Monday, Jenni Olson presents Arthur Bressan Jr's Juice at the 4 Star, Cry-Baby and Vertigo (repeats Wednesday) are at the Alamo Drafthouse New Mission, Odyssey Film Institute presents Destination Moon (on 16mm) at the Roxie, Creed is at the Balboa, Art Spiegelman: Disaster is My Muse (repeats Thursday), Fantastic Mr. Fox, and Mutiny on the Bounty (1962) are at the Lark, and the Grand Lake's David Lynch tribute continues with Blue Velvet and Wild at Heart.
Tuesday, The Philadelphia Story is at the Orinda, Def by Temptation is this week's Terror Tuesday pick at the Drafthouse, San Francisco graffiti doc Piece by Piece is at the Balboa, and the Grand Lake's Lynch tribute winds down with Dune and Eraserhead (both repeating Wednesday).
Wednesday, Eastern Condors (on 35mm) and Dolemite Is My Name are at the Drafthouse, Gaucho Gaucho continues Leila Weefur's series Landscapes of Myth: Westerns After The Searchers series at BAMPFA, Born Innocent: The Redd Kross Story, Daisies, All We Imagine as Light, and Lost in Translation (on 35mm) are at the Roxie, The Host is at the Balboa, Funny Games (1997, repeats Thursday) is at the Vogue, The Fuzztones Vs The World is at the 4 Star, and Film Flop Bingo presents Replicant at the New Parkway.
Thursday, Oscar Micheaux: The Superhero of Black Filmmaking and Raoul Peck's Ernest Cole: Lost and Found are at the Smith Rafael, the Marcello Mastroianni centenary continues at BAMPFA with rarity According to Pereira (on 35mm), Daricheh Cinema presents a new Iranian film, Breakfast with Giraffes, at the Roxie, Psycho (on 16mm, repeats Friday) is at the Balboa, Paprika is at the New Parkway, and the Stanford has a Josef von Sternberg/Marlene Dietrich double of The Blue Angel and The Devil is a Woman (both on 35mm, repeating Friday).
Friday, BAMPFA's Pabst series wraps up with The Shanghai Drama while their westerns series continues with Maliglutit, a direct, Arctic response to the series' lodestone film, John Ford's The Searchers, Titane is at the Drafthouse, Art Spiegelman: Disaster Is My Muse opens at the Roxie, Liza: A Truly Terrific Absolutely True Story opens at the Roxie and Smith Rafael, and Dune is at the Balboa.
Saturday, Experiment in Terror (followed by a live DJ set as part of SF Music Week), Interstellar, and Parasite (2019) are at the Drafthouse, All We Imagine as Light screens at BAMPFA, who also begin a new series devoted to Swedish actor-turned-director Mai Zetterling with the Zetterling-starring, Ingmar Bergman-scripted Torment, The Watermelon Woman continues the Roxie and Frameline's 40 Years of Queer series, the Smith Rafael presents Ex-Husbands with director Noah Pritzker and star Griffin Dunne in person, Blade Runner 2049 is at the balboa, Howl's Moving Castle and Pan's Labyrinth (both repeating Sunday) are at the 4 Star, Superbad is at the New Parkway, the Niles Essanay Silent Film Museum presents James Cruze's The Covered Wagon, the Stanford screens an Ernst Lubitsch double of The Marriage Circle (NB: unusual for the Stanford, this does not repeat on Sunday) with live Wurlitzer organ accompaniment and One Hour with You (repeats Sunday), and Other Cinema returns with a season-opening selection of animation, including new work by Jeremy Rourke.
Sunday, BAMPFA's Zetterling series continues with early Bergman feature Music in the Dark, Polite Society is at the New Parkway, and the Stanford screens Lubitsch's The Student Prince of Old Heidelberg with live Wurlitzer accompaniment.
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