. Lynne Ramsay)
- The Shrouds (dir. David Cronenberg)
- The Mastermind (dir. Kelly Reichardt)
- Resurrection (dir. Bi Gan)
- Sound of Falling (dir. Mascha Schilinski)
- Evidence (dir. Lee Anne Schmitt)
- Final Destination Bloodlines (dir. Zach Lipovsky & Adam Stein)
First Viewings
Off Frame AKA Revolution Until Victory (2016) by Mohanad Yaqubi.
Just holy shit.
Caravaggio, by Derek Jarman (1986)
(would hang every single frame on walls of my home if i could)
A German Youth (2015) Jean-Gabriel Périot
Look Back in Anger (1959) by Tony Richardson
2025 favorite first viewings alphabetically
- Al Mahatta, 1989 – Eltayeb Mahdi
- Black Ox, 2024 – Tsuta Tetsuichiro
- Cicero March, 1966 – The Film Group
- Everything and Nothing, 1999 – Jayce Salloum
- The Mare’s Nest, 2025 – Ben Rivers
- Monólogo Colectivo, 2024 – Jessica Sarah Rinland
- Morgenkreis, 2025 – Basma al-Sharif
- Puberty Part 2, 1975 – Alanis Obomsawin
- Razeh-del, 2024 – Maryam Tafakory
- The Sealed Soil, 1977 – Marva Nabili
Faust (1926)
The Circus (1928)
Port of Shadows (1938)
Ball of Fire (1941)
Blue Movie (1969)
Sanrizuka: Peasants of the Second Fortress (1971)
Phase IV (preview version) (1974)
Pastoral: To Die in the Country (1974)
A.K.A. Serial Killer (1975)
Survivor (1980)
Nightshift (1981)
Man Marked for Death/Twenty Years Later (1984)
The Man Who Envied Women (1985)
Sarraounia (1986)
Sábado de mierda (1988)
Route 181: Fragments of a Journey in Palestine-Israel (2003)
Salt of This Sea (2008)
Mysteries of Lisbon (2010)
The Prison in Twelve Landscapes (2016)
All We Imagine as Light (2024)
FIRST VIEWINGS AND DISCOVERIES
- Aspen (Frederick Wiseman, 1991)
- Annihilation of Fish (Charles Burnett, 1999)
- Compensation (Zeinabu Irene Davis, 1999)
- Brewster McCloud (Robert Altman, 1970)
- Quintet (Robert Altman, 1979)
- A Perfect Love (Robert Altman, 1979)
- Insiang (Lino Brocka, 1976)
- Bitter Moon (Roman Polanski, 1973)
- Damage (Louis Malle, 1992)
- Monsieur Hire (Patrice Laconte, 1989)
- Intimate Confessions of a Chinese Courtesan (Chor Yuen, 1972)
- Sudden Rain (Mikio Naruse, 1956)
- The Smugglers (Luc Moullet, 1967)
- A Girl is a Gun (Luc Moullet, 1971)
- Anatomy of a Relationship (Luc Moullet, 1976)
- Origins of a Meal (Luc Moullet, 1978)
- Masques (Claude Chabrol, 1987)
- Palindromes (Todd Solondz, 2004)
- Remember My Name (Alan Rudolph, 1981)
- The Story of the Two Day Pass (Melvin Van Peebles, 1967)
- Telephones (Christian Marclay) at the Houston Museum of Fine Arts
- Doors (Christian Marclay, 2022) at Brooklyn Museum
- The White to be Angry (Vaginal Davis, 1999) at MoMa PS1
- Thunder on the Hill (Douglas Sirk, 1951)
- The Fool Killer (Servando González, 1965)
- Horrors of Malformed Men (Teruo Ishii, 1969)
- Tarpon (Guy de la Valdene, Christian Odasso, 1973)
- SexWorld (Anthony Spinelli, 1978)
- Pilgrim, Farewell (Michael Roemer, 1980)
- The Devil at Your Heels (Robert Fortier, 1981)
- Kisapmata (Mike de Leon, 1981)
- Say Amen, Somebody (George T. Nierenberg, 1982)
- Desert Hearts (Donna Deitch, 1985)
- Séance (Kiyoshi Kurosawa, 2000)
- Hemingway (Ken Burns, Lynn Novick, 2021)
- The Visitor (Bruce LaBruce, 2024)
NEW
1. Retro (dir. Karthik Subbaraj)
2. Caught By the Tides (dir. Jia Zhangke)
3. The Naked Gun (dir. Akiva Schaffer)
4. Bad Girl (dir. Varsha Bharath)
5. The Day The Earth Blew Up: A Looney Tunes Movie (dir. Peter Browngardt)
6. Eephus (dir. Carson Lund)
7. The Chair Company (dir. Andrew DeYoung and Aaron Schimberg)
8. In the Lost Lands (dir. Paul W.S. Anderson)
9. Kantara - A Legend: Chapter 1 (dir. Rishab Shetty)
10. Grand Tour (dir. Miguel Gomes)
OLD
The Eternal Breasts (aka Forever A Woman, 1955)
All My Life (1966, dir. Bruce Baillie)
Long Gone (1987)
Crac (1980)
An Interesting Story (1904)
Maya Miriga (1984)
White Chicks (2004)
Neige (Snow, 1981)
Rising Tones Cross (1985)
The Devil Queen (1974)
Rosaura at 10 O'Clock (1958)
Are We Done Yet? (2007)
Best New Releases
1. Caught by the Tides
2. Sirāt
3. Grand Tour
4. Misericordia
5. One Battle After Another
6. Resurrection
7. Henry Fonda for President
8. The Shrouds
9. Afternoons of Solitude
10. Blue Moon
Favorite First Viewings and Discoveries
1. Ordet - 1955, Carl Theodor Dreyer
2. To Have and Have Not - 1944, Howard Hawks
3. Day of Wrath - 1943, Carl Theodor Dreyer
4. Fat Girl - 2001, Catherine Breillat
5. The Emperor's Naked Army Marches On - 1987, Kazuo Hara
6. Stranger Than Paradise - 1984, Jim Jarmusch
7. Anatomy of a Murder - 1959, Otto Preminger
8. Love Affair(s) - 2020, Emmanuel Mouret
9. Extreme Private Eros: Love Song 1974 - 1974, Kazuo Hara
10. Last Chants for a Slow Dance - 1977, Jon Jost
11. No Bears - 2022, Jafar Panahi
12. Water and Power - 1989, Pat O'Neill
13. Modern Romance - 1981, Albert Brooks
14. Se7en - 1995, David Fincher
15. The Plains - 2022, David Easteal
16. Tempting Heart - 1999, Sylvia Chang
17. Blue Collar - 1978, Paul Schrader
18. The Abyss - 1989, James Cameron
19. A Silent Voice - 2016, Naoko Yamada
20. Unrest - 2022, Cyril Schäublin
First Viewings
- Breaking the Waves (Lars von Trier, 1996) - His best film! I say as a stan.
- Compensation (Zeinabu irene Davis, 1999)
- Inside Out 2 (Kelsey Mann, 2024) - Someone told me Inside Out 2 was a good cry about OCD. Twas.
- Mulholland Drive (David Lynch, 2001) - Never cared about it but last year felt compulsive about seeing it on the big screen. Then y'know… it was at Metrograph for a week.
- Naked Acts (Bridgett M. Davis, 1996)
- Once Upon a Time in Harlem (William Greaves, 1971/1991)
New Releases
- Sentimental Value (Trier, 2025)
- My Undesirable Friends, Part 1 (Loktev, 2025)
- Hedda (Da Costa, 2025)
- Nouvelle Vague (Linklater, 2025)
- The Secret Agent (Mendonça Filho, 2025)
- Eddington (Aster, 2025)
- One Battle After Another (Anderson, 2025)
- Apocalypse in the Tropics (Costa, 2025)
- Zodiac Killer Project (Shackleton, 2025) / Suburban Fury (Devor, 2024)
- Pee-Wee as Himself (Wolf, 2025)
I saw more good new movies on the big screen in 2025 than any year in recent memory, and I’m pre-depressed that this can only mean things will go downhill from here. But sometimes one finds treasures in the least expected places. Despite the deeper-than-usual bench of prickly, anguished, complicated female protags served up by female auteurs this year, the most dramatically-complex female character I encountered—certainly the most tragically “Shakespearean,” if Shakespeare had written his women the way he wrote his men—was the antiheroine of a two-season, nonfiction HBO series called The Vow (Jehane Noujaim & Karim Amer, 2020-2022). I’m glad I missed the week-by-week analyses during the show’s original air dates on HBO (or was it Max?), because the gossipy pleasures of those recaps might have distracted me from the majesty of the show’s eventual arc. I binge-watched all 15 episodes of it last month and now The Vow lives in my brain as a 15-hour epic movie that deployed all the tactics of nonfiction and fiction storytelling, from high-brow to low- and back again, shapeshifting from one genre to another (workplace sitcom, reality show, courtroom drama, etc.) as it burrowed deeper and deeper into the machinations of a self-improvement program (“cult,” if you will) for exec-wannabes called NXIVM. The characters you meet at the beginning are not actually the ones the show is most invested in; in fact, the presumed male protag turns out to be an unsavory, shifty enabler, with the entire ship swerving by degrees so that by the end, our attention rests on the bespectacled, HR-lady-vibes co-head of NXIVM, Nancy Salzman. Salzman’s story is one of the most morally-ambiguous versions of the ambitious American single mom to soiled business leader trajectory I’ve ever seen. She’s Lady MacBeth, Mildred Pierce and Laura Palmer’s mom, all rolled into one, with 1990s pants-suits and 2000s executive-speak concealing her fatal flaw even to herself. Somebody should turn her story into a movie or series, and then give Sarah Paulson the role of her career.
First Viewings
- Trenque Lauquen (Laura Citarella, 2022)
- Mirch Masala (Ketan Mehta, 1987)
- Ce vieux rêve qui bouge (Alain Guiraudie, 2001)
- Nightshift (Robina Rose, 1981)
- Something’s Gotta Give (Nancy Meyers, 2003)
- Maine Ocean Express (Jacques Rozier, 1986)
- The Spook Who Sat By the Door (Ivan Dixon, 1973)
- Incompreso (Luigi Comencini, 1966)
- Susana (Luis Buñuel, 1951)
- Hud (Martin Ritt, 1963)
10 best for screen slate
- My Undesirable Friends: Last Air in Moscow
- BLKNWS: Terms and Conditions
- The Secret Agent
- Marty Supreme
- Sinners
- It Was Just an Accident
- Nouvelle Vague
- Cloud
- Sorry, Baby
- Father Mother Sister Brother
Part two
- Avant Garde Ads series at Anthology Film Archives
- Arthur Jafa-Less is Morbid at MoMA
- My Name is Rainer Thompson and I’ve Lost It Completely (Elliot Caplan, revised from 2012 edit.) at Anthology
- Ericka Beckman: Drawings, paintings and films at The Drawing Center
- Slow Horses ( seasons 1through 5, mostly for Gary Oldman)
- Adolescence (Jack Thorne, Stephen Graham, Philip Barantini) on Netflix
- “Gotta Light” episode of Twin Peaks:The Return (David Lynch)
- Mary Stephen "Ombres de soie" (1978)
Favorite 2025 Releases (unranked):
On Becoming a Guinea Fowl dir. Rungano Nyoni
Universal Language dir. Matthew Rankin
To a Land Unknown dir. Mahdi Fleifel
The Mastermind dir. Kelly Reichardt
No Other Choice dir. Park Chan-wook
Sorry, Baby dir. Eva Victor
It Was Just an Accident dir. Jafar Panahi
If I Had Legs I’d Kick You dir. Mary Bronstein
Vulcanizadora dir. Joel Potrykus
Weapons dir. Zach Cregger
Plus an honorable mention to two short film album music videos:
Papota dir. Martin Piroyansky, Artists: Car7iel & Paco Amoroso
De amor (LA PELICULA) dir. Matías Alegre, Artist: un muerto mas
Favorite First Watches:
Stranger Inside (2001) dir. Cheryl Dunye
Mary Jane’s Not a Virgin Anymore (1997) dir. Sarah Jacobson
Days and Nights in the Forest (1970) dir. Satyajit Ray
The Silences of the Palace (1994) dir. Moufida Tlatli
Deep Crimson (1996) dir. Arturo Ripstein
The Singing Sheikh (1991) dir. Heiny Srour
Color Flight (1939) dir. Len Lye
Everything for a Scrambled Pancake! (1937) dir. Karel Dodal, Irena Dodalová
Nostalghia (1982) dir. Andrei Tarkovsky
Aftersun (2022) dir. Charlotte Wells
The Wolf House (2018) dir. Cristóbal León, Joaquin Cociña
Faces Places (2017) dir. Agnes Varda, JR
Both the Clipping & Turnstile performances on Tiny Desk
Favorite festival screening for an international film that I'm worried won't get U.S. distribution:
Seeking Haven for Mr. Rambo dir. Khaled Mansour
New Releases
1) The Day the Earth Blew Up: A Looney Tunes Movie (Peter Browngardt)
2) Milisuthando (Milisuthando Bongela)
3) Final Destination: Bloodlines (Zach Lipovsky, Adam Stein)
4) Henry Fonda For President (Alexander Horwath)
5) Relay (David Mackenzie)
6) Jetty (Sam Fleischner)
7) The Guardian Demon (Dan Trong Tran)
8) The Naked Gun (Akiva Schaffer)
9) Friendship (Andrew DeYoung)
10) A Big Bold Beautiful Journey (Kogonada) – worst title ever though
Favorite NYC Screenings
1) AMERICA Land of the FreeKS (Ulli Lommel, 2018) digitally and The Loss of Sexual
Innocence (Mike Figgis, 1999) on 35mm at The Roxy
2) The Ghost Goes West (René Clair, 1935) on 35mm at Film Forum
3) Black Girl (Ossie Davis, 1972) on 35mm at the New York Film Festival
4) The Comedy of Work (Luc Moullet, 1988) digitally at Film at Lincoln Center
5) Children of Men (Alfonso Cuarón, 2006) on 35mm at MoMA
6) L’Amour (Paul Morrissey, 1973) on 35mm at Anthology Film Archives
7) Splendor in the Grass (Eliz Kazan, 1961) on 35mm at Anthology Film Archives
8) Island of the Blue Dolphins (James B. Clark, 1964) on 35mm at The Deuce/Nitehawk
9) Seven Songs for Malcolm X (John Akomfrah, 1993) digitally at Anthology Film
Archives
10) In the Spirit (Sandra Seacat, 1990) on 35mm at The Roxy
Series of Year:
MALCOLM
First Viewings
- Stray Cat Rock: Delinquent Girl Boss (Yasuharu Hasebe, 1970)
- Gay USA (Arthur J. Bressan Jr., 1977)
- Rape of Love (Yannick Belon, 1978)
- One Day Pina Asked (Chantal Akerman,1983)
- Virgin Machine (Monika Treut, 1988)
- In the Spirit (Sandra Seacat, 1990)
- A New Love in Tokyo (Banmei Takahashi, 1994)
- Sapphire and the Slave Girl (L. Franklin Gilliam, 1995)
- Wavelengths (Pratibha Parmar, 1997)
- Songs in the key of moi (Guillaume Dustan, 2000)
- Get Rid of Yourself (Bernadette Corporation, 2003)
- The Time We Killed (Jennifer Todd Reeves, 2004)
- Balkan Erotic Epic - Single Channel Version (Marina Abramović, 2005)
- February Omen (Mary Rose McClain, 2025)
Recusing myself from our own wonderful 2025 releases Dracula and Urchin
(alphabetical)
- Afternoons of Solitude
- Boys Go to Jupiter
- Endless Cookie
- Familiar Touch
- Friendship
- F1
- The Mastermind
- My Undesirable Friends
- On Becoming a Guinea Fowl
- One Battle After Another
New Releases
- Caught by the Tides (Jia Zhang-ke)
- Misericordia (Alain Guiraudie)
- Afternoons of Solitude (Albert Serra)
- It Was Just an Accident (Jafar Panahi)
- One Battle After Another (Paul Thomas Anderson)
- Die My Love (Lynne Ramsay)
- Sinners (Ryan Coogler)
- Blue Moon (Richard Linklater)
- Is This Thing On? (Bradley Cooper)
- Broken Rage (Takeshi Kitano)
First Viewings (alphabetically)
- Days and Nights in the Forest (Satyajit Ray, 1970)
- Guelwaar (Ousmane Sembene, 1992)
- Helpless (Shinji Aoyama, 1996)
- India Song (Marguerite Duras, 1975)
- Joe MacBeth (Ken Hughes, 1955)
- Manuel on the Island of Wonders (Raul Ruiz, 1984)
- Once Upon a Time in China and America (Sammo Hung, 1997)
- Penda's Fen (Alan Clarke, 1974)
- Port of Shadows (Marcel Carné,1938)
- Robert Wilson and the Civil Wars (Howard Brookner, 1987)
- Sound of the Mountain (Mikio Naruse, 1954)
- Shame (Ingmar Bergman, 1968)
- Slap the Monster on Page One (Marco Bellocchio, 1972)
- Stairway to the Distant Past (Kaizo Hayashi, 1995)
- The Servant (Joseph Losey, 1963)
- The Time to Live and the Time to Die (Hou Hsiao-hsien, 1985)
- Three Businessmen (Alex Cox, 1999)
- Va, Toto! (Pierre Creton, 2017)
- Water and Power (Pat O'Neil, 1989)
- Yeast (Mary Bronstein , 2008)
First Viewings & New Releases
- 27 (Flóra Anna Buda, 2023)
- BLKNWS: Terms & Conditions (Kahlil Joseph, 2025)
- Bush Mama (Haile Gerima, 1975)
- Culloden (Peter Watkins, 1964)
- Dry Leaf (Alexandre Koberidze, 2025)
- Eephus (Carson Lund, 2024)
- Essai d’Ouverture (Luc Moullet, 1988)
- Eva (Maria Plyta, 1953)
- Evidence (Lee Anne Schmitt, 2025)
- Familiar Touch (Sarah Friedland, 2024)
- Huesera: The Bone Woman (Michelle Garza Cervera, 2022)
- Looking for Jimmy (Julie Delpy, 2002)
- Make Me a Pizza (Talia Shea Levin, 2024)
- Mare’s Nest (Ben Rivers, 2025)
- My Undesirable Friends, Part 1: Last Air in Moscow (Julia Loktev, 2024)
- Nouvelle Vague (Richard Linklater, 2025)
- September Says (Ariane Labed, 2024)
- Sinners (Ryan Coogler, 2025)
- Sirāt (Óliver Laxe, 2025)
- Song of the Exile (Ann Hui, 1990)
- Sorry, Baby (Eva Victor, 2025)
- The Ice Tower (Lucile Hadžihalilović, 2025)
- The Love That Remains (Hlynur Pálmason, 2025)
- The Vanishing Point (Banafsheh Khoshnoudi, 2025)
- Unmarried Mothers (Mi-Mi Lee, 1980)
- Vertical Roll (Joan Jonas, 1972)
- Who by Fire (Philip Lessage, 2024)
First viewings/discoveries (no order)
- The Cinefile Siege & Zabriskie Point Re-imagined (Damon Packard, 2025) (Didn’t have enough faves for ten new releases so… here we are.)
- La Danse: The Paris Opera Ballet (Frederick Wiseman, 2009)
- My House Walk-Through (PiroPito, 2016)
- Sexy Timetrip Ninjas (Yojiro Takita, 1984)
- Men From the Gutter (Lam Nai-choi, 1983)
- Orgasm: Mariko (Fumihiko Kato, 1985)
- The Boston Strangler (Richard Fleischer, 1968)
- Zig Zig (Lásló Szabó, 1975)
- Big Bad Sis (Sun Chung, 1976)
- Jyomon Rashomon & Sanzo-Hoshi (Kentaro Uchida, 2003)
- Hairpin Circus (Kiyoshi Nishimura, 1972)
- Malizia (Salvatore Samperi, 1973)
- Madam Satan (Cecil B. DeMille, 1930)
- The Girl with a Pistol (Mario Monicelli, 1968)
- The Man Without a Map (Hiroshi Teshigahara, 1968)
- Accident (Soi Cheang, 2009)
- Deep Throat in Tokyo (Kan Mukai, 1975)
- Living on the River Agano (Makoto Sato, 1992)
- Body Odyssey (Grazia Tricarico, 2023)
- The Secret Lives of Mormon Wives (2024-2025) (Long-form narrative that began in 2024, so I’m putting it here! Nyah!)
- Dark Light - Gloria Chung
- Gangsterism - Isiah Medina
- Daryl - Jayson Sloan
- Debut, Or, Objects of the Field of Debris as Currently Catalogued - Julian Castranova
- Sister Salad Days - Adesola Thomas
- Tycoon - Charlotte Zhang
- Slay the Goblin - Cameron A Granger
- Closure - Zulfikar Filandra
- Room Temperature - Dennis Cooper & Zac Farley
- Monad 5 - Dana Dawud
- While I Read This Letter - Anto Astudillo
- Barrio Triste - Stillz
- Dextra_1 - Alex Lo, Dextra Darling
- Stuck in the 90’s - M Woods
- RNG - Redacted Cut
- Thunder - Sonnie Wooden
- Hollywood Landing - Joe Wakeman
TOM TUNA’S TOP FILMS FOR 2025 (UNRANKED)
- Afternoons Of Solitude (Albert Serra)
- Baby Invasion (Harmony Korine)
- Video Haven (Alex Ross Perry)
- F1 (Joseph Kosinski)
- Cloud (Kiyoshi Kurosawa)
- Marty Supreme (Josh Safdie)
- Eddington (Ari Aster)
- Dracula (Radu Jude)
- Resurrection (Bi Gan)
- Mission Impossible: Final Reconning (Christopher McQuarrie)
TOM TUNA’S 2025 FIRST VIEWINGS & DISCOVERIES (UNRANKED)
- Mermaid Legend (Toshiharu Ikeda, 1984)
- Madam Wang’s (Paul Morrissey, 1981)
- Love Massacre (Patrick Tam, 1981)
- Blonde Death (James Dillinger, 1984)
- Foolish Wives (Erich von Stroheim, 1922)
- Fleshpot On 42nd Street (Andy Miligan,1972)
- Choose Me (Alan Rudolph, 1984)
- Night Train Murders (Aldo Lado, 1975)
- A Snake of June (Shinya Tsukamoto, 2002)
- Seeds (Andy Milgan, 1968)
- Shark Hunter (Enzo G. Castellari, 1979)
- Cuadecuc, vampir (Pere Portabella, 1970)
- Lancelot du Lac (Robert Bresson, 1974)
- Run Angel, Run! (Jack Starrett, 1969)
- The Man Who Laughs (Victor Hugo, 1928)
- The Black Cat (Edgar G. Ulmer, 1934)
- Scan Doll (Takashi Komatsu, 1996)
- Re-Wind (Celluloid Nightmares) (Hisayasu Satō, 1988)
- King Lear ( Jean-Luc Godard, 1987)
- Emanuelle in America ( Joe D’Amato)
My favorite new releases, in order of when I watched them
- Magic Farm, Amalia Ulman
- F1, Joseph Kosinski
- With Hasan in Gaza, Kamal Aljafari
- Sentimental Value, Joachim Trier
- Dry Leaf, Alexandre Koberidze
- It Was Just An Accident, Jafar Panahi
- Blue Heron, Sophy Romvari
My favorite first viewings, in order of when I watched them, except for Steamboat Bill which is #1:
- Steamboat Bill Jr., dir. Buster Keaton 1928
- Vengeance is Mine, dir. Michael Roemer 1984
- A Traveler's Needs, dir. Hong Sang-soo 2024
- Leviathan, dir. Lucien Castaing-Taylor + Véréna Paravel 2012
- Chain, dir. Jem Cohen 2004
- The Son, dir. Jean-Pierre + Luc Dardenne 2002
- Some Came Running, Vincente Minelli 1958
- ****Silent Light, Carlos Reygadas 2007***
- Daughter Rite, Michelle Citron 1979
- Om Shanti Om, Farah Khan 2007
- Report, Bruce Conner 1967
- Funny Girl, William Wyler 1968
- Compensation, Zeinabu irene Davis 1999
Best New Releases (Ranked)
- The Shrouds
- Misericordia
- The Mastermind
- Good Boy
- Die My Love
- Roofman
- Eddington
- The Secret Agent
- Father Mother Sister Brother
- Frankenstein
Favorite First Viewings and Discoveries (in order of viewing)
- The Skin I Live In
- Walk Hard: The Dewey Cox Story
- Fat Girl
- Anatomy of Hell
- Chimes at Midnight
- Fateful Findings
- The Heroic Trio
- Ashes of Time
- A Bigger Splash (1973)
- Diane
- The Outlaw and His Wife
Best New Releases
1. Invention (Callie Hernandez and Courtney Stephens)
2. The Shrouds (David Cronenberg)
3. Blue Moon (Richard Linklater)
4. The Phoenician Scheme (Wes Anderson)
5. No Sleep Till (Alexandra Simpson)
6. Fire of Wind (Marta Mateus)
7. Happyend (Neo Sora)
8. Desert of Namibia (Yoko Yamanaka)
9. The Mastermind (Kelly Reichardt)
10. It Was Just an Accident (Jafar Panahi)
Favorite First Viewings and Discoveries (in no particular order)
- The Annihilation of Fish (1999, Charles Burnett, BAM)
- The Elephant Man (1980, David Lynch, Peoria Riverfront Museum)
- Pilgrim Farewell (1980, Michael Roemer, Film Forum/Yale Film Archive, both times with Michael in person for his final public appearance)
- Four new-to-me Robert Altman films: Quintet (1979), A Perfect Couple (1979; now a major inspiration for a romantic comedy I currently write), Fool for Love (1985), and The Company (2003) — all on Criterion Channel
- Chronicle of a Disappearance (1996, Elia Suleiman, Metrograph)
- To the Left of the Father (2001, Luiz Fernando Carvalho; I have curated an LFC retrospective coming soon to BAM in March 2026!)
- Rat Life and Diet in North America (1968, Joyce Wieland, La Cinémathèque québécoise)
- Vamonos! con Pancho Villa! (1936, Fernando de Fuentes, Spectacle)
- Something’s Gotta Give (2003, Nancy Meyers, the AMC at the Glendale Americana)
- Pepi, Luci, Bom, y otras chicas del monton (1980, Pedro Almodóvar, Metrograph)
- Ryan's Daughter (1970, David Lean, American Cinémathèque)
- Mahjong (1996, Edward Yang, Metrograph)
- A Camel (1981, Ibrahim Shaddad, BAM; shout-out the great Sudanese cinema retrospective from earlier this year!)
- The Thin Line (1966, Mikio Naruse, Metrograph)
- Faat Kiné (2001, Ousmane Sembene, at home)
- Looking for Mr Goodbar (1977, Richard Brooks, Roxy)
- Siberia (2020, Abel Ferrara, at home)
- Charley Varrick (1973, Don Siegel, Metrograph)
- Notre Musique (2004, Jean-Luc Godard, Alliançe Française)
- Calcutta '71 (1972, Mrinal Sen, taught it for a class)
I'll use my extra sentence to list ten other major discoveries this year that I can't fit in my contractually-mandated 20 above, in chronological order: Scouting in Palestine (1965, Pier Paolo Pasolini); Der Leone Have Sept Cabeças (1970, Glauber Rocha); Women in Revolt! (1971, Paul Morrissey); The Dislocation of Amber (1975, Hussein Shariffe); Bugsy Malone (1976, Alan Parker); On the Silver Globe (1987, Andrzej Żuławski); The Asthenic Syndrome (1989, Kira Muratova); The White Balloon (1995, Jafar Panahi); Linda Linda Linda (2005, Nobuhiro Yamashita); and Death Proof (2007, Quentin Tarantino). I've a tense love-hate relationship with QT's films (mostly contempt), but this is (for me) easily his smartest and most interesting film, next to Jackie Brown.
Favorite First Viewings (in viewing order):
- No Such Thing (Hal Hartley) on VHS
- Flexing with Monty (John Albo) on Kanopy
- Castration Movie Anthology i. Traps (Louise Weard) at Whammy
- Open Doom Crescendo (Terry Chiu) via screener, then at Whammy with Terry hiding in our supply closet
- Highway Hypnosis (Ken Camp) at Brain Dead Studios, unearthed by Liz Purchell shortly before
- the eyes empty and the pupils burning with rage and desire (Luis Macías) from the back of Whammy watching Luis light the film on fire
- Mantra (Ken Camp) at Whammy + secret addition of Mouse Klub Konfidential (James Robert Baker) also unearthed by Liz Purchell shortly before
- Sally Cruikshank's & Martha Colburn's personal 16mm prints at Whammy w/ Jessica GZ projecting for both in attendance
- Terror Toons (Joe Castro) at Whammy via screening file with giant watermark
- Vulcanizadora (Joel Potrykus) via screener
New Releases & First Viewings
- Jennifer’s Body (Karyn Kusama, 2009)
- Shutter Island (Martin Scorsese, 2010)
- Sinners (Ryan Coogler, 2025)
- Birth (Jonathan Glazer, 2004)
- No Other Land (Basel Adra, Hamdan Ballal, Yuval Abraham, & Rachel Szor, 2024)
- Evil Does Not Exist (Ryusuke Hamaguchi, 2023)
- Medicine for Melancholy (Barry Jenkins, 2008)
- Notting Hill (Roger Michell, 1999)
- Dirty Dancing (Emile Ardolino, 1987)
- The Watermelon Woman (Cheryl Dunye, 1996)
- Synecdoche, New York (Charlie Kaufman, 2008)
Best New Releases + Festival Premieres (alphabetical order)
- 2000 Meters to Andriivka, dir. Mstyslav Chernov
- All I Had Was Nothingness, dir. Guillaume Ribot
- Dry Leaf, dir. Alexandre Koberidze
- Eddington, dir. Ari Aster
- Hamnet, dir. Chloe Zhao
- Marty Supreme, Josh Safdie
- Sirat, dir. Olivier Laxe
- The Gas Station Attendant, dir. Karla Murthy
- To the West, in Zapata, dir. David Bim
- Visitor, dir. Vytautas Katkus
Favorite First Viewings and Discoveries (alphabetical order)
- A Bay of Blood (Mario Bava, 1971)
- Black Level (Valentyn Vasyanovych, 2017)
- Gloria (John Cassavetes, 1980)
- In Spring (Mikhail Kaufman, 1929)
- Just Like the Movies (Michal Kosakowski, 2006)
- Noise of the Wind (Sergii Masloboishchykov, 2002)
- Silvered Water (Ossama Mohammed & Wiam Simav Bedirxan, 2014)
- The Breaking Point (Michael Curtiz, 1950)
- L'amore in Città (Carlo Lizzani; Michelangelo Antonioni; Dino Risi; Federico Fellini; Francesco Maselli; Alberto Lattuada, 1953)
- Lacombe, Lucien (Louis Malle, 1974)
New Releases
1. CAMP dir. Avalon Fast
2. 28 Years Later dir. Danny Boyle
3. “King Trump Drops Shit on No Kings Protesters” posted by Donald Trump
4. Nirvanna The Band The Show The Movie dir. Matt Johnson
5. Eddington dir. Ari Aster
6. “Disney’s Living Characters: A Broken Promise” by Kevin Perjurer
7. The Serpent’s Skin dir. Alice Maio Mackay
8. Jay Kelly dir. Noah Baumbach
9. Fuck My Son! dir. Todd Rohal
10. Castration Movie Anthology ii. The Best Of Both Worlds dir. Louise Weard
Top 20 Discoveries
“Homer Starlight A.I.”
Mouse Klub Konfidential
Terratoma
If Footmen Tire You, What Will Horses Do?
The Leftovers
Welcome Back, Mr. McDonald
Belly
Seven Beauties
The Parallax View
The Skin
The Newsroom
Da Hip Hop Witch
“1 cig 1 drag no filter”
Pièce touchée
In The Bedroom
“19 Y/O Me In A Bubble Bath Listening To A Mixtape (1989)”
Magic Cop
Impressions: A Journey Behind the Scenes of Twin Peaks (“You’re like a doll…in a dream”)
Madame Wang’s
“AIDS Kamikaze”
Dildo Heaven
TURTLE SANDWICH AT THE 63RD NEW YORK FILM FESTIVAL
Duh. Seeing David win big was all I needed out of this year. All that’s left is for Lincoln Center to hang the TS Polaroid portrait so I can stare at it on my 30 minute lunch break.
THINGS HIDDEN SINCE THE FOUNDATION OF THE WORLD AT THE 54TH NEW DIRECTORS/NEW FILMS
Kevin told me, without a hint of irony, that there were “five big booms” in the movie he was worried the MoMA speakers wouldn’t be able to accommodate, and I just stared at him like….
LE MAUVAIS OEIL + HOSPITAL BRUT AT SPECTACLE
Mindblowing cartoon program with a lively introduction by legendary comics merchant Gabe Fowler. In a way, Mauvais Oeil tells the story of early 2020s NY underground cartooning: a guy freaks out because he got bit by a dog, and his trauma response is to start screen-printing his own comics by hand.
HIGHEST 2 LOWEST AT VILLAGE EAST
There’s something exuberantly and shamelessly senile that I love about this movie. A lot of movies have been coming out lately that seem like they were created by drunk and/or demented people (Killers of the Flower Moon… Megalopolis… Materialists…), but this one was the most fun and least self-important. I saw this with my younger sister who doesn’t really watch movies like that, and talking about it afterwards we were both struck by the exact same bizarre moments and choices. Which to me indicates a powerful movie.
IN THE REALM OF THE SENSES AT IFC CENTER
The scene where he’s getting choked out for the first time affected me more deeply than any other work of art this year. A few weeks before I saw this we showed this movie Popcorn at the Roxy as a Cashiers thing – was mostly friends in attendance, which made this one scruffy older gentleman in a Sam Adams crewneck stand out. When I saw him again at RotS, carrying about one tote bag shy of what I think would classify him as a “bag man”, I realized I knew him as a fellow IFC “Midnight Rider” as it were. That recognition is a nice feeling: we were just two fellas at 11:55pm on a Friday night with nobody waiting for them at home, trying to catch a feeling since some Z’s were eluding us... At one point during a love scene I thought I saw him unbuckle his pants, but no, he didn’t.
4K HAPPINESS AT IFC CENTER
Okay – “The Laughing Problem”. Happiness is a very funny movie and seeing it get plenty of laughs in a theatrical setting should come as no surprise. And it’s nice that the movie’s finally been Criterionized and gets to live this second life now. What seeing it with a crowd at the IFC Center taught me, though, was that I’ve had this tacit assumption that a culture’s sense of humor grows into something more sophisticated as a society develops…. i.e. Lenny Bruce getting censored while he was alive, compared to how listening to his stuff now it sounds kinda boring and obvious. So I was curious to see if Happiness getting this rerelease and some decent distribution signaled that our culture had “caught up” to the dry-eyed bleakness of most of the gags.
The answer is yes and no. “Would you fuck me dad?” got a big “midnight screening of The Room”-esque laugh. Seymour Hoffman’s “Everybody has their pluses and minuses,” got nothing. So my conclusion is that what really gets expanded over time is the variety of taboos that are “appropriate” to joke about, and that it’s just a matter of what we’re still capable of being disgusted by. But the collective sense of humor doesn’t get any sharper. At least among people who go to IFC Center.
BEYOND THE VALLEY OF THE DOLLS AT IFC CENTER
When you read a lot of Dan Clowes interviews you start to notice he’s always referring to the “horror” of sixties counterculture, because his older brother was kind of a hippy and would have naked guys walking around the house all the time. I understood it, academically, before I saw this movie, but now I completely empathize. I left the theater ready to not like old stuff anymore.
Parliament Funkadelic - Swing Down Sweet Chariot - Mothership Connection - Houston 1976 ON YOUTUBE
This is one of the most inspiring pieces of concert footage I’ve ever seen. At the start George Clinton is so visibly frustrated that the crowd’s energy isn’t where he needs it to be, but he and Glen Goins keep chopping away at them a fucking tree trunk. And it pays off big time – as soon as the mothership swoops down and the horns drop in the crowd completely loses it. The tree topples over. According to YouTube this was their Halloween show; I’d read that up until this specific concert date they would leave a few more songs on the setlist to play after the climactic piece of stagecraft depicted here. But it killed so hard that night that they made the wise decision to make it the big finale for the rest of the tour. I read Clinton's autobiography last March and it has to be the most useful book about making art ever… In it he mentions 2025 as the year the rights to his stolen catalog would return to him – in which case this was a very good year indeed.
LOVE THE COOPERS ON DVD
I picked this up at the thrift store across the street from Village East. Something about it seemed funny – huge fan of the Garry Marshall “Holiday Universe” movies, and the cover of this boasted a similarly tepid ensemble of Hollywood schmucks (your Ed Helms’s, your Olivia Wildes, pre-CMBYN Chalamet… a grinning Anthony Mackie in a cop uniform… Fran from Girls).The most curious thing about it was as soon as you start watching it you realize it’s a Christmas movie, but the DVD packaging only indicates that the Coopers are gathering for a generic “reunion”. Why make a Christmas movie and not exploit its most marketable aspect… in fact, surely the sole impetus to have filmed it in the first place? For answers I cast my memory back to 2015, the year The Coopers came to be… another cultural skirmish was being fought over the secularity of our national institutions, this time Starbucks. Between the November Love The was released theatrically and the February it became available on home media, some people on the news got really mad that Starbucks’ seasonal coffee cup design was just solid red, and not otherwise evocative of Christmas. Oh. I have to assume these things are somehow related, that whoever oversaw Coopers’ physical release rollout chose to side-step this awkward climate entirely, and include just enough dog whistles to reach a Christmas-loving audience. Like etching a small, unassuming cartoon fish on a doorframe to evade the centurions.
That was a satisfying enough answer but the gears were still turning, and thinking about Coopers in the context of “2015” prompted me to look at its production schedule. During pre-production Future released Monster. Beast Mode came out during filming. 56 Nights debuted while the movie was in post. Did Chalamet play “Codeine Crazy” for Diane Keaton between takes? At any point did Nancy Richardson, the editor, overhear “March Madness” on the radio while she was trying to find the “rhythm” of the film? Does it feel like something was in the air only because I can consolidate these things in retrospect, or was there truly something going on that I can only recognize ten years later?
Before we got to the DVD menu five movie trailers played, none of which I or either of my wonderful female roommates Margeaux and Risa had ever heard of (one was quite bluntly titled “The Big Wedding”... another “The Choice”). I had a manic three week period this year after I quit drinking alcohol, during which I purchased a bunch of used DVDs… stuff like this is what I think I was going after. I don’t relate so much to the impulse to own the highest definition Blu-ray of my favorite film, but the refuse one excavates when they buy a bunch of crap excites me.
Favorite First Viewings and Discoveries
- C.H.U.D. (1984, Douglas Cheek) – Film Society of Lincoln Center (35mm)
- The Changeling (1980, Peter Medak) – Filmothèque du Quartier Latin (DCP)
- Days and Nights in the Forest (1970, Satyajit Ray) – Gene Siskel Film Center (DCP)
- Hookers on Davie (1984, Janice Cole & Holly Dale) — Canadian International Pictures blu-ray
- In the Spirit (1990, Sandra Seacat) – Roxy Cinema (35mm)
- Jean’s Wife (1974, Yannick Bellon) — L’Alliance New York (DCP)
- La Lectrice (1988, Michel Deville) – Ok.ru streaming
- The Longest Nite (1997, Patrick Yau & Johnnie To) — Nitehawk Cinema (35mm)
- Love with the Proper Stranger (1963, Robert Mulligan) — Kino Lorber blu-ray
- Memory Lane (1926, John M. Stahl) – Museum of Modern Art (35mm)
- Mr. and Mrs. Bridge (1990, James Ivory) – Paris Theater (35mm)
- Nightshift (1981, Robina Rose) – Anthology Film Archives (DCP)
- No Sex Last Night (1996, Sophie Calle) – YouTube streaming
- Outrageous! (1977, Richard Benner) – IFC Center (35mm)
- Phone Booth (2002, Joel Schumacher) – Brooklyn Academy of Music (35mm)
- Racing with the Moon (1984, Richard Benjamin) — Fun City Editions blu-ray
- La Salamandre (1971, Alain Tanner) – Le Cinéma Club streaming
- Short Eyes (1977, Robert M. Young) – Film Forum (35mm)
- Stuck (2007, Stuart Gordon) – Criterion Channel streaming
- White Chicks (2004, Keenen Ivory Wayans) – Delta in-flight streaming
- Nan Goldin: This Will Not End Well at Berlin's Neue Nationalgalerie
- The Black And The Green (St. Clair Bourne, 1983)
- Carlos (Olivier Assayas, 2010)
- Mi Vida Loca (Allison Anders, 1993)
- Solo Sonny (Konrad Wolf, 1980)
Revelations From Il Cinema Ritrovato:
- Winter Kept Us Warm (David Secter, 1968)
- Mordets Melodi (Melody Of Murder) (Bodil Ipsen, 1944)
- Erotikon (Gustav Machatý, 1929)
- Chaos (Coline Serreau, 2001)
- Strongroom (Vernon Sewell, 1962)
- And That Was Monday Morning (Luigi Comencini, 1959)
- Flicka Och Hyacinter (The Girl With Hyacinths) (Hasse Ekman, 1950)
Two By Henry Jaglom:
- Déjà Vu (1997)
- Eating (1990)
Favorite First Viewings and Discoveries
- Un Simple Parole/A Single Word (2014)
- Rosa La Rose (1986)
- Gushing Prayer (1971)
- Sandra (1965)
- Bye Bye Love (1974)
- Colobane Express (1999)
- Crimes of Passion (1984)
- John and Mary (1965)
- Batch 81 (1982)
- An Open Window (2005)
- Rosa La Rose (1986)
- Homicidal (1961)
- The Locked Door (1929)
- Crimes of Passion (1984)
- Leila and the Wolves (1984)
- Will (1981)
- Love Hotel (1985)
- Un Simple Parole (2014)
Best New Releases
- On Becoming A Guinea Fowl
- Magellan
- A Poet
- My Father's Shadow
- Peter Hujar's Day
- One Battle After Another
- Pillion
- No Other Choice
- The Testament of Ann Lee
- If I Had Legs I'd Kick You
First Viewings
- American Dreams: Lost and Found (1984, James Benning) —16mm, Music Box Theatre
- Better Be Careful (1986, Heather McAdams) — 16mm, Private Screening
- Desperate Living (1977, John Waters) — 35mm, Music Box Theatre
- Electric Boogie (1983, Freke Vuijst) — 16mm, Private Screening
- L'Eye (Xander Marro, 2004) — 16mm, Chicago Film Society at Music Box Theatre
- Fear of Fear (1975, Rainer Werner Fassbinder) — 35mm, Chicago Film Society at the Gene Siskel Film Center
- Hall of Mirrors (Warren Sonbert, 1966) — 16mm, Doc Films
- June (2012, Leopoldo Bloom) — 35mm, Celluloid Now
- L for Leisure (2014, Whitney Horn & Lev Kalman) — DCP, Music Box Theatre
- The Legend of Lylah Clare (1968, Robert Aldrich) — Warner Archive DVD
- Lightning (1952, Mikio Naruse) —35mm, Chicago Film Society at the Gene Siskel Film Center
- MURDER and murder (1996, Yvonne Rainer) — DCP, Music Box Theatre
- Obey Your Air Raid Warden (1942, Robert Davis & Harry Hilfinger) — 16mm, Celluloid Now
- Pitcher of Colored Light (2007, Robert Beavers) —16mm, Doc Films
- Providence (1977, Alain Resnais) — 16mm, Private Screening
- The Shepherd of the Hills (1941, Henry Hathaway) - Kino Lorber Blu-ray
- Tea and Sympathy (1956, Vincente Minnelli) — 35mm, Chicago Film Society at the Gene Siskel Film Center
I had a baby this summer, so all of my moviewatching was done pregnant or postpartum. Reviewing this list, it definitely influenced what resonated with me. There is no better birth prep than Extreme Private Eros, and no better tone-setter for a new parent than Udo Kier's introduction in the last episode of Season One of The Kingdom.....
- Extreme Private Eros: Love Song 1974 (dir. Kazuo Hara) at American Cinematheque for This is Not a Fiction
- The Kingdom, seasons 1&2 (dir. Lars von Trier) at home (long live Udo Kier)
- In the Spirit (dir. Sandra Seacat) at Brain Dead, courtesy of Hollywood Entertainment
- Last Chants for a Slow Dance (dir. Jon Jost) at American Cinematheque for Bleak Week
- Hamburger America (dir. George Motz) at home
- Kenny & Company (dir. Don Coscarelli) at my friend's house on Halloween
- The Sandpiper (Vincente Minelli) at home
In alphabetical order...
New Releases
- 100,000,000,000,000 by Virgil Vernier
- Baby Assassins 3 by Yugo Sakamoto
- Broken Rage by Takeshi Kitano
- Invention by Callie Hernandez and Courtney Stephens
- Marty Supreme by Josh Safdie
- Naked Gun by Akiva Schaffer
- One Battle After Another by Paul Thomas Anderson
- The Phoenician Scheme by Wes Anderson
- Warfare by Alex Garland
- What Does That Nature Say to You by Hong Sang-soo
First Viewings
- Ball of Fire by Howard Hawks (1941)
- Chimes at Midnight by Orson Welles (1965)
- Yakuza Justice: Erotic Code of Honor by Tatsumi Kumashiro (1973)
- Hatari! by Howard Hawks (1962)
- Riki-Oh: The Story of Ricky by Lam Tai-Choi (1991)
- The Miracle of Morgan’s Creek by Preston Sturges (1944)
- The Rapture by Michael Tolkin (1991)
- Mixed Blood by Paul Morrissey (1984)
- Drunken Master II by Lau Kar-Leung (1994)
- A Sense of History by Mike Leigh (1992)
New Releases
- My Undesirable Friends—Part One: Last Air in Moscow
- It Was Just an Accident
In 2025, I saw more great works of “expanded cinema” performed than at any other point in my life. These included:
- As a Tree Walks to Its Forest + Mounds Above the Earth (Jiayi Chen)
- untitled (three moons) (Tetsuya Maruyama)
- Two Projectors & a Barrel Full of Monkeys (Bruce McClure)
- infinite column (arc)
- Anna (Chae Yu)
Bonus tracks:
- Muv-Luv (a series of heady, metaphysical, pornographic “visual novels”)
- Old video of ’80s DC hardcore bands on YouTube (especially Rites of Spring)
- The outpouring of love for the Video Data Bank and their incredible team after a round of unconscionable staffing cuts
best of 2025 (ranked):
1. Resurrection
2. Grand Tour
3. Caught by the Tides
4. By the Stream
5. Afternoons of Solitude
6. Sirāt
7. A Big Bold Beautiful Journey
8. Father Mother Sister Brother
9. Presence
10. Marty Supreme
10 Honorable mentions: Eephus, Eddington, Cloud, When Fall Is Coming, My Undesirable Friends: Part 1, The Phoenician Scheme, F1, The Smashing Machine, Triumph of the Heart, Mission: Impossible - The Final Reckoning
Here are of my 20 favorite first viewings and discoveries:
I Are You You Am Me (1982, Nobuhiko Obayashi) and the entire Obayashi ’80s series at Japan Society
Essene (1972, Frederick Wiseman) and the entire Frederick Wiseman: An American Institution series at Film at Lincoln Center
What’s Up, Doc? (1972, Peter Bogdanovich)
The Night of the Shooting Stars (1982, Paolo Taviani & Vittorio Taviani)
Word and Utopia (2000, Manoel de Oliveira) and the entire Mirror of Life: Manoel de Oliveira 1996—2004 series at BAM
Only Angels Have Wings (1939, Howard Hawks)
M (1931, Fritz Lang)
The Long Gray Line (1955, John Ford)
Under the Sun of Satan (1987, Maurice Pialat)
Yearning (1964, Mikio Naruse) and the entire Naruse series at Japan Society & Metrograph
Hatari! (1962, Howard Hawks)
Dial M for Murder (1954, Alfred Hitchcock)
Happiness (1998, Todd Solondz)
Shanghai Express (1932, Josef von Sternberg)
Dream of Light (1992, Víctor Erice)
Street Angel (1928, Frank Borzage)
What’s Opera, Doc? (1957, Chuck Jones)
Perceval (1978, Eric Rohmer)
American Stories: Food Family and Philosophy (1989, Chantal Akerman) and the entire Chantal Akerman series at MoMA
John Ford and Throwing (2022, Sho Miyake & Shiguéhiko Hasumi) and the entire Shiguéhiko Hasumi: Another History of the Movie in America and Japan series at Japan Society
New Releases
- Weapons (Zach Cregger, 2025)
- Bring Her Back (Danny Philippou & Michael Philippou, 2025)
- One Battle After Another (Paul Thomas Anderson, 2025)
- Peacemaker Season 2 (James Gunn, 2025)
- Marshmallow (Daniel DelPurgatorio, 2025)
- Strange Harvest (Stuart Ortiz, 2025)
- V/H/S Halloween (2025)
- Black Bag (Steven Soderbergh, 2025)
- Cloud (Kiyoshi Kurosawa, 2024)
- No Other Choice (Park Chan-wook, 2025)
First Viewings
- Dr. Mabuse, the Gambler (Fritz Lang, 1922)
- Queen Kelly (Erich von Stroheim, 1932)
- The Black Cat (Edgar G. Ulmer, 1934)
- A Woman’s Face (George Cukor, 1941)
- Brighton Rock (John Boulting, 1948)
- Strangers on a Train (Alfred Hitchcock, 1951)
- The Ladies Man (Jerry Lewis, 1961)
- The Fabulous Baron Munchausen (Karel Zeman, 1962)
- The Killers (Don Siegel, 1964)
- Who Killed Teddy Bear? (Joseph Cates, 1965)
- The White Bird Marked with Black (Yuri Illienko, 1971)
- Charley Varrick (Don Siegel, 1973)
- The Devil, Probably (Robert Bresson, 1977)
- The Social Life of Small Urban Spaces (William H. Whyte,1980)
- Breathless (Jim McBride, 1983)
- Mixed Blood (Paul Morrissey, 1984)
- American Hunter (Arizal, 1988)
- The Seats of the Alcazar (Luc Moullet, 1989)
- Deux (Werner Schroeter, 2002)
- Reflections of Evil (Damon Packard, 2002)
Best New Releases (in alphabetical order)
- Afternoons of Solitude (Albert Serra)
- Blue Moon (Richard Linklater)
- Cloud (Kiyoshi Kurosawa)
- Dracula (Radu Jude)
- Harvest (Athina Rachel Tsangari)
- Marty Supreme (Josh Safdie)
- The Mastermind (Kelly Reichardt)
- NO! YOU’RE WRONG or: Spooky Action at a Distance (Crispin Hellion Glover)
- One Battle After Another (Paul Thomas Anderson)
- Sirât (Oliver Laxe)
- Doctor’s Dream (Ken Jacobs, 1978)
- Bedtime Stories: Railways (Harun Farocki, 1977)
- Pushing Hands (Ang Lee, 1991)
- Babygirl (Halina Reijn, 2024)
- Railway Sleepers (Sompot Chidgasornpongse, 2016)
- The Iron Horse (John Ford, 1924)
- File No. 2304 (A.S.M. Kobayashi, 2024)
- The Tale of the Princess Kaguya (Isao Takahata, 2013)
- Wistful Wilderness (Digna Sinke, 2010)
- Wife (Mikio Naruse, 1953)
- Yearning (Mikio Naruse, 1964)
- The Gloria of Your Imagination (Jennifer Reeves, 2024)
- The Pawnshop (Charlie Chaplin, 1916)
- Let the Summer Never Come Again (Alexandre Koberidze, 2017)
- The More I Zoom in on the Image of These Dogs, The Clearer it Becomes That They Are Related to the Stars (Alexandre Koberidze, 2023)
- There’s Always Tomorrow (Douglas Sirk, 1956)
- The Flavor of Green Tea over Rice (Yasujirō Ozu, 1952)
- Man number 4 (Miranda Pennell, 2024)
- A Child Already Knows (Tiffany Sia, 2024)
- Nous (Alice Diop, 2020)
New Releases
- Sex
- Dreams
- Love
- If I Had Legs I'd Kick You
- It Was Just An Accident
- Toxic
First Viewings
- Picnic At Hanging Rock
- Do Not Expect Too Much From The End Of The World
- Lust, Caution
- Happening
First Viewings & New Releases
- L'Atalante (1934)
- Lost Highway (1997)
- One Battle After Another (2025)
- The Taking of Pelham One Two Three (1974)
- Hiroshima Mon Amour (1959)
- Police Story (1985)
- Sentimental Value (2025)
- My Night at Maud's (1969)
- Beau Travail (1999)
- Sirât (2025)
- If I Had Legs I'd Kick You (2025)
- The Plague (2025)
- Autumn Sonata (1978)
New Releases
One Battle After Another
Marty Supreme
The Testament of Ann Lee
Sirat
If I Had Legs I'd Kick You
Weapons
The Secret Agent
Sinners
Blue Moon
Eddington